The Shawshank Redemption (1994)

Director:

Frank Darabont

Writers (WGA):

Stephen King (short story "Rita Hayworth and Shawshank Redemption")
Frank Darabont (screenplay)

Release Date:

23 septiembre 1994 (USA)

Genre:

Drama

Frase comercial:

Fear can hold you prisoner. Hope can set you free.

Plot:

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Plot Keywords:

Chest Hair | Poster | Barechested | Stephen King | Shirtless Male

Awards:

Nominated for 7 Oscars. Another 11 wins & 13 nominations

Comentarios de los usuarios:

A classic piece of unforgettable film-making.

US TV Schedule:

Sun. Aug. 31

3:30 AM

MAX

Cast

Tim Robbins	...	Andy Dufresne
Morgan Freeman	...	Ellis Boyd 'Red' Redding
Bob Gunton	...	Warden Norton
William Sadler	...	Heywood
Clancy Brown	...	Captain Hadley
Gil Bellows	...	Tommy
Mark Rolston	...	Bogs Diamond
James Whitmore	...	Brooks Hatlen
Jeffrey DeMunn	...	1946 D.A.
Larry Brandenburg	...	Skeet
Neil Giuntoli	...	Jigger
Brian Libby	...	Floyd
David Proval	...	Snooze
Joseph Ragno	...	Ernie
Jude Ciccolella	...	Guard Mert
Paul McCrane	...	Guard Trout
Renee Blaine	...	Andy Dufresne's Wife
Scott Mann	...	Glenn Quentin
John Horton	...	1946 Judge
Gordon Greene	...	1947 Parole Hearings Man (as Gordon C. Greene)
Alfonso Freeman	...	Fresh Fish Con
V.J. Foster	...	Hungry Fish Con
John E. Summers	...	New Fish Guard
Frank Medrano	...	Fat Ass
Mack Miles	...	Tyrell
Alan R. Kessler	...	Laundry Bob
Morgan Lund	...	Laundry Truck Driver
Cornell Wallace	...	Laundry Leonard
Gary Lee Davis	...	Rooster
Neil Summers	...	Pete
Ned Bellamy	...	Guard Youngblood
Joe Pecoraro	...	Projectionist (as Joseph Pecoraro)
Harold E. Cope Jr.	...	Hole Guard
Brian Delate	...	Guard Dekins
Don McManus	...	Guard Wiley (as Don R. McManus)
Donald Zinn	...	Moresby Batter (as Donald E. Zinn)
Dorothy Silver	...	1954 Landlady
Robert Haley	...	1954 Food-Way Manager
Dana Snyder	...	1954 Food-Way Woman
John D. Craig	...	1957 Parole Hearings Man
Ken Magee	...	Ned Grimes
Eugene C. DePasquale	...	Mail Caller (as Eugene C. De Pasquale)
Bill Bolender	...	Elmo Blatch
Ron Newell	...	Elderly Hole Guard
John R. Woodward	...	Bullhorn Tower Guard
Chuck Brauchler	...	Man Missing Guard
Dion Anderson	...	Head Bull Haig
Claire Slemmer	...	Bank Teller
James Kisicki	...	Bank Manager
Rohn Thomas	...	Bugle Editor
Charlie Kearns	...	1966 D.A.
Rob Reider	...	Duty Guard
Brian Brophy	...	1967 Parole Hearings Man
Paul Kennedy	...	1967 Food-Way Manager
listado alfabético del resto del reparto:
James Babson	...	Con (uncredited)
Dennis Baker	...	Old Man on Bus (uncredited)
Richard Doone	...	Con (uncredited)
Rita Hayworth	...	Gilda Mundson Farrell (archive footage) (uncredited)
Alonzo F. Jones	...	Inmate (uncredited)
Michael Lightsey	...	Con (uncredited)
Brad Spencer	...	1957 Parole Hearings Guard (uncredited)

Dirigida por
Frank Darabont

Créditos del guión (WGA)
Stephen King		(short story "Rita Hayworth and Shawshank Redemption")
Frank Darabont		(screenplay)

Producida por
Liz Glotzer	....	executive producer
David V. Lester	....	executive producer (as David Lester)
Niki Marvin	....	producer

Música original por
Thomas Newman

Fotografía por
Roger Deakins		(director of photography)

Montaje por
Richard Francis-Bruce

Casting
Deborah Aquila

Diseño de producción por
Terence Marsh

Dirección artística
Peter Landsdown Smith		(as Peter Smith)

Decorados
Michael Seirton		(as Michael Sierton)

