| Fotos (ver todos los 30 | slideshow) | Videos |
| Bill Campbell | ... | Cliff Secord | |
| Jennifer Connelly | ... | Jenny Blake | |
| Alan Arkin | ... | A. 'Peevy' Peabody | |
| Timothy Dalton | ... | Neville Sinclair | |
| Paul Sorvino | ... | Eddie Valentine | |
| Terry O'Quinn | ... | Howard Hughes | |
| Ed Lauter | ... | Agent Fitch | |
| James Handy | ... | Agent 'Wooly' Wolinski | |
| Tiny Ron | ... | Lothar / Good Old Boy | |
| Robert Miranda | ... | Spanish Johnny (as Robert Guy Miranda) | |
| John Lavachielli | ... | Rusty, Valentine Hood | |
| Jon Polito | ... | Otis Bigelow | |
| Eddie Jones | ... | Malcolm the Mechanic | |
| William Sanderson | ... | Skeets | |
| Don Pugsley | ... | Goose | |
| Nada Despotovich | ... | Irma | |
| Margo Martindale | ... | Millie | |
| America Martin | ... | Patsy | |
| Max Grodénchik | ... | Wilmer | |
| Michael Milhoan | ... | Jeff | |
| Daniel O'Shea | ... | Mike | |
| Joe D'Angerio | ... | Stevie | |
| Clint Howard | ... | Mark | |
| Tommy J. Huff | ... | Lenny | |
| Paul DeSouza | ... | Pauly | |
| Pat Crawford Brown | ... | Mrs. Pye | |
| Julian Barnes | ... | Charlie | |
| Sam Vincent | ... | Victor | |
| Lisa Pedersen | ... | Noblewoman in Laughing Bandit | |
| Peter Bromilow | ... | Nobleman in Laughing Bandit | |
| Tom Kindle | ... | Clapperboy | |
| Charlie Stavola | ... | Assistant Director | |
| William Boyett | ... | Government Liaison | |
| William Frankfather | ... | Government Liaison | |
| Heinrich James | ... | Nazi Agent | |
| Herman Poppe | ... | Zeppelin Captain | |
| Norbert Weisser | ... | Zeppelin Pilot | |
| Michael Francis Clarke | ... | G-Man | |
| Darryl Henriques | ... | G-Man | |
| Scanlon Gail | ... | G-Man at Chaplin Field | |
| Melora Hardin | ... | South Seas Club Singer | |
| Bob Leeman | ... | W.C. Fields | |
| Rick Overton | ... | South Seas Club Patron | |
| Gene Daily | ... | Clark Gable | |
| Dick Warlock | ... | FBI Agent (as Richard Warlock) | |
| Thomas Lee Tully | ... | Reporter | |
| Mike Finneran | ... | Reporter | |
| Doug McGrath | ... | Reporter | |
| Dave Adams | ... | Reporter | |
| Arlee Reed | ... | Cameraman | |
| Kim Sebastian | ... | Hospital Prison Ward Nurse | |
| David Pressman | ... | Hospital Prison Ward Guard | |
| Lila Finn | ... | Clothesline Lady | |
| Perry Cook | ... | Good Old Boy | |
| Taylor Gilbert | ... | Stewardess | |
| Ele Keats | ... | Girl at Newsstand | |
| Danielle Bedau | ... | Girl at Newsstand | |
| Chance Michael Corbitt | ... | Newspaper Kid | |
| Bob Sandman | ... | South Seas Club Bandleader | |
| Lori Lynn Ross | ... | South Seas Club Mermaid | |
| Kathleen Michaels | ... | South Seas Club Camera Girl | |
| Merritt Yohnka | ... | Nazi Crewman | |
| Peter Frankland | ... | Nazi Commando | |
| Kristopher Logan | ... | Nazi Commando | |
| Paul Forsyth | ... | Nazi Commando | |
| Craig Hosking | ... | Airshow Pilot | |
| Steve Hinton Sr. | ... | Airshow Pilot (as Steve Hinton) | |
| Jim Franklin | ... | Airshow Pilot | |
| Richard T. Brickert | ... | Airshow Pilot | |
| Chuck Wentworth | ... | Airshow Pilot | |
| Bill Turner | ... | Airshow Pilot | |
| listado alfabético del resto del reparto: | |||
| Bret Culpepper | ... | Startled Tri-Motor Passenger (uncredited) | |
| Wilhelm Frick | ... | Himself (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| William Woodson | ... | Newsreel Announcer (voice) (uncredited) | |
Dirigida por | |||
| Joe Johnston | |||
Créditos del guión(WGA) | ||
| Dave Stevens | (graphic novel "The Rocketeer") | |
| Danny Bilson | (story) & | |
| Paul De Meo | (story) & | |
| William Dear | (story) | |
| Danny Bilson | (screenplay) & | |
| Paul De Meo | (screenplay) | |
Producida por | |||
| Lisa Bailey | .... | associate producer | |
| Larry J. Franco | .... | executive producer | |
| Charles Gordon | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Lloyd Levin | .... | producer | |
| Dave Stevens | .... | co-producer | |
Música original por | |||
| James Horner | |||
Fotografía por | |||
| Hiro Narita | (director of photography) | ||
Montaje por | |||
