Söndagsbarn (1992)

Director:

Daniel Bergman

Guionista:

Ingmar Bergman (writer)

Release Date:

28 agosto 1992 (Sweden)

Genre:

Adventure | Drama

Plot:

Little Pu spends a summer in Norrland with all his relatives. He and his brother get to hear the story about the watchmaker who hung himself...

Plot Keywords:

Animal Killing | Masturbation Scene | Child Nudity | Defecation Scene | Preacher

Awards:

5 wins

Comentarios de los usuarios:

bergman's most personal work

Cast

Thommy Berggren	...	Erik Bergman
Henrik Linnros	...	Pu Bergman
Lena Endre	...	Karin Bergman
Jacob Leygraf	...	Dag
Anna Linnros	...	Lillan
Malin Ek	...	Märta
Marie Richardson	...	Marianne
Irma Christenson	...	Aunt Emma
Birgitta Valberg	...	Grandmother
Börje Ahlstedt	...	Uncle Carl
Maria Bolme	...	Maj
Majlis Granlund	...	Lalla
Birgitta Ulfsson	...	Lalla
Carl Magnus Dellow	...	Watchmaker
Melinda Kinnaman	...	Blind girl

También conocida como:

Søndagsbarn (Denmark) (Norway)
Sunday's Children (USA)
Sunnuntailapsi (Finland)
Niños del domingo (Spain) [es]
Niños del domingo, Los (Argentina) [es]

Duración:

118 min

País:

Sweden | Denmark | Finland | Iceland | Norway

Idioma:

Swedish

Color:

Color

Sonido:

Dolby

Clasificación:

Argentina:13 | Chile:14 | Finland:K-10 | Iceland:L | Spain:13 | Sweden:11

Company:

Det Danske Filminstitut

Movie Connections:

Edited into Short cuts från Sandrews (1999)

bergman's most personal work

i've always admired ingmar bergman because his upbringing mirrored my own. his films always captured my imagination because i always understood where he was coming from when it came to family, relationships, religion, etc. and "sunday's children" is one of the few films ever made that spoke to me personally.

although ingmar left the director's chair to his son daniel, ingmar's voice is heard throughout. the film shows little ingmar (named "pu" in this film, which in swedish means "little chap")in the midst of family conflict: a late night quarrel between his parents, dealing with older brother and sisters,, ghost stories from the maids, and dealing with his minister father. i experienced most of these occurrences in my own life. the scenes in the end where the happy childhood memories are juxtaposed with scenes of old-aged bitterness speak volumes to me.

the most powerful thing about this film is that it's all true, from bergman's heart.

bergman's my favorite film-maker, but it wasn't until i saw this film that i truly understood why. this is an undiscovered masterpiece. rent "fanny and alexander", "best intentions", and "sunday's children", and get the full story on ingmar bergman's life. i promise, you won't be disappointed!