Diseño de vestuario por
Elizabeth McBride

Departamento de maquillaje
Roy Bryson	....	hair stylist
Jeni Lee Dinkel	....	makeup artist
Kevin Haney	....	key makeup artist
Philip Ivey	....	key hair stylist (as Phillip Ivey)
Pamela Priest	....	hair stylist
Monty Westmore	....	makeup artist

Dirección de producción
Kokayi Ampah	....	production supervisor
David V. Lester	....	unit production manager (as David Lester)
Sue Bea Montgomery	....	production supervisor

Ayudante de dirección
Michael Greenwood	....	second second assistant director
Thomas Schellenberg	....	key second assistant director
John R. Woodward	....	first assistant director
Jesse V. Johnson	....	third assistant director (uncredited)

Art Department
Peter Allen	....	paint foreman (as Peter J. Allen)
Lee Lee Baird	....	on-set dresser (as Lee Baird)
Bob Baker	....	decorating consultant (as Bobby Baker)
John Barbera	....	labor gang boss
Earl F. Betts	....	propmaker foreman (as Earl Betts)
Glen Blanton	....	plasterer
Jack Evans	....	assistant art director
Barrett Fleetwood	....	labor foreman
Susan Fraley	....	set estimator
Blair Gibeau	....	painter
Chad Goodrich	....	propmaker gang boss
Antoinette J. Gordon	....	senior set designer (as Antoinette Gordon)
Kelley A. Hankins	....	painter (as Kelley Collopy)
Carey Harris Jr.	....	propman (as Carey Harris)
Todd Hatfield	....	stand-by painter
James Hawthorne	....	paint gang boss
Robert Hawthorne	....	paint gang boss
Jim Henry	....	propshop foreman
Jack Hering	....	set dresser
John M. Heuberger	....	set dresser
Joseph A. Hodges	....	set designer (as Joe Hodges)
Alba Leone	....	lead person
Sebastian Milito	....	construction coordinator
Scott Mizgaites	....	propmaker gang boss
Christopher Neely	....	set dresser
Isidoro Raponi	....	propshop foreman (as Isadoro Raponi)
Tom Shaw Jr.	....	property master (as Tom Shaw)
Dixwell Stillman	....	construction foreman
Pete von Sholly	....	storyboard consultant (as Peter Von Sholly)
Paul Wells	....	key carpenter
Rhonda Yeater	....	art department assistant
Jim Heastings	....	carpenter (uncredited)

Departamento de sonido
Petra Bach	....	adr supervisor
Kevin Bartnof	....	foley artist
David Behle	....	mixing recordist
Bruce Bell	....	sound editor
Mike Boudry	....	additional adr recordist
Kevin Boyd	....	cable person
Willie D. Burton	....	production sound mixer (as Willie Burton)
Rick Canelli	....	adr recordist
Michael J. Cerone	....	additional adr recordist (as Michael Cerone)
Jeff Clark	....	sound editor
Zack Davis	....	sound editor
Marilyn Graf	....	foley mixer
Ron Grafton	....	foley recordist
Michael Herbick	....	sound re-recording mixer
Ellen Heuer	....	foley artist
Shelley Rae Hinton	....	adr editor
Dale Johnston	....	sound editor
Doc Kane	....	additional adr mixer
Jack Keller	....	mixing recordist
Larry Lester	....	sound editor
Marvin E. Lewis	....	boom operator (as Marvin Lewis)
Robert J. Litt	....	sound re-recording mixer
William L. Manger	....	sound editor (as Bill Manger)
Lori Martino	....	assistant sound editor
Thomas J. O'Connell	....	adr mixer (as Tom O'Connell)
Richard Oswald	....	sound editor
Janelle Showalter	....	assistant sound editor
John Stacy	....	supervising sound editor (as John M. Stacy)
Elliot Tyson	....	sound re-recording mixer
Robert Ulrich	....	adr editor
Bill Weinman	....	assistant sound editor
Paul J. Zydel	....	additional adr mixer (as Paul Zydel)
John Roesch	....	foley artist (uncredited)
Donald C. Rogers	....	technical director of sound (uncredited)

Efectos especiales
Bob Williams	....	special effects

Visual Effects
Melissa Taylor	....	visual effects producer (uncredited)

Especialistas
Daniel W. Barringer	....	stunts (as Dan Barringer)
Fred Culbertson	....	stunts
Jerry Gatlin	....	stunt coordinator
Mickey Guinn	....	stunts
Dick Hancock	....	stunts
A. Michael Lerner	....	stunts (as Allen Michael Lerner)
Tom Morga	....	stunts
Ben Scott	....	stunts