| Arthur Schmidt | |||
Casting | |||
| Nancy Foy | |||
Diseño de producción por | |||
| James D. Bissell | (as Jim Bissell) | ||
Dirección artística | |||
| Christopher Burian-Mohr | |||
Decorados | |||
| Linda DeScenna | |||
Diseño de vestuario por | |||
| Marilyn Vance | |||
Departamento de maquillaje | |||
| Rick Baker | .... | makeup creator: Lothar | |
| Michael Mills | .... | makeup artist | |
| Greg Nelson | .... | makeup artist: Lothar | |
| Carol A. O'Connell | .... | hair styles supervisor | |
| Shari Perry | .... | additional hair stylist | |
| Matt Rose | .... | special makeup effects crew: Cinovation Studios | |
| Dione Taylor | .... | hair stylist | |
| Brad Wilder | .... | makeup supervisor | |
Dirección de producción | |||
| Ian Bryce | .... | unit production manager | |
Efectos especiales | |||
| Jon G. Belyeu | .... | special effects supervisor | |
| Chris Burton | .... | special effects foreman | |
| Steve Fink | .... | prosthetics technician | |
| Scott Forbes | .... | special effects foreman | |
| Larry L. Fuentes | .... | special effects foreman | |
| Bruce Y. Kuroyama | .... | special effects technician | |
| Alan Rifkin | .... | special effects technician | |
| James D. Schwalm | .... | special effects foreman (as Jim D. Schwalm) | |
| Mike Wever | .... | special effects technician | |
| Richard Zarro | .... | special effects technician | |
| Ronald Zarro | .... | special effects technician (as Ron Zarro) | |
| Rich E. Cordobes | .... | special effects technician (uncredited) | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
Visual Effects | |||
| Jon Alexander | .... | optical camera operator | |
| Sandra Almond | .... | visual effects production assistant (as Sandra Almond Williams) | |
| Charles Bailey | .... | chief model maker (as Charlie Bailey) | |
| Randall K. Bean | .... | film scanner operator | |
| John Bell | .... | visual effects art director | |
| Tom Bertino | .... | rotoscope supervisor | |
| Patricia Blau | .... | visual effects producer | |
| Anne Calanchini | .... | visual effects coordinator | |
| Terry Chostner | .... | visual effects cameramen | |
| Charlie Clavadetscher | .... | effects camera operator | |
| Michael Curtis | .... | designer: one-sheet | |
| Peter Daulton | .... | visual effects cameraman | |
| Jeff Doran | .... | optical camera operator | |
| Dick Dova | .... | stage technician (as Richard Spah) | |
| Timothy Eaton | .... | visual effects editor (as Tim Eaton) | |
| John Ellis | .... | optical photography supervisor | |
| Bob Finley III | .... | stage technician (as Robert Finley III) | |
| Robert Finley Jr. | .... | stage technician | |
| Ron Fode | .... | assistant visual effects editor | |
| Michael Fulmer | .... | chief model maker (as Mike Fulmer) | |
| Steve Gawley | .... | supervising model maker | |
| Brian Gernand | .... | model maker: ILM | |
| Joanne Hafner | .... | rotoscope artist | |
| David Hanks | .... | first assistant camera: visual effects | |
| David Heron | .... | stage technician | |
| Rebecca Heskes | .... | rotoscope artist | |
| Edward Hirsh | .... | project manager (as Ed Hirsh) | |
| Sandy Houston | .... | rotoscope artist | |
| Peg Hunter | .... | optical lineup | |
| David James | .... | visual effects production assistant | |
| Keith Johnson | .... | optical camera operator | |
| Ed Jones | .... | visual effects executive in charge of post-production (as Ed L. Jones) | |
| David Karpman | .... | optical lineup | |
| Sandra Ford Karpman | .... | computer graphics: ILM (as Sandra R. Ford) | |
| Ira Keeler | .... | chief model maker | |
| Jennifer Lee | .... | optical lineup | |
| Jeffrey B. Light | .... | film scanner operator (as Jeff B. Light) | |
| James Lim | .... | optical camera operator | |
| Karl J. Martin | .... | visual effects model maker | |
| Mickey McGovern | .... | assistant visual effects editor (as Michael McGovern) | |
| Richard Miller | .... | chief model maker | |
| Terry Molatore | .... | rotoscope artist | |
| Jack Mongovan | .... | rotoscope artist | |
| Tim Morgan | .... | stage technician | |
