Ed Wood (1994)

Calificación de los usuarios:

8.1/10   

Director:

Tim Burton

Escritores (WGA):

Rudolph Grey (book)
Scott Alexander (written by) ...

Fecha de Lanzamiento:

28 septiembre 1994 (USA)

Género:

Biografía | Comedia | Drama

Frase comercial:

Movies were his passion. Women were his inspiration. Angora sweaters were his weakness.

Plot:

The mostly true story of the legendary director of awful movies and his strange group of friends and actors.

Plot Keywords:

Director | Friend | Friendship | Transvestism | Sex Change

Premios:

Won 2 Oscars. Another 19 wins & 11 nominations

Comentarios de los usuarios:

More than merely a biography, or an homage

Reparto

Johnny Depp	...	Ed Wood
Martin Landau	...	Bela Lugosi
Sarah Jessica Parker	...	Dolores Fuller
Patricia Arquette	...	Kathy O'Hara
Jeffrey Jones	...	Criswell
G.D. Spradlin	...	Reverend Lemon
Vincent D'Onofrio	...	Orson Welles
Bill Murray	...	Bunny Breckinridge
Mike Starr	...	Georgie Weiss
Max Casella	...	Paul Marco
Brent Hinkley	...	Conrad Brooks
Lisa Marie	...	Vampira
George 'The Animal' Steele	...	Tor Johnson
Juliet Landau	...	Loretta King
Clive Rosengren	...	Ed Reynolds

También conocida como:

Ed Wood (Argentina) (Spain) [es]

MPAA:

Rated R for some strong language.

Duración:

127 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby SR

Clasificación:

Iceland:L | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Canada:PA (Manitoba) | Canada:PG (British Columbia/Ontario) | Singapore:NC-16 (cut) | South Korea:15 | Brazil:14 | New Zealand:M | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | France:U | Germany:12 (w) | Israel:PG | Netherlands:MG6 | Peru:14 | Portugal:M/12 | Spain:7 | Sweden:11 | UK:15 | USA:R | Norway:11

Locaciones de Filmación:

Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA

Compañía:

Touchstone Pictures

Trivialidades:

The producers requested that George 'The Animal' Steele submit an audition on video for his role as Tor Johnson. Steele made a comedy short and sent that to the producers. A second audition tape was requested. Steele's wife produced and directed the second audition tape which used dialog from the script.

Errores:

Anacronismos: The sign on the "Screen Classics" building is designed in the Chicago font, which was designed by Apple Computer in 1983, thirty years after the film takes place.

Citas:

Bela Lugosi: The women... The women prefer the traditional monsters.

Conexiones de Película:

Referenced in Formosa (2005)

Banda de Sonido:

SERINGA

More than merely a biography, or an homage

I am a Johnny Depp fan, and this film only reinforced my enjoyment of his genuine talent. He's whatcha call a real actor. He's on record ("Inside the Actor's Studio" & elsewhere) as saying that his characterization of Wood was a mixture of "the blind optimism of Ronald Reagan, the enthusiasm of the Tin Man from 'The Wizard of Oz' (1939) and Casey Kasem." Well, I must add that either he left out channeling Jon Lovitz or that's where Lovitz got his inspiration, too. It is at moments positively eerie how well it works, and without feeling like Depp stole Lovitz's act--his overall character is so much more, so much else, that the Lovitz echo becomes a small part of a larger coherent whole, although it never disappears entirely.

Sarah Jessica Parker and Patricia Arquette as the principal women in Wood's life are each endearing and effective in their own separate ways. Bill Murray is fun as always, and the secondary and bit players are very well cast.

Martin Landau . . . well . . . Martin Landau simply left me awestruck. Depp is all over the screen doin' his best wacky movie guy and chewing the scenery, Parker, Arquette, Murray, and the rest are obviously having a real fun time backing him up, and Martin Landau is shuffling around in the foreground muttering in Romanian and writing a book called "How to Steal a Movie." Mind boggling performance, and absolutely deserving every award it got him in 1995, which included a Best Supporting Actor Oscar, Golden Globe and SAG Awards, and the American Comedy Award for Funniest Supporting Actor in a Motion Picture. (Incidentally, his daughter Juliet, better known to millions of Buffy the Vampire Slayer fans as the vampire Drusilla, is one of the supporting players.)

If I weren't already a Tim Burton fan this movie would have made me one. He here makes an almost perfectly crafted period piece (anachronisms noted--see the "goofs" page--and dismissed), half cheesy fake scifi B movie and half period noir thriller, as a cinematic biography about the quintessential cheesy fake noir scifi thriller B movie guy. This film goes beyond pastiche, and beyond homage to a genre, although it is both. With this film Burton genuflects--no, prostrates himself--before the gods of 1950s low-budget black and white, and the gods are pleased indeed. It seems like he must have watched every movie made in America for under a million dollars between 1948 and 1962. I lost count of the echoes and parodies and pastiches and mini-homages that fill, I think, every darn frame of the movie, and which by no means are mostly of Wood and his work.

As with, I think, every movie biography, there's the odd gratuitous fact changing (see the "goofs" page again)--you know, the "Why'd they do that when the truth wouldn't make any difference?" kind of stuff, and as glowing as this review obviously is I must also say that it is in some ways an imperfect film--it glosses over Wood's later career, for example. But it it so obviously a labor of love and joy for all involved that in my opinion its imperfections are inconsequential. Ed Wood stands proudly, with that slightly odd gleam in its eye, with the best movie biographies made.