| María Barranco | ... | Azucena | |
| Kiti Manver | ... | Verónica | |
| Antonio Resines | ... | Ángel | |
| Pepo Oliva | ... | Pereda | |
| José Amezola | ... | David | |
| Luis Ciges | ... | José María | |
| Caco Senante | ... | Casares | |
| Maite Blasco | ... | Asunción | |
| Klara Badiola | ... | Sor Inés (as Clara Badiola) | |
| Pedro Díez del Corral | ... | Blasco | |
| Pilar Bardem | ... | Begoña | |
| Ramón Barea | ... | Aniceto | |
| Ramón Goyanes | ... | Pascual | |
| Ion Gabella | ... | Macario (as Jon Gabella) | |
| Álex Angulo | ... | Genaro | |
| Julio Vélez | |||
| Saturnino García | ... | Romero | |
| José Antonio Rodríguez | |||
| Felipe Vélez | ... | Alcober | |
| Juan María Segues | ... | Mórquez (as Juan María Segués) | |
| Aurora López Montero | ... | Juanita | |
| Chete Lera | ... | Jefe Portugueses | |
| José Antonio de Miguel | ... | Portugués | |
| Txema Blasco | ... | Carojoula | |
| Marcela Ateca | |||
| José Antonio Fernández Espósito | |||
| Toñi Doncel | (as María Antonia Doncel) | ||
| Inma Babel | |||
| Vicente Fernández | |||
| Pilar García | |||
| Eloy Beato |
Dirigida por | |||
| Enrique Urbizu | |||
Créditos del guión(en orden alfabético) | ||
| Luis Marías | screenplay | |
| Luis Marías | story | |
Producida por | |||
| Joaquín Trincado | .... | producer | |
| Gaizka Uraga | .... | executive producer | |
Música original por | |||
| Bernardo Bonezzi | |||
Fotografía por | |||
| Carles Gusi | |||
Montaje por | |||
| Ana Murugarren | |||
Diseño de producción por | |||
| Álex de la Iglesia | |||
Dirección artística | |||
| Álex de la Iglesia | (as Alejandro de la Iglesia) | ||
Decorados | |||
| Berástegui | (setting) | ||
| Burton | (setting) | ||
| Eloy Ganuza | (setting) | ||
Diseño de vestuario por | |||
| Patricia Monné | |||
Departamento de maquillaje | |||
| Caitlin Acheson | .... | makeup artist | |
| Eva Aguirre | .... | assistant makeup artist | |
| Montse Boqueras | .... | assistant makeup artist | |
| Manolo Carretero | .... | hair stylist | |
| Amaia Solaguren | .... | assistant hair stylist | |
Dirección de producción | |||
| Mikel Nieto | .... | assistant production manager | |
| Silvia Pérez | .... | assistant production manager | |
| Fernando Victoria de Lecea | .... | production manager | |
Departamento de Arte | |||
| Manuel Ares | .... | construction department | |
| José Luis Arrizabalaga | .... | assistant set decorator (as José Luis Arrizabalaga 'Arri') | |
| Francisco Javier Bahamonde | .... | construction department | |
| Bastida | .... | graphic designer | |
| Biaffra | .... | assistant set decorator (as Arturo García 'Biaffra') | |
| Luis Miguel Díez | .... | construction department | |
| Oscar Mesanza | .... | property master | |
| José María Ruiz | .... | construction department | |
| Begoña Zuaznabar | .... | property master | |
Departamento de sonido | |||
| Luis Castro | .... | sound effects | |
| Roy Charman | .... | direct sound | |
| David Pearson | .... | assistant sound | |
| Alfonso Pino | .... | sound mixer | |
Efectos especiales | |||
| John Baker | .... | special effects | |
| Antonio Balandin | .... | special effects | |
| Jesús Peña | .... | special effects assistant | |
| Kit West | .... | special effects | |
Especialistas | |||
| Miguel Soler | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Toni Alfonso | .... | electrician | |
| Iñigo Bach | .... | electrician | |
| Teresa Burgos | .... | first assistant camera | |
| Carlos Cabeceran | .... | Steadicam operator | |
| Elisenda Cardona | .... | second assistant camera | |
| José Manuel Gil | .... | electrician | |
| José Gusi | .... | camera operator (as Josep Gusi) | |
| Sergi Neach | .... | electrician | |
| José Arsilio Rodríguez | .... | still photographer | |
| Gorka Rotaetxe | .... | camera trainee | |
| Oriol Wendenburg | .... | electrician | |
Departamento de vestuario | |||
| Massimo Dutti | .... | wardrobe | |
| Elena Gómez | .... | assistant costume designer | |
| Peris | .... | wardrobe | |
| Eugenio Sein | .... | wardrobe | |
Departamento de Edición | |||
| Luis Álvarez | .... | first assistant editor | |
| Pepita Blanco | .... | second assistant editor | |
| Maru Solares | .... | second assistant editor | |
| Antxon Zabala | .... | first assistant editor (as Antton Zabala) | |
Departamento de Transporte | |||
| Jorge Benavent | .... | driver: camera car (as Benavent) | |
| Benito López de Abetxuko | .... | transportation coordinator | |
Gracias | |||
| Alba | .... | in memory of | |
| Roy Charman | .... | in memory of | |
| José Manuel Gil García | .... | in memory of | |
| Vitoriano Martín | .... | thanks | |
| Pepa Marzo | .... | thanks | |
| Juan Pedro Unzueta | .... | thanks | |
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| Kasbah | X | Al límite | Flores negras | La caja 507 |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | IMDb Suspenso section |
| IMDb Spain section | Add this title to MyMovies |
Well, maybe not quite, but certainly sinister, maccabre, black: down in the lower suburbs of Bilbao, the streets are teeming.
American-styled gutsy cop-thriller, but with that touch which tells you it is Spanish, or even more touch which tells you it is Basque, not forgetting that half the film had Italians working on it, `Todo por la Pasta' might have been something else if it had tried, which it did not, so it is what it is: a rather devilish insight into some rather sinister people doing rather nasty things to get their grubby maulers on a few millions ill-gotten from a bank.
All right for those who like this kind of heavy-handed cop and criminal story which has already been told hundreds of different ways before. The playing is, as expected, pretty good, even Resines is not bad. But it is not a film I would stay up to watch again.