| Jim Morris | .... | executive in charge of production | |
| Ellen Mueller | .... | rotoscope artist | |
| Patrick T. Myers | .... | effects camera operator (as Patrick Myers) | |
| Lori J. Nelson | .... | optical lineup (as Lori Nelson) | |
| Michael Olague | .... | stage technician | |
| Kate O'Neill | .... | first assistant camera: visual effects | |
| Randy Ottenberg | .... | chief model maker | |
| Josh Pines | .... | film scanner operator (as Joshua Pines) | |
| Vance Piper | .... | first assistant camera: visual effects | |
| Ken Ralston | .... | visual effects supervisor | |
| Pat Repola | .... | optical camera operator | |
| Louis Rivera | .... | negative cutter: ILM | |
| Stuart Robertson | .... | digital effects supervisor: ILM | |
| Thomas Rosseter | .... | optical lineup (as Tom Rosseter) | |
| Scott Ross | .... | general manager | |
| Penny Runge | .... | visual effects coordinator | |
| Kenneth Smith | .... | optical camera operator | |
| Tom St. Amand | .... | stop motion animator | |
| Mark Sullivan | .... | chief matte painter | |
| Pat Sweeney | .... | visual effects cameramen | |
| Wes Takahashi | .... | animation supervisor (as Wes Ford Takahashi) | |
| Larry Tan | .... | chief model maker | |
| Pat Turner | .... | director of photography for visual effects (as Patrick Turner) | |
| Bruce Vecchitto | .... | optical photography supervisor | |
| Bruce Walters | .... | matte painting supervisor | |
| John Whisnant | .... | optical lineup | |
| Gene Young | .... | model maker | |
| David Biedny | .... | digital compositor (uncredited) | |
| John Goodson | .... | model maker (uncredited) | |
| Al Magliochetti | .... | visual effects (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Eric Anderson | .... | camera operator (as Roy Anderson) | |
| William L. Asman | .... | camera operator: "a" camera: 2nd Unit | |
| Dustin Ault | .... | grip | |
| Ron Batzdorff | .... | still photographer | |
| Chris Blauvelt | .... | clapper loader | |
| Bruce Byall | .... | best boy grip | |
| Tim Collins | .... | dolly grip (as Timothy Collins) | |
| Jeff Durling | .... | electrician | |
| Todd Griffith | .... | company grip | |
| Frank M. Holgate | .... | director of photography: second unit (as Frank Holgate) | |
| Brett Laumann | .... | electrical best boy | |
| Kim Marks | .... | camera operator | |
| Steve Mathis | .... | gaffer (as Steven R. Mathis) | |
| Rexford L. Metz | .... | director of photography: second unit (as Rexford Metz) | |
| Rob Morey | .... | first assistant camera | |
| John Murphy | .... | grip | |
| Tom Prophet Jr. | .... | key grip: second unit | |
| David Schmalz | .... | video assist operator | |
| Steve Smith | .... | key grip | |
| Richard Stevens | .... | second assistant camera (as Richard M. Stevens) | |
| David Wagreich | .... | director of photography: second unit | |
| Dwayne Platz | .... | grip (uncredited) | |
Departamento de Animación | |||
| Gordon Baker | .... | animator | |
| James Beihold | .... | layout artist (as Jim Beihold) | |
| Charlie Canfield | .... | animator | |
| Kevin Coffey | .... | animator | |
| Mark Dindal | .... | director: animation segments | |
| Loring Doyle | .... | animator | |
| Chris R. Green | .... | animator | |
| Crispy Green | .... | animator | |
| Philip Phillipson | .... | background artist (as Phil Phillipson) | |
| Anthony Stacchi | .... | animator | |
Departamento de reparto | |||
| Nicole Gelbard | .... | casting assistant (as Nicole Boroda-Gelbard) | |
| Marshall Peck | .... | extras casting: Santa Maria | |
Departamento de vestuario | |||
| Jacqueline G. Arthur | .... | assistant to costume designer (as Jacki Arthur) | |
| Winnie D. Brown | .... | costume supervisor: women | |
| James P. Cullen | .... | costumer (as Jim Cullen) | |
| Karen M. Davis | .... | costumer | |
| Lois DeArmond | .... | costume illustrator | |
| Daniel J. Lester | .... | costume supervisor: men (as Dan Lester) | |
| Alan Martin | .... | costumer | |
| Bill Tiegs | .... | costumer | |
Departamento de Edición | |||