Camera and Electrical Department
Tim L. Amstutz	....	lighting stand-in (as Tim Amstutz)
John Archibald	....	second rigging grip
Robin Brown	....	first assistant camera
Rex Buckingham	....	rigging grip
Keith Bunting	....	best boy grip
James J. Burke	....	lighting stand-in (as James Burke)
Brian 'Buzz' Buzzelli	....	grip (as Brian Buzzelli)
Don Cerrone	....	key grip
Poul Jorgen Christensen	....	rigging grip (as Jorgen Christensen)
Tony Corapi	....	rigging best boy
Gerrit Dangremond	....	steadicam operator
Eugene C. DePasquale	....	grip (as Eugene DePasquale III)
Richie Ford	....	rigging gaffer
Max Gerber	....	lighting stand-in
David Gilby	....	lighting stand-in
James P. Gribbins	....	electric rigger (as James Gribbins)
Thomas Guidugli	....	grip
Bruce Hamme	....	dolly grip
Dexter Hammett	....	lighting stand-in
Jim Harrington	....	grip (as James Harrington)
Andy Harris	....	second assistant camera
William Kingsley	....	lamp operator
Jeremy Knaster	....	best boy electric
John 'Quincy' Koenig	....	lamp operator (as Quincy Koenig)
Bobby Mancuso	....	second assistant camera
Bill Martin	....	lighting stand-in
Ken McCahan	....	grip (as Kenneth McCahan)
Russ Milner	....	grip (as Russell Milner)
William Moore	....	lamp operator (as Bill Moore)
Hope A. Nielsen	....	film loader (as Hope Nielsen)
William R. Nielsen Jr.	....	second assistant camera (as Bill Nielsen Jr.)
Bill O'Leary	....	gaffer
Charles Quinlivan	....	rigging grip (as Charley Quinlivin)
Judy Scarboro	....	video assistant
Van Scarboro	....	video assist operator
Joseph Short	....	electric rigger
Jon Stinehour	....	lighting stand-in
Eric Swanek	....	first assistant camera
Ruben Turner	....	lamp operator
Michael P. Weinstein	....	still photographer (as Michael Weinstein)
Robert Bender	....	rigging electrician (uncredited)
Pat Dames	....	grip (uncredited)
Kurt Dale Hartman	....	electrician (uncredited)
David Moenkhaus	....	additional second assistant camera (uncredited)
Jon D. Morrison	....	rigging electrician (uncredited)

Casting Department
Barbara Harris	....	adr voice casting
Adam Moyer	....	background casting intern
Lynn Myers	....	casting: Ohio (as D. Lynn Meyer)
Brent Scarpo	....	background casting assistant
Jane Shannon-Smith	....	casting associate (as Jane Shannon)
Ivy Weiss	....	background casting
Julie Weiss	....	casting assistant

Costume and Wardrobe Department
Cookie Beard	....	wardrobe assistant
Carol Buckler	....	seamstress
Kris Kearney	....	key costumer
Taneia Lednicky	....	wardrobe supervisor
Donnie McFinely	....	costumer
Eva Prappas	....	costumer
Mira Zavidowsky	....	key costumer

Editorial Department
Jeff Canavan	....	apprentice editor
Patricia A. Galvin	....	first assistant editor (as Patty Galvin)
David Johnson	....	editorial assistant
Robert C. Lusted	....	second assistant editor (as Robert Lusted)
David Orr	....	color timer

Music Department
Bill Bernstein	....	music editor
Julian Bratolyubov	....	music preparation
Jim Makiej	....	assistant music editor (as James C. Makiej)
Leslie Morris	....	music contractor
Thomas Pasatieri	....	orchestrator
Dennis S. Sands	....	music scoring mixer (as Dennis Sands)
Arlene Fishbach	....	music consultant (uncredited)

Transportation Department
Robert Conrad	....	driver
Fred Culbertson	....	transportation captain
William Culbertson	....	driver
William P. Davis	....	driver (as William Davis)
Chick Elwell	....	driver
Dick Furr	....	driver
Harold Garnsey	....	driver
Sally Givens	....	driver
James Graham	....	driver
Ray Greene	....	driver
Mickey Guinn	....	driver
Ronald Hogle	....	driver
Neil Knoff	....	driver
David Marder	....	transportation coordinator
Roland Maurer	....	driver
Douglas Miller	....	driver
Gary Mishey	....	driver
Glen Murphy	....	driver
Ken Nevin	....	driver (as Ken Nevin Jr.)
Tom Park	....	driver
Chuck Ramsey	....	driver
Judith Reed	....	driver
Scott Ruetenik	....	driver
David Smith	....	driver
Donald Snyder	....	driver
J.D. Thomas	....	driver
David Turner	....	driver
Chip Vincent	....	driver
Mario Simon	....	picture car coordinator (uncredited)

