| Susan Griffiths | ... | Marilyn Monroe | |
| Jesse Dabson | ... | Robert Slatzer | |
| Terry Moore | ... | Woman at Hyde's Funeral | |
| Sandy McPeak | ... | Darryl F. Zanuck | |
| Kurt Fuller | ... | Harry Lipton | |
| Michael Cavanaugh | ... | Walter Winchell | |
| Joel Grey | ... | Johnny Hyde | |
| Sal Landi | ... | Joe DiMaggio | |
| Marla Adams | ... | Gladys Baker | |
| Richard Roat | ... | Western Director | |
| David Wells | ... | Tom Kelley | |
| Thomas Wagner | ... | Harry Cohn | |
| Neil Vipond | ... | Henry Hathaway | |
| Patrick Thomas O'Brien | ... | Casting Director (as Patrick O'Brien) | |
| Patricia Huston | ... | Aunt Ana | |
| Mark Daneri | ... | Assistant Coroner | |
| Al Israel | ... | Doctor | |
| Phil 'Pinky' Samuels | ... | Night Gardian | |
| Robert F. Slatzer | ... | Studio Manager (as Robert Slatzer) | |
| Alan Johnson | ... | Camera Operator | |
| Greg Rovere | ... | Assistant Director | |
| Mort Sertner | ... | Rabbi | |
| Corey Rand | ... | Attorney | |
| Candace Woolard | ... | Diane McShane |
Dirigida por | |||
| John Patterson | |||
Créditos del guión(WGA) | ||
| Stu Samuels | (story) & | |
| Robert Boris | (story) | |
| Robert Boris | (teleplay) | |
Producida por | |||
| Robert Boris | .... | producer | |
| Dianne Douglas | .... | associate producer | |
| Stu Samuels | .... | delegate producer | |
| Susan Weber-Gold | .... | producer | |
Música original por | |||
| George Blondheim | |||
Fotografía por | |||
| Dennis C. Lewiston | |||
Montaje por | |||
| Stephen Adrianson | |||
Casting | |||
| Susan Glicksman | |||
| Fred Orenstein | |||
Diseño de producción por | |||
| Roy Alan Amaral | |||
Decorados | |||
| John Thomas Clark | |||
Diseño de vestuario por | |||
| Daniel Orlandi | |||
Departamento de maquillaje | |||
| Alan Friedman | .... | makeup artist | |
| Linle White | .... | hair stylist | |
Dirección de producción | |||
| George Manasse | .... | production manager | |
Ayudante de dirección | |||
| Martha M. Elcan | .... | first assistant director | |
| Claudia Sills | .... | second assistant director | |
Art Department | |||
| J.W. Jergenson II | .... | construction coordinator | |
| Ian Scheibel | .... | property master | |
| Douglas W. Randall | .... | property swing (uncredited) | |
Departamento de sonido | |||
| John Glascock | .... | sound | |
| Rich Harrison | .... | sound effects editor | |
Camera and Electrical Department | |||
| Eyal Gordin | .... | camera operator | |
| Daniel Graff | .... | gaffer | |
| Kevin Wadowski | .... | key grip | |
| Thomas Enright | .... | electrician (uncredited) | |
| Gary Molyneux | .... | grip (uncredited) | |
| Randy Paik | .... | second assistant camera: "a" camera (uncredited) | |
Costume and Wardrobe Department | |||
| Molly Maginnis | .... | gowns: Monroe | |
Editorial Department | |||
| Susanne Gervay | .... | negative editor | |
| Mark Kolpack | .... | assistant editor | |
Music Department | |||
| John McCullough | .... | music supervisor | |
| Susan Mick | .... | music editor | |
Transportation Department | |||
| Jeri Kelley | .... | transportation | |
| Fred Apolito | .... | driver (uncredited) | |
Otros miembros del equipo | |||
| Gary J. Charlton | .... | production accountant | |
| Terry De Wolfe | .... | assistant production coordinator | |
| Ann Dunsford | .... | production coordinator (as Ann A. Dunsford) | |
| Archer Goodman | .... | location manager | |
| Lyn Matsuda | .... | continuity | |
| Robert F. Slatzer | .... | advisor (as Robert Slatzer) | |
| Barbara Gregson | .... | film researcher (uncredited) | |
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| Marilyn & Bobby: Her Final Affair | Ruby | Calendar Girl | The Marilyn Files | Wonder Boys |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
This engrossing telemovie tells the story of the on again off again romance between Marilyn Monroe and writer Robert Slatzer. Whether or not the couple actually married briefly in 1953, as Slatzer claims, is immaterial to your enjoyment of this well directed, written and acted film. SUSAN GRIFFITHS is uncannily like Marilyn, but her performance goes beyond impersonation. She gives the young Marilyn great depth - her need to be loved, her selfishness, her ambition, her warmth - they're all here. And JESSE DABSON is equally fine as Slatzer - I'm surprised he isn't a better known actor. He makes Slatzer a very real person, easily seduced by the magic of Marilyn and therefore used by her as an emotional crutch whenever her career or love life is on the rocks. What this movie does is go beyond the real people portrayed to tell the story of all those people who find themselves used by those individuals who seem "blessed by the gods". The exceptionally talented, the exceptionally beautiful - the exceptional - are also often selfish, but their exceptionality makes it easy for them to use people. Slatzer appears to have been one of those "wind beneath my wings" people. I'm sure there are many more in the world - especially in Hollywood. Great movie, don't miss it!