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Dirigida por | |||
| Kathryn Bigelow | |||
Créditos del guión(WGA) | ||
| Rick King | (story) & | |
| W. Peter Iliff | (story) | |
| W. Peter Iliff | (screenplay) | |
Producida por | |||
| Peter Abrams | .... | producer | |
| James Cameron | .... | executive producer | |
| Rick King | .... | co-producer | |
| Robert L. Levy | .... | producer | |
| Michael Rauch | .... | co-producer | |
Música original por | |||
| Mark Isham | |||
Fotografía por | |||
| Donald Peterman | (director of photography) | ||
Montaje por | |||
| Bert Lovitt | |||
| Howard E. Smith | |||
Casting | |||
| Sharon Bialy | |||
| Debi Manwiller | |||
| Richard Pagano | |||
Diseño de producción por | |||
| Peter Jamison | |||
Dirección artística | |||
| Pamela Marcotte | |||
| John Huke | (uncredited) | ||
Decorados | |||
| Linda Spheeris | |||
Diseño de vestuario por | |||
| Colby P. Bart | |||
| Louis Infante | |||
Departamento de maquillaje | |||
| Wes Dawn | .... | key makeup artist | |
| Greg LaCava | .... | key makeup artist | |
Dirección de producción | |||
| Burt Bluestein | .... | production manager | |
Ayudante de dirección | |||
| James M. Freitag | .... | first assistant director: second unit (as James Freitag) | |
| Herb Gains | .... | first assistant director | |
| Hilbert Hakim | .... | second second assistant director | |
| Carla McCloskey | .... | first assistant director: aerial unit | |
| Chitra F. Mojtabai | .... | second assistant director | |
| Glen Sanford | .... | second assistant director: second unit (as Glenn Sanford) | |
| Jason Saville | .... | assistant director | |
| Glenn R. Wilder | .... | second unit director (as Glenn Wilder) | |
Art Department | |||
| Ed Brown | .... | lead man | |
| Edmond Brown | .... | lead man | |
| Peter Etnoyer | .... | art department coordinator | |
| Alec Gillis | .... | mask fabricator | |
| David E. Harshbarger | .... | props | |
| Karen Higgins | .... | general foreman | |
| John Huke | .... | art director: reshoots | |
| Stacey S. McIntosh | .... | construction coordinator | |
| Scott Nifong | .... | property master: second unit | |
| Eric Ramirez | .... | set dresser | |
| Tom Woodruff Jr. | .... | mask fabricator | |
| Randy L. Childs | .... | propmaker gangboss (uncredited) | |
| Randy Huke | .... | art sets (uncredited) | |
| Daniel Turk | .... | foreman (uncredited) | |
Efectos especiales | |||
| Ken Estes | .... | special effects foreman | |
| Terry D. Frazee | .... | special effects coordinator (as Terry Frazee) | |
Visual Effects | |||
| Rhonda C. Gunner | .... | computer animation and displays (as Rhonda Gunner) | |
| Richard E. Hollander | .... | computer animation and displays (as Richard Hollander) | |
| Gregory L. McMurry | .... | computer animation and displays | |
| John C. Wash | .... | computer animation and displays (as John Walsh) | |
Camera and Electrical Department | |||
| Bob Condon | .... | photographer: water unit | |
| Ron Condon | .... | photographer: water unit | |
| Ray Cottingham | .... | camera operator: helmet camera | |
| C.W. Fallin | .... | camera operator: second unit | |
| Yuri Farrant | .... | photographer: water unit | |
| Richard Foreman Jr. | .... | still photographer | |
| Lydia Hollyfield | .... | electrician | |
| Randy Jonsson | .... | assistant camera (as Randy Johnson) | |
| J. Michael Muro | .... | steadicam operator (as James Muro) | |
| Brad Peterman | .... | second assistant camera: "a" camera | |
| Keith Peterman | .... | camera operator: chase scene | |
| Tom Sanders | .... | camera operator: helmet camera | |
| Steve Yaconelli | .... | director of photography: second unit | |
Casting Department | |||
| Terrence Harris | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ed Fincher | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Scott Conrad | .... | additional editor | |
| Robert Frazen | .... | assistant editor | |
| Bert Lovitt | .... | additional editor (as Burt Lovitt) | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
Music Department | |||
| Sharon Boyle | .... | music supervisor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Gary Goetzman | .... | music supervisor | |
| Stephen Krause | .... | scoring mixer | |
| Jim Weidman | .... | music editor | |
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Point Break is one of those films that everybody loves, but that nobody actually talks about all that often. It is a film that if you mention it in conversation, everyone else around is bound to say how much they enjoyed it.
The film's two main assets are unexpected ones, in the form of the direction and the script. The direction by Kathryn Bigelow is nothing short of excellent. Her handling of the action and suspense scenes is exciting and riveting. The two sky-diving scenes are brilliant as is the foot chase through the streets (and houses) of the city. The script, by W. Peter Illif, is also very good and the best thing about the film. The plot is multi-layered and has an original relationship between the hero and the villain. The way the story resolves itself and the ultimate resolutions is excellent, by the standards of most Hollywood action films.
This film deserves to be remembered as one of the better actioners of the nineties, not up there with Die Hard 2/3 or Speed, but better than 90% of the action junk made nowadays. At least this film has a plot.