Otros miembros del equipo
Therese Amadio	....	additional animal wrangler
Kokayi Ampah	....	location manager
Kelley Baker	....	accounting assistant
Robert C. Barnett	....	assistant: Frank Darabont (as Robert Barnett)
Brian Boggs	....	craft service
Richard Brooks Burton	....	gyrosphere assistant (as Richard Burton)
Tom Cotter	....	assistant: Tim Robbins
Chris Cozzi	....	location assistant
James Ellis	....	script supervisor
Jane Estocin	....	assistant production accountant
Alfonso Freeman	....	assistant: Morgan Freeman
Carlos Garcia	....	caterer
Edward A. Gutentag	....	gyrosphere assistant (as Ed Gutentag)
Scott E. Hart	....	animal trainer (as Scott Hart)
Beth Hickman	....	production office coordinator
Anne Hilbert	....	office assistant
Jesse E. Johnson	....	set production assistant (as Jesse Johnson)
Michael Kelem	....	gyrosphere operator (as Mike Kelem)
Jose Lopez	....	caterer
Ernie Malik	....	unit publicist
Frank McKeon	....	first aid
David McQuade	....	set production assistant
Karin Mercurio	....	accounting assistant
Mark Moelter	....	craft service
Margaret J. Orlando	....	assistant office coordinator (as Margaret Orlando)
Sioux Richards	....	script supervisor
Ramona Sánchez-Waggoner	....	production accountant (as Ramona Waggoner)
Joe Schultz	....	caterer
Don Speakman	....	craft service
Scott Stahler	....	location assistant
Amie Tschappat	....	office intern
Michael Vasquez	....	accounting assistant
Sophia Xixis	....	assistant: Niki Marvin
Robert 'Bobby Z' Zajonc	....	helicopter pilot
Saxon Eldridge	....	production assistant (uncredited)
Alan Jacques	....	projectionist (uncredited)
Tom Lent	....	adr voice (uncredited)
Robert 'Bobby Z' Zajonc	....	aerial coordinator (uncredited)

Thanks
Dennis Baker	....	thanks: Warden of The Mansfield Correctional Institution
Manny Centeno	....	thanks: Director of the U.S. Virgin Islands Film Commission
Allen Greene	....	in memory of
Richard Hall	....	thanks: assistant to the Warden of The Mansfield Correctional Institution
Stephen King	....	special thanks
Eve Lapolla	....	thanks: Ohio Film Commission
Lee Tasseff	....	thanks: Mansfield Convention & Visitors Bureau

Production Companies

• Castle Rock Entertainment

Distributors

• PolyGram Film International (1994) (worldwide) (all media) (sales)
• Columbia Pictures (1994) (USA) (theatrical)
• Columbia TriStar Home Video (1995) (USA) (video) (laserdisc)
• Rank Film Organization (1995) (UK) (theatrical) (as Rank Film Distributors)
• Columbia TriStar Home Video (1996) (USA) (VHS)
• Warner Home Video (1996) (USA) (VHS)
• Warner Home Video (1999) (USA) (DVD)
• Warner Home Vídeo (2000) (Brazil) (DVD)
• Warner Home Video (2004) (USA) (DVD) (special edition)
• CBS Television (1999) (USA) (TV) (broadcast premiere)
• Asmik (1995) (Japan) (VHS)
• Asmik (2001) (Japan) (VHS)
• Atlantic Film (2002) (Sweden) (DVD)
• Columbia TriStar Films AB (1995) (Sweden) (theatrical)
• Filmayer (Spain)
• Guild Home Video (UK)
• Roadshow Entertainment Video (Australia) (VHS)
• Sandrew Film & Teater (1995) (Sweden) (VHS)
• Sandrew Metronome Distribution
• Shochiku Company (2004) (Japan) (DVD)
• Shochiku Home Video (2001) (Japan) (DVD)
• Shochiku-Fuji Company (1995) (Japan) (theatrical)
• Transeuropa Video Entertainment (TVE) (Argentina) (video)
• Universal Pictures Benelux (2003) (Netherlands) (DVD)
• VCI Distribution
• Village Roadshow Entertainment (Australia)
• Vídeo Arte (Brazil) (VHS)
• Warner Home Video (2005) (Japan) (DVD)
• Warner Home Video (USA) (laserdisc)

