| Fotos (ver todos los 17 | slideshow) |
| Sam Waterston | ... | Matthew Trant | |
| Tess Harper | ... | Abigail Trant | |
| Gail Strickland | ... | Marie Foster | |
| Reese Witherspoon | ... | Dani Trant | |
| Jason London | ... | Court Foster | |
| Emily Warfield | ... | Maureen Trant | |
| Bentley Mitchum | ... | Billy Sanders | |
| Ernie Lively | ... | Will Sanders | |
| Dennis Letts | ... | Doc White | |
| Earleen Bergeron | ... | Mrs. Sanders | |
| Anna Chappell | ... | Mrs. Taylor | |
| Brandi Smith | ... | Missy Trant | |
| Sandi Smith | ... | Missy Trant | |
| Derek Ball | ... | Foster Twin | |
| Spencer Ball | ... | Foster Twin |
Dirigida por | |||
| Robert Mulligan | |||
Créditos del guión(WGA) | ||
| Jenny Wingfield | (written by) | |
Producida por | |||
| Bill Borden | .... | associate producer | |
| William S. Gilmore | .... | executive producer | |
| Jerry Grandey | .... | associate producer | |
| Shari Rhodes | .... | executive producer | |
| Mark Rydell | .... | producer | |
Música original por | |||
| James Newton Howard | |||
Fotografía por | |||
| Freddie Francis | |||
Montaje por | |||
| Trudy Ship | |||
Casting | |||
| Shari Rhodes | |||
Diseño de producción por | |||
| Gene Callahan | |||
Dirección artística | |||
| Fredda Slavin | |||
Decorados | |||
| Daril Alder | |||
Diseño de vestuario por | |||
| Dawni Saldutti | |||
| Peter V. Saldutti | (as Peter Saldutti) | ||
Departamento de maquillaje | |||
| Lynne Brooks | .... | makeup artist | |
| Lynn Del Kail | .... | key hair stylist | |
| Jeaneen Muckerman | .... | hair stylist | |
| Christina Smith | .... | key makeup artist | |
Dirección de producción | |||
| William M. Elvin | .... | unit production manager | |
Departamento de Arte | |||
| Dan Dupre | .... | greensman | |
| Emily Ferry | .... | property master | |
| John Hinkle | .... | stand-by painter | |
| Bill Iiams | .... | construction coordinator | |
| Dallas Jones | .... | construction foreman | |
| Dennis Jones | .... | stand-by carpenter | |
| John Rasmussen | .... | property production assistant | |
| Sharon Reed | .... | lead person (as Sharon A. Reed) | |
| George Stuart Jr. | .... | set painter | |
| Joy Taylor | .... | assistant property master | |
Departamento de sonido | |||
| Peter Bentley | .... | sound mixer | |
| Elisha Birnbaum | .... | foley artist | |
| Anthony J. Ciccolini III | .... | supervising sound editor (as Anthony [Chic] Ciccolini III) | |
| Marko A. Costanzo | .... | foley artist | |
| Pam DeMetruis-Thomas | .... | foley editor (as Pam Demetruis) | |
| Lee Dichter | .... | sound re-recording mixer | |
| Thomas A. Gulino | .... | sound editor (as Thomas Alphonso Gulino) | |
| Scott Jacobs | .... | boom operator (as Scotty Jacobs) | |
| Richard King | .... | sound editor (as Richard Q. King) | |
| George A. Lara | .... | foley recordist | |
| Jac Rubenstein | .... | first assistant sound editor | |
| Benno Schoberth | .... | assistant sound editor | |
| Shari Schwartz | .... | assistant sound editor | |
| Rick Tison | .... | cable person | |
Efectos especiales | |||
| LaVonne Doane | .... | special effects | |
| Neil Stockstill | .... | special effects coordinator | |
Visual Effects | |||
| John Alagna | .... | opticals: The Effects House Corp. | |
Especialistas | |||
| Eurlyne Epper | .... | stunt player | |
| Corey Michael Eubanks | .... | stunt player (as Corey Eubanks) | |
| Larry Holt | .... | stunt coordinator | |
| Jeremy London | .... | stunt player | |
| John Moio | .... | stunt coordinator | |
| Paula Marie Moody | .... | stunt player | |
| Al Wyatt Jr. | .... | stunt player (as Allan Wyatt Jr.) | |
Cámara y Departamento Eléctrico | |||
| Robert Alcala | .... | electrician | |
| Maurice Beesley | .... | electrician | |
| George Berrios | .... | first assistant camera: second unit | |
| Keith Bunting | .... | dolly grip (as Keith M. Bunting) | |
| Don Cerrone | .... | key grip | |
| Mark Colicci | .... | second assistant camera: second unit | |
| Scott Drinon | .... | grip | |
| Gene Engels | .... | chief lighting technician | |
| Bill Greenberg | .... | electrician | |
| Gordon Hayman | .... | camera operator | |
| Steven Mann | .... | first assistant camera (as Steven 'Manny' Mann) | |
| Elliott Marks | .... | still photographer | |
| Robert W. Moreno | .... | electrician | |
