Tous les matins du monde (1991)

Calificación de los usuarios:

7.5/10   

Director:

Alain Corneau

Escritores:

Pascal Quignard (scenario & dialogue) and
Alain Corneau (writer)

Fecha de Lanzamiento:

18 diciembre 1991 (France)

Género:

Biografía | Drama | Música | Romance

Plot:

It's late 17th century. The viola da gamba player Monsieur de Sainte Colombe comes home to find that his wife died while he was away...

Plot Keywords:

Viola | Viola Da Gamba | 1600s | Forbidden Love | Musician

Premios:

Nominated for Golden Globe. Another 8 wins & 5 nominations

Comentarios de los usuarios:

A Complat Artistic Triumph

Reparto

Jean-Pierre Marielle	...	Monsieur de Sainte Colombe
Gérard Depardieu	...	Marin Marais
Anne Brochet	...	Madeleine
Guillaume Depardieu	...	Young Marin Marais
Carole Richert	...	Toinette
Michel Bouquet	...	Baugin
Jean-Claude Dreyfus	...	Abbe Mathieu
Yves Gasc	...	Lequieu
Jean-Marie Poirier	...	Monsieur de Bures
Myriam Boyer	...	Guignotte
Violaine Lacroix	...	Young Madeleine
Nadège Teron	...	Young Toinette
Caroline Sihol	...	Mme. de Sainte Colombe
Yves Lambrecht	...	Charbonnières
listado alfabético del resto del reparto:
Philippe Duclos	...	Brunet (voice)
Yves Gourvil	...	Lequieu (voice)

También conocida como:

All the Mornings of the World
Every Morning of the World
Todas las mañanas del mundo (Argentina) (Spain) [es]

Duración:

115 min

País:

France

Idioma:

Francés

Color:

Color

Sonido:

Dolby

Clasificación:

Iceland:L | Australia:M | Argentina:13 | Chile:14 | Finland:K-8 | France:U | Spain:13 | Sweden:11 | UK:12

Locaciones de Filmación:

Paris, France

Compañía:

Film Par Film

Conexiones de Película:

Referenced in England, My England (1995)

A Complat Artistic Triumph

'Tous les matins du monde' is more an experience than a movie. The brainchild of director Alain Corneau, writer Pascal Quignard, and musician Jordi Savall this film integrates the visual with the historicodramatic and the music that created the idea and bathes it in the most sensuously beautiful cinematography of a period (the 17th century) by Yves Angelo who is given the sets and design and costumes by Bernard Vézat and Corinne Jorry that create image after image of masterful still life. The total integration of the work of these masters is the plinth on which the actors offer the memory of two famous composers in French classical music history.

Saint-Colombe (Jean-Pierre Marielle) is a viol player and composer whose wife (Caroline Sihol) dies young leaving him to raise his two daughters young Madeleine (Violaine Lacroix) and young Toinette (Nadège Teron)whom he teaches his art of viol de gamba performance while sequestering himself and his girls in the countryside. Into their garden comes the young handsome son of a shoemaker, Marin Marais (Guillaume Depardieu, the son of Gerard Depardieu) who commits to learning the viol and eventually becomes a court musician only to fall in love with Saint-Colombe's elder daughter Madeleine (Anne Brochet) whom he eventually leaves for the glories of the court. As an adult (Gérard Depardieu pere) he realizes his error and returns to the Saint-Colombe sanctuary where he learns the true meaning of music as being something beyond words and thus something beyond human.

In the course of this quiet little film and in the dramatic lighting of the production design we hear the music of Couperin, Lully, as well as compositions by Marais and Saint-Colombe. Jordi Savall supplies the incidental music that binds these works and offers the viol playing together with a talented group of musicians. The story is small, the dialogue sparse (primarily Depardieu pere narrating his experience as Marais) and for the novice the film could be slow. But the incandescent beauty both visually and aurally make this film a work of art that has not been equaled since its appearance on the scene in 1991. It is a treasure. Highly recommended. Grady Harp