Kafka works during the day at an insurance company, where events lead him to discover a mysterious underground society with strange suppressive goals.Kafka works during the day at an insurance company, where events lead him to discover a mysterious underground society with strange suppressive goals.Kafka works during the day at an insurance company, where events lead him to discover a mysterious underground society with strange suppressive goals.
- Awards
- 1 win & 2 nominations
Hilde Van Mieghem
- Female Anarchist
- (as Hilde Van Meighem)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJust before going to the Castle, Kafka (Jeremy Irons) ask Bizzlebek (Jeroen Krabbé) to burn his manuscripts if he never came back. Bizzlebek replies "such an extraordinary request". This is in reference of the real request Kafka asked his friend Max Brod before dying. Brod couldn't go with the request, and had Kafka's work published.
- GoofsIn Gabriela's house, Inspector Grubach holds a record with a label of the Czech recording company Supraphon. The Supraphon name was first trademarked in 1932, eight years after Kafka's death.
- Quotes
Chief Clerk: Oh, I know you were friendly with that poor fellow, what was his name -
Franz Kafka: Raban... Eduard Raban.
Chief Clerk: Yes, yes, Raban. But he was too like you. Even more like you, perhaps, than you are yourself.
- SoundtracksEddie's Dead (Main Title)
Composed by Cliff Martinez
(p) & © 1992 Virgin Records America, Inc.
distributed by WEA through arrangement with Atlantic Records.
Featured review
'Why should today be different from any other?' - why should we even have dreams, huh?
Not very accessible film about supposed parts of the life of Franz Kafka with fantastic distinctive music and great photography. I really think Soderbergh is one of few (Welles, Gilliam, Cronenberg, Roeg maybe) who are able to create something like this. He is one of the most versatile directors of our time. Only his third feature (right after 'Sex, Lies & Videotape') and definitely his best besides Traffic. This film is one of the reasons independent filmmaking is the only way to achieve great cinematic creations. Kafka's twilight and absurd world is really portrayed in an excellent way.
The cinematography by Walt Lloyd is absolutely brilliant. The best of all films from the nineties. It was probably inspired by Brazil (1985), The Third Man (1949) and The Trial (1963). I wish this film was 60 minutes longer. If only to give the cast more time to perform completely. The acting isn't uplifting, but definitely not bad. All the actors had better performances in other movies (Theresa Russell in Track 29, Jeremy Irons in Dead Ringers, Jeroen Krabbe in King of the Hill, Ian Holm in Brazil).
10 points out of 10 ;-)
The cinematography by Walt Lloyd is absolutely brilliant. The best of all films from the nineties. It was probably inspired by Brazil (1985), The Third Man (1949) and The Trial (1963). I wish this film was 60 minutes longer. If only to give the cast more time to perform completely. The acting isn't uplifting, but definitely not bad. All the actors had better performances in other movies (Theresa Russell in Track 29, Jeremy Irons in Dead Ringers, Jeroen Krabbe in King of the Hill, Ian Holm in Brazil).
10 points out of 10 ;-)
helpful•336
- rogierr
- Jul 12, 2001
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Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $1,059,071
- Opening weekend US & Canada
- $40,814
- Dec 8, 1991
- Gross worldwide
- $1,059,071
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.85 : 1
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