| Harry Hitner | .... | assistant editor | |
| Bob Kaiser | .... | color timer | |
| Peter Lonsdale | .... | additional editor | |
| Stephen L. Meek | .... | assistant editor | |
| Eric O. Schusterman | .... | apprentice editor | |
| Carin-Anne Strohmaier | .... | first assistant editor | |
Departamento de Música | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Jim Henrikson | .... | music editor | |
| Jo Ann Kane | .... | supervising music copyist (as Joanne Kane) | |
| Elliot Kaplan | .... | orchestrator | |
| Nathan Kaproff | .... | orchestra contractor | |
| Billy May | .... | additional orchestrator | |
| Brian L. McCarty | .... | music coordinator | |
| Shawn Murphy | .... | score mixer | |
| John Neufeld | .... | orchestrator | |
| Conrad Pope | .... | orchestrator | |
| Joe E. Rand | .... | assistant music editor | |
| Steven L. Smith | .... | music preparation | |
| Arnold Steck | .... | composer: additional music | |
| James Horner | .... | conductor (uncredited) | |
Departamento de Transporte | |||
| Sheridan Ross Batson | .... | transportation co-captain | |
| Sharon Hollis | .... | transportation co-captain (as Sharon G. Hollis) | |
| Randy Musselman | .... | transportation co-captain | |
| Randy Peters | .... | transportation coordinator | |
| Robert Dulys | .... | driver (uncredited) | |
| Tom Marchetti | .... | driver (uncredited) | |
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| The Incredibles | The Transformers: The Movie | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Stormbreaker | Star Wars |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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I was chomping at the bit, waiting for this movie to come out, back in 1991. I had loved the Dave Stevens comics since I first encountered them (ironically, at the same time I had read about Bettie Page in an article about Bunny Yeager, in a photography magazine). The comic captured the spirit of 1930's aviation pulps, as well as the Doc Savage crowd. It also brought along that Republic Studios flavor. I couldn't wait to see this as a movie.
The movie captured the spirit of the comics beautifully. Sure it was disappointing that Doc Savage couldn't be included, but Howard Hughes made a sensible substitution. I was a bit annoyed that Disney felt they had to change Betty into Jenny, but with Jennifer Connelly in the role, I was in a forgiving mood. The film was full of action and humor, cliffhangers and character; just like Stevens' creation. If there was anything to criticize, it was the toning down of Betty/Jenny. Yeah, I know, this is Disney, and she was far tamer in the comics than the real Betty/Bettie Page; but, hey, a guy can hope.
Bill Campbell was perfect for Cliff Secord. He had that All-American look, with an impish twinkle in his eye. Watching the movie, you could see the excitement when he was flying, and that he was head over heels in love with Jenny.
Alan Arkin made a great Peevy, although he was far less cantankerous than his print counterpart (incidentally, Peevy was based on Doug Wildey, creator of Jonny Quest). He was more of a Connecticut Yankee than grouchy mechanic.
Timothy Dalton made a great pseudo-Errol Flynn. I wasn't too happy that they trotted out that Flynn-as-Nazi Spy nonsense; but, it works beautifully for the story. Paul Sorvino made a great 30's mobster, too. Add Tiny Ron as Lothar, modeled after Rondo Hatton, and you have some pretty fun villains.
Then, there's Jennifer Connelly, one of the most beautiful and talented actresses in Hollywood. As I said, I had hoped for a little sexier character; but, the compromise was still pretty good. Connelly brought both a wholesomeness and sex appeal to the role. She looked great in the period clothing, too.
Everything about this film worked. The period detail was first rate, from the costumes, to he set design, to the slang. The only thing that would have improved this would have been to make more films. This is a great film for the whole family and captures the spirit of Republic and the pulps as well as Indiana Jones did.