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Dirigida por | |||
| Emile Ardolino | |||
Créditos del guión(WGA) | ||
| Joseph Howard | (written by) | |
Producida por | |||
| Cindy Gilmore | .... | associate producer | |
| Mario Iscovich | .... | co-producer | |
| Scott Rudin | .... | executive producer | |
| Teri Schwartz | .... | producer | |
Música original por | |||
| Marc Shaiman | |||
Fotografía por | |||
| Adam Greenberg | |||
Montaje por | |||
| Colleen Halsey | |||
| Richard Halsey | |||
Casting | |||
| Lynda Gordon | |||
| Judy Taylor | |||
Diseño de producción por | |||
| Jackson De Govia | |||
Dirección artística | |||
| Eve Cauley | |||
Decorados | |||
| Thomas L. Roysden | |||
Diseño de vestuario por | |||
| Molly Maginnis | |||
Departamento de maquillaje | |||
| Michael Germain | .... | makeup artist | |
| Robert L. Stevenson | .... | key hair stylist | |
| Julia L. Walker | .... | hair stylist (as Julia Walker) | |
| Michael F. Blake | .... | makeup artist (uncredited) | |
Dirección de producción | |||
| John J. Smith | .... | production manager | |
| David Hoberman | .... | executive in charge of production: Walt Disney Studios (uncredited) | |
Ayudante de dirección | |||
| Joe Camp III | .... | first assistant director | |
| Parnes Cartwright | .... | second second assistant director | |
| Seth Cirker | .... | additional second assistant director | |
| Ian Woolf | .... | second assistant director | |
| Timothy J. Lonsdale | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Robert M. Beall | .... | set designer | |
| Howard Fannon | .... | assistant property master | |
| Ann Harris | .... | set designer | |
| Ronald C. Jacobs | .... | lead man | |
| John R. Jensen | .... | construction coordinator | |
| Nikita Knatz | .... | production illustrator | |
| George Denes Suhayda | .... | production illustrator | |
| Tommy 'Tom' Tomlinson | .... | property master | |
| Christopher Windisch | .... | construction foreman | |
| Mark A. Mancinelli | .... | hod plasterer (uncredited) | |
| James Passanante | .... | paint supervisor (uncredited) | |
Departamento de sonido | |||
| Bruce Bell | .... | foley mixer | |
| Denis Blackerby | .... | dubbing recordist | |
| Charles J. Bond | .... | cable person | |
| Thomas Burke | .... | sound editor | |
| John K. Carr | .... | sound editor | |
| Bruce Foster | .... | sound assistant | |
| David Gertz | .... | foley mixer | |
| Jeremy J. Gordon | .... | sound editor (as Jeremy Gordon) | |
| David Grannis | .... | sound assistant | |
| Catherine Harper | .... | foley sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| C. Darin Knight | .... | sound mixer (as Darin Knight) | |
| Jimmy Ling | .... | sound editor | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Bill Phillips | .... | supervising sound editor | |
| Terry Porter | .... | sound re-recording mixer | |
| Sean Rush | .... | boom operator | |
| Jeffrey Wilhoit | .... | foley sound effects | |
| Jim Yant | .... | sound editor | |
Efectos especiales | |||
| Rocky Gehr | .... | special effects | |
Especialistas | |||
| Steven Chambers | .... | stunts | |
| Justin De Rosa | .... | stunts | |
| Sandi Gross | .... | stunts | |
| Alan Oliney | .... | stunt coordinator | |
| Gary Price | .... | stunts | |
| Kym Washington | .... | stunts | |
Camera and Electrical Department | |||
| Mike Benson | .... | camera operator | |
| Charles John Bukey | .... | best boy | |
| Alan Cohen | .... | second assistant camera | |
| Michael A. FauntLeRoy | .... | first assistant camera | |
| Ken Fisher | .... | steadicam assistant (as Ken W. Fisher) | |
| Edward Gold | .... | camera operator | |
| Robert Gray | .... | key grip | |
| Suzanne Hanover | .... | still photographer | |
| Dennis J. Laine | .... | first assistant camera | |