| Peter Norman | .... | director of photography: second unit | |
| Michael Pagan | .... | electrician (as Michael M. Pagan) | |
| Charles Quinlivan | .... | best boy grip (as Charlie Quinlivan) | |
| Juan Romero | .... | electrician (as Juan M. Romero Jr.) | |
| John Sheeren | .... | second assistant camera | |
| John E. Smith | .... | best boy electric | |
| Johnny Smith | .... | grip | |
| Josh Spring | .... | grip | |
| Carl D. Stitt | .... | grip (as Carl Stitt) | |
| Greg Williams | .... | grip | |
Departamento de reparto | |||
| Alex Avelino | .... | location extra casting | |
| Beverlee Dean | .... | casting associate | |
| Tanya Sullivan | .... | location extra casting | |
Departamento de vestuario | |||
| Patsy Chaney | .... | costumer (as Patsy A. Chaney) | |
| Ruth Hall | .... | seamstress | |
Departamento de Edición | |||
| Amy Jennings | .... | apprentice editor | |
| Marty Levenstein | .... | first assistant editor | |
| Nick Smith | .... | apprentice editor (as Nicholas J. Smith) | |
Departamento de Música | |||
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Joachim H. Hansch | .... | music supervisor | |
| Blake Lewin | .... | music coordinator | |
| Michael Mason | .... | scoring coordinator | |
| Shawn Murphy | .... | music recording mixer | |
| Marty Paich | .... | conductor: orchestra | |
| Robert Schaper | .... | music recording mixer | |
| Steven L. Smith | .... | music preparation | |
| Ted Whitfield | .... | music editor | |
Departamento de Transporte | |||
| Eugene B. Arthur | .... | driver | |
| Joann Evans | .... | driver | |
| Terry Hester | .... | driver | |
| Freda Howard | .... | driver (as Freda Lou Howard) | |
| Robert Hunter Jr. | .... | driver (as Robert Hunter) | |
| Michael C. McEntyre | .... | driver (as Michael McEntyre) | |
| Russell McEntyre | .... | transportation coordinator (as Russ McEntyre) | |
| Frank Neel | .... | driver | |
| Charles W. Rice | .... | driver (as Charlie Rice) | |
| Wayne Stone | .... | transportation captain | |
Gracias | |||
| Ann Brittain | .... | the producers wish to thank | |
| Jack Brittain | .... | the producers wish to thank (as Jack) | |
| Gene Callahan | .... | in memory | |
| Tom Fair | .... | the producers wish to thank: The U.S. Forest Service | |
| Luther Lee | .... | the producers wish to thank | |
| Jerry Pierce | .... | the producers wish to thank | |
| Bob Welch | .... | the producers wish to thank | |
| Tom Whitehead | .... | the producers wish to thank | |
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| Big Fish | Giant | Novecento | The Notebook | Grease |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Here's the kind of love story that I do enjoy watching. And mostly, it's for two reasons. One, it concentrates of young people, VERY young people. People who are still in their teens and are experiencing love for the first time, or at least think they are. All of us have been there in our lives and "The Man in the Moon" is a magnificent reflection upon our memories, maybe adding on a few more details and enhancing it further than any of us have experienced. The second reason is that is a love triangle. And I do believe that as teens, it's the most dramatic. And the story is so well developed that you believe the characters could really be in love, or are just so new to love that they just strongly believe they are and after a tragedy or so occurs, will believe it for the rest of their lives.
The cast of "The Man in the Moon" is full of great talented names. It stars Sam Waterston, who is truly a versatile actor, well capable of playing tough district attorneys as well as strict, yet caring and wise fathers as in this film. Also there is Tess Harper, Jason London, and a young, young Reese Witherspoon. You look at the young, talented actress as she is at age fourteen and you think that about ten years down the road, she's going to win the Academy Award. All members of the cast pull off great performances and with the dialogue of the compelling screenplay, they are enhanced into looking like real people in real situations. As if it all really happened. This the kind of movie that I would like to see come out more often. Love story or not. I would love to see films that make everything look real and is not phony or disbelievable in any way.