Slacker (1991)

Calificación de los usuarios:

6.9/10   

Director:

Richard Linklater

Guionista:

Richard Linklater (writer)

Fecha de Lanzamiento:

5 julio 1991 (USA)

Género:

Comedia | Drama

Plot:

Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set...

Plot Keywords:

UFO | Anarchist | Philosophy | Austin Texas | Generation X

Premios:

3 nominations

Comentarios de los usuarios:

The key to this movie is Linklater's taxi monologue

Reparto

Richard Linklater	...	Should Have Stayed at Bus Station
Rudy Basquez	...	Taxi Driver
Jean Caffeine	...	Roadkill
Jan Hockey	...	Jogger
Stephan Hockey	...	Running Late
Mark James	...	Hit-and-Run Son
Samuel Dietert	...	Grocery Grabber of Death's Bounty
Bob Boyd	...	Officer Bozzio
Terrence Kirk	...	Officer Love
Keith McCormack	...	Street Musician
Jennifer Schaudies	...	Walking to Coffee Shop
Dan Kratochvil	...	Espresso Czar / Masonic Malcontent
Maris Strautmanis	...	Giant Cappuccino
Brecht Andersch	...	Dostoyevsky Wannabe
Tommy Pallotta	...	Looking for Missing Friend (as Tom Pallotta)

Duración:

97 min | 100 min (DVD)

País:

USA

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.37 : 1

Sonido:

Ultra Stereo

Clasificación:

Finland:S | Sweden:Btl | UK:15 | USA:R | Canada:G (Quebec)

Locaciones de Filmación:

Austin, Texas, USA

Compañía:

Detour Filmproduction

Trivialidades:

The "Anti-Artist" in the bar about 3/4 through the movie is a prominent Austin musician and spoken word artist. Wammo is a founding member in the band the "Asylum Street Spankers". The spankers have released numerous CDs and Wammo has also released several solo CDs. His music/poetry are either artistic or anti-artistic depending on your taste.

Errores:

Continuidad: The drink that the UFO conspiracy theorist carries changes several times before the scene ends.

Citas:

Traumatized Yacht Owner: You should never traumatize a woman sexually. I should know, I'm a medical doctor. You should never, traumatize, you should never...

Conexiones de Película:

Referenced in "Roseanne: Hit the Road Jack (#9.14)" (1997)

Banda de Sonido:

Brand New Day

The key to this movie is Linklater's taxi monologue

About quantum theory and Schroedinger's cat. Each time one potential outcome becomes the case, the other potentials collapse. But all other outcomes are thought to exist in alternate realities. Each time we become invested in one branch of the narrative, the camera takes us somewhere else. But the character we leave continues to exist and his or her story is assumed to continue -- only not before our eyes.

What do we think, or hope the cops found out from the guy who killed his mother. Something. Or other. All outcomes. And none.

Overthinking it? Perhaps. But this marvelous movie keeps teasing us along, making us think it's going to zig when it's going to zag. This reminds me of the joke about people who kept going back to see "Titanic" hoping that this time, maybe the ship won't sink. With "Slacker," the movie will always be the same, but it will never be the same movie because we can never remember exactly where or how it's going to branch.

I love this movie. I can't get enough of it.