| Kevin J. Lang | .... | best boy | |
| Moshe Levin | .... | camera operator | |
| Brian Liberman | .... | grip | |
| Steven C. McGee | .... | chief lighting technician | |
| Alan Shultz | .... | dolly grip | |
| Daniel E. Teaze | .... | second assistant camera (as Danny Teaze) | |
| Elizabeth Ziegler | .... | steadicam operator | |
| Bill Pelkey | .... | electrician: San Francisco (uncredited) | |
| Michael T. Travers | .... | best boy grip (uncredited) | |
Casting Department | |||
| Nicole Gelbard | .... | casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Marshall Peck | .... | location casting | |
| Shannon Dunn | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Gala Autumn | .... | costumer | |
| Elaine Ramires | .... | supervising costumer | |
| Mary Elizabeth Still | .... | costumer | |
Editorial Department | |||
| Dale E. Grahn | .... | color timer | |
| Neil Kirk | .... | assistant editor | |
| Dan Miller | .... | apprentice editor (as Daniel Miller) | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Daniel Allan Carlin | .... | music consultant (as Dan Carlin Jr.) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Artie Kane | .... | conductor | |
| Darlene Koldenhoven | .... | production vocal coach & contractor | |
| Joseph Magee | .... | music recording engineer | |
| Tom Malone | .... | orchestrator: score | |
| Hummie Mann | .... | orchestrator: score | |
| Mark McKenzie | .... | orchestrator: score | |
| Joel Moss | .... | music mixer | |
| Joel Moss | .... | music producer | |
| Joel Moss | .... | music recordist | |
| Joel Moss | .... | orchestrator: score | |
| Seth Riggs | .... | vocal coach: Ms. Goldberg | |
| Andrea Robinson | .... | singing voice: Wendy Makkena | |
| Curtis Roush | .... | supervising music editor | |
| Marc Shaiman | .... | music producer | |
| Marc Shaiman | .... | orchestrator: score | |
| Nick Vidar | .... | music programmer | |
| Jimmy Vivino | .... | music coordinator | |
| Jimmy Vivino | .... | orchestrator: score | |
| Fred Vogler | .... | music recording producer | |
| Lester Wilson | .... | musical staging | |
| Brian L. McCarty | .... | music editor (uncredited) | |
Transportation Department | |||
| Al J. Hersh | .... | transportation captain | |
| Tom F. Thomas | .... | transportation coordinator | |
| Alan Kaminsky | .... | driver generator operator (uncredited) | |
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TIDBIT - Bette Midler was the original choice for the lead in "Sister Act".
That may have been cute (a Jewish nun?) but in choosing Whoopi, "Sister Act" gives itself a shot in the arm with an incomparable comic talent and insures every scene with Deloris/Mary Clarence is a highlight unto itself.
After witnessing a Mob hit courtesy of her boyfriend (Keitel), casino lounge singer Whoopi hightails it to her local police where a helpful cop (Nunn) puts her in the Witness Protection Program and before you can say "holy, holy, holy", sends her to the last place in the world anyone would think of finding a second-rate lounge singer.
Once the church, nuns and choir music with a Motown beat are all introduced, things pick up steadily. All the nuns are funny (especially Najimy as the eternally sunny Sister Mary Patrick) and there are so many good scenes to be had thereafter (the bar scene, the first choir practice, the blossoming of Sister Mary Robert (Makkenna), etc.), that you can't help but smile, even if you're tired of nuns as a springboard for comedy.
And there's something about the music: the gospel-tinged soul songs like "My God", "I Will Follow Him" and such lift your spirits and are infectious in their own right. The last scene in the movie is quite moving, truth be told, and lets you in on a secret... God moves in mysterious ways.
Amen.
Nine stars. These "Sister"s rock!