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Sneakers (1992)
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Overview
Frase comercial:
We could tell you what it's about. But then, of course, we'd have to kill you. másPlot:
Complex but lighthearted thriller about computers and cryptography, government and espionage, secrets and deception and betrayal. full summary | add synopsisAwards:
1 nomination másComentarios de los usuarios:
A great caper movie másCast
(Cast overview, first billed only)| Jo Marr | ... | College-Aged Cosmo (as Jojo Marr) | |
| Gary Hershberger | ... | College-Aged Bishop | |
| Robert Redford | ... | Martin 'Marty' Bishop | |
| Sidney Poitier | ... | Donald Crease | |
| David Strathairn | ... | Erwin 'Whistler' Emory | |
| Dan Aykroyd | ... | Mother | |
| River Phoenix | ... | Carl Arbegast | |
| Bodhi Elfman | ... | Centurion S&L Night Guard | |
| Denise Dowse | ... | Bank Teller | |
| Hanyee | ... | Bank Secretary | |
| Timothy Busfield | ... | Dick Gordon | |
| Eddie Jones | ... | Buddy Wallace | |
| Time Winters | ... | Homeless Man | |
| Mary McDonnell | ... | Liz | |
| Jun Asai | ... | Piano Prodigy |
Additional Details
También conocida como:
Fisgones, Los (Spain) [es]Héroes por azar (Venezuela) [es]
Sneakers, los fisgones (Spain) [es]
más
MPAA:
Rated PG-13 for brief sexual references.Parents Guide:
Add content advisory for parentsDuración:
126 min | Canada:118 min (Ontario)País:
USAIdioma:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 másSonido:
DolbyClasificación:
Iceland:L | UK:12 (original rating) | USA:PG-13 (certificate #31961) | Netherlands:12 | Canada:PG (Ontario) | Australia:PG | South Korea:15 | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | Germany:12 | Spain:7 | UK:15 | Singapore:PGMOVIEmeter: 
Cosas divertidas
Trivialidades:
Martin Bishop and the crew get paid $2250 for the job at the beginning of the film. The secretary remarks that its "not a very good" living as she types his name on the cashiers check. másGoofs:
Continuity: When Liz and Werner Brandes are dining in Little Japan late into the night, it is clearly getting light outside the window at one point, but then returns to being dark. másQuotes:
Cosmo: Anyway, I couldn't have you talking to the Russians. Five years ago, yes, we could trust them not to go running to the F.B.I., or if they did we could trust the F.B.I. not to believe them, but today we can't trust anybody. másSoundtrack:
String Quartet #1 In E Minor 'From My Life' máspreguntas frecuentes
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One of my favorites. Without repeating any of the other observations that have been made already, I'd just like to point out the movie's penchant for mixing high-tech gloss and low-tech grunge. Bishop's office is filled with computer equipment, but it looks like a frat house. The glass-enclosed conference room sticks out like a sore thumb in the middle of the exposed brick and party favors hanging from the ceiling. The van that looks like it needs a jump every morning is filled with a mix of electronic surveillance equipment, candy wrappers and Playboy magazines in braille. Bishop's car looks like it was once a classic, but now needs a paint job. And, most obvious of all, when Bishop is breaking into Cosmo's office from the ceiling air vent, he lowers a piece of sensing equipment through the vent using, of all things, a Ronco Pocket Fisherman. The incongruous nature of the sets and props gives the film an extra layer of charm.
Also, I don't know if anyone else has noticed this, but does Cosmo seem to be a latent homosexual? Among other hints, at the end, he begs with Bishop to stay with him, and seems near tears.