Exclusive: Shadow of the Vampire duo Richard Johns and E. Elias Merhige have launched a TV and film shingle.
Promethean Pictures will be based in the UK and forge projects for the global market. Its first project, dog survival story Howl, is already in development.
Merhige is an auteur who helmed 2000’s Shadow of the Vampire with Johns, which starred John Malkovich and Willem Dafoe and was twice Oscar nominated. Merhige was also behind 2004’s Suspect Zero starring Ben Kingsley and Aaron Eckhart, while other credits include Begotten, Polia & Blastema: A Cosmic Opera and Din of Celestial Birds, which were showcased last weekend in the Screen of the Sky immersive experience at the Brussels Planetarium.
Merhige is joining with his long-time collaborator Johns, the Chivalry producer who only last year launched Argo Films. Argo is making Disney+’s The Shepherd starring John Travolta and a BBC-developed drama series about...
Promethean Pictures will be based in the UK and forge projects for the global market. Its first project, dog survival story Howl, is already in development.
Merhige is an auteur who helmed 2000’s Shadow of the Vampire with Johns, which starred John Malkovich and Willem Dafoe and was twice Oscar nominated. Merhige was also behind 2004’s Suspect Zero starring Ben Kingsley and Aaron Eckhart, while other credits include Begotten, Polia & Blastema: A Cosmic Opera and Din of Celestial Birds, which were showcased last weekend in the Screen of the Sky immersive experience at the Brussels Planetarium.
Merhige is joining with his long-time collaborator Johns, the Chivalry producer who only last year launched Argo Films. Argo is making Disney+’s The Shepherd starring John Travolta and a BBC-developed drama series about...
- 3/28/2023
- by Max Goldbart
- Deadline Film + TV
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Baskin (Can Evrenol)
It starts off with a late night dinner scene between a quintet of cops telling crazy stories and losing their temper with the help straight out of a Tarantino movie and continues on its descent to hell with a writhing, mashing, sexual bloodletting orgy calling to mind E. Elias Merhige’s Begotten. This is Can Evrenol‘s debut feature Baskin (adapted from his...
Baskin (Can Evrenol)
It starts off with a late night dinner scene between a quintet of cops telling crazy stories and losing their temper with the help straight out of a Tarantino movie and continues on its descent to hell with a writhing, mashing, sexual bloodletting orgy calling to mind E. Elias Merhige’s Begotten. This is Can Evrenol‘s debut feature Baskin (adapted from his...
- 3/25/2016
- by TFS Staff
- The Film Stage
For Astoria’s Museum of the Moving Image to house an event like the First Look series—opening this Friday and running through January 18—is a cinematic blessing. Here, in its fourth year, you’ll find undistributed gems, but, though its similarities to other festivals halt with “undistributed,” the curation of the series is precise and impeccable, giving an illusion of intimacy. This year, with selections from Omer Fast, Gina Telaroli, and Jessica Hausner, there’s a stress on waking nightmares; films whose atmospheres are bone chilling in both overt and subtle ways.
Ville Marie
Opening with a title card dedicating the film to Carlos Lorenzo, Ville Marie—one of the many experimental films being exhibited during the series—intentionally or otherwise becomes a living fever dream, its use of double and reverse exposure reminiscent of E. Elias Merhige’s horror experiment Begotten. That film sought to expose the horror of creation,...
Ville Marie
Opening with a title card dedicating the film to Carlos Lorenzo, Ville Marie—one of the many experimental films being exhibited during the series—intentionally or otherwise becomes a living fever dream, its use of double and reverse exposure reminiscent of E. Elias Merhige’s horror experiment Begotten. That film sought to expose the horror of creation,...
- 1/6/2015
- by Kyle Turner
- MUBI
It’s that wonderful, frightful, cool and creepy time of year again, when everything including the leaves on the trees are dying and our taste buds are craving sugary sweets and pies made from the guts of our jack-o-lanterns. It’s October, which means Halloween is nearly upon us! Get you costumes completed, your home haunts constructed and your candy collected for trick’r treaters, because you have to make time to watch some of the scariest movies this time of year.
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
- 10/30/2013
- by Movie Geeks
- WeAreMovieGeeks.com
Looking back at 2012 on what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2012—in theaters or at a festival—and creatively pair it with an old film they also saw in 2012 to create a unique double feature.
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
- 1/9/2013
- by Daniel Kasman
- MUBI
Beyond The Black Rainbow is a feast for the ears and the eyes. It is a science-fiction film that wears its inspirations on its sleeve, but at the same time it is quite unlike anything that you’ve likely seen before. The fact that this is a first-time feature from director Panos Cosmatos is nothing short of stunning. Veteran directors do not often create films with such a self-assured sense of style and control. Of course, it can be argued that a lot of directors eschew those trappings in order to appeal to the most broad audience possible, the lowest common denominator, if you will. Cosmatos doesn’t have that kind of aspiration. His is a singular vision. It may not be everyone’s fancy, but for those of you who enjoy challenging cinema, Beyond The Black Rainbow is full of rewards.
The film takes place in the year 1983 and...
The film takes place in the year 1983 and...
- 6/22/2012
- by Nick
- WeAreMovieGeeks.com
This post will self-destruct in two weeks...well, not exactly, but the videos below will be since Google unceremoniously announced the end of Google Video over the weekend that they are putting a kibosh on the video service as of April 29th that unlike the one they eventually bought, YouTube, allowed users to upload video longer than 10 minutes. This development won't be mourned by many, as the video quality was never that great and since 2009, users lost the ability to upload videos, so it became something of a barren wasteland in terms of content.
However, unrestricted by time and largely ungoverned, the site also became the place on the Internet where cinema's orphans could be widely seen, either because they now belong to the public domain or because issues legal or otherwise have prevented their release through traditional means. Naturally, this meant there was plenty of piracy on the site of more recent films,...
However, unrestricted by time and largely ungoverned, the site also became the place on the Internet where cinema's orphans could be widely seen, either because they now belong to the public domain or because issues legal or otherwise have prevented their release through traditional means. Naturally, this meant there was plenty of piracy on the site of more recent films,...
- 4/18/2011
- by Stephen Saito
- ifc.com
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