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Vie de bohème, La (1992)
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Overview
Release Date:
29 julio 1993 (USA) másPlot Keywords:
Awards:
4 wins & 2 nominations másComentarios de los usuarios:
Kaurismaki's masterpiece másCast
(Cast overview, first billed only)| Matti Pellonpää | ... | Rodolfo | |
| Evelyne Didi | ... | Mimi | |
| André Wilms | ... | Marcel | |
| Kari Väänänen | ... | Schaunard | |
| Christine Murillo | ... | Musette | |
| Jean-Pierre Léaud | ... | Blancheron | |
| Laika | ... | Baudelaire | |
| Carlos Salgado | ... | Garcon de café | |
| Alexis Nitzer | ... | Henri Bernard | |
| Sylvie Van den Elsen | ... | Mme. Bernard | |
| Gilles Charmant | ... | Groupe rock | |
| Dominique Marcas | ... | Brocanteuse | |
| Samuel Fuller | ... | Gassot | |
| Jean-Paul Wenzel | ... | Francis | |
| Louis Malle | ... | Gentleman |
Additional Details
También conocida como:
Boheemielämää (Finland)Bohemernas liv (Sweden)
Bohemian Life
Vita da boheme (Italy)
Vida bohemia, La (Argentina) [es]
Vida de bohemia, La (Spain) [es]
más
Parents Guide:
Add content advisory for parentsDuración:
Germany:100 min | Sweden:103 min | USA:100 minIdioma:
FrenchColor:
Black and WhiteAspect Ratio:
1.85 : 1 másSonido:
MonoFilming Locations:
Paris, FranceMOVIEmeter: 
Cosas divertidas
Trivialidades:
The filming on the Paris Central Train Station would have cost so much that avoiding to spend too much money Kaurismäki decided to create an illusion of the train station: he reflected a shadow of a train wagon against garage doors. másSoundtrack:
Yuki no furu machi o (Town of Falling Snow) máspreguntas frecuentes
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Related Links
| Full cast and crew | Company credits | External reviews |
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Imagine a Finnish director making a film that's as much a tribute to French film as a parody of its worst excesses, and you have a fair idea of what La Vie de Boheme is about. Aki Kaurismaki uses his thoroughly deadpan comic approach to render the lives of a group of pathetic artists in France, none of whom are even close to being artists (except in their own minds). In fact, it's easy for the uninitiated to take the film very seriously, given Kaurismaki's dry comic touch.
I caught this at the SF International Film Festival, where a fair part of the audience (including myself) was caught up in laughter - while admiring the painterly black and white photography and perfectly pitched performances. Those uncomfortable with a Jim jarmusch style of post- modernism might even feel lost from time to time. But all of Kaurismaki's film's are comedies, some more outrageous than others, and this one is about as perfect in conception as you might hope.