Efectos especiales

• Motion Pixel Corporation (digital special effects)

Other Companies

• Redman Movies and Stories  camera crane
• Arlene Fishbach Enterprises  music consulting
• Bald Eagle Sound Inc.  post-production sound
• Boston Light & Sound  dailies projection system
• D. Bassett & Associates  negative cutting
• Direct Travel of California  travel services
• Du Art Film Laboratories  production dailies processing
• Epic Soundtrax  soundtrack published by
• Hollywood Rental Company  production equipment
• International Film Guarantors  completion guaranty
• Joe Dunton & Company International  Arriflex camera and lenses provided by
• Joe Dunton & Company  camera equipment provided by
• Nancy Seltzer & Associates  publicity
• Pacific Title  titles and opticals
• Preston Camera Systems  gyrosphere aerial camera system

También conocida como:

Rita Hayworth and the Shawshank Redemption (USA) (working title)
Sueños de libertad (Argentina) (Mexico) (TV title) [es]
Cadena perpetua (Spain) [es]
Sueño de fuga (International: Spanish title) [es]
Sueños de fuga (Chile) [es]

MPAA:

Rated R for language and prison violence.

Duración:

142 min

País:

USA

Idioma:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Philippines:R-18 | Iceland:14 | Brazil:16 | Iceland:16 (video rating) | Argentina:16 | Australia:MA | Canada:13+ (Quebec) | Canada:14A | Chile:14 | Denmark:15 | Finland:K-16 | France:U | Germany:12 | Hong Kong:IIB | Ireland:15 | Israel:PG | Japan:PG-12 | Netherlands:12 | New Zealand:R | Norway:15 | Peru:14 | Portugal:M/16 | South Korea:15 | Spain:13 | Sweden:15 | UK:15 | USA:R | Singapore:R(A) | Singapore:NC-16 (DVD rating)

Filming Locations:

Ashland, Ohio, USA

Company:

Castle Rock Entertainment

Trivialidades:

When Andy first gets reassigned to the prison library, the first officer who comes to him for investment help approaches him by saying, "I'm Dekins." Roger Deakins was the cinematographer for the movie. While this is the case, Frank Darabont wrote the character Dekins into the original script before he hired his crew, as the same character was in the novella, and the different way of spelling confirms this.

Goofs:

Continuity: When Red is on the bus, one shot shows all of the windows on the bus open. In fact, Red's arm is hanging outside the window. In the very next shot of the bus (a long shot from a distance), all of the windows are closed.

Quotes:

[first lines]
District Attorney: Mr. Dufresne, describe the confrontation you had with your wife the night that she was murdered.
Andy Dufresne: It was very bitter. She said she was glad I knew, that she hated all the sneaking around. And she said that she wanted a divorce in Reno.

Movie Connections:

Referenced in Miracles and Mystery: Creating 'The Green Mile' (2006) (V)

Soundtrack:

Lovesick Blues

A classic piece of unforgettable film-making.

In its Oscar year, Shawshank Redemption (written and directed by Frank Darabont, after the novella Rita Hayworth and the Shawshank Redemption, by Stephen King) was nominated for seven Academy Awards, and walked away with zero. Best Picture went to Forrest Gump, while Shawshank and Pulp Fiction were "just happy to be nominated." Of course hindsight is 20/20, but while history looks back on Gump as a good film, Pulp and Redemption are remembered as some of the all-time best. Pulp, however, was a success from the word "go," making a huge splash at Cannes and making its writer-director an American master after only two films. For Andy Dufresne and Co., success didn't come easy. Fortunately, failure wasn't a life sentence.

After opening on 33 screens with take of $727,327, the $25M film fell fast from theatres and finished with a mere $28.3M. The reasons for failure are many. Firstly, the title is a clunker. While iconic to fans today, in 1994, people knew not and cared not what a 'Shawshank' was. On the DVD, Tim Robbins laughs recounting fans congratulating him on "that 'Rickshaw' movie." Marketing-wise, the film's a nightmare, as 'prison drama' is a tough sell to women, and the story of love between two best friends doesn't spell winner to men. Worst of all, the movie is slow as molasses. As Desson Thomson writes for the Washington Post, "it wanders down subplots at every opportunity and ignores an abundance of narrative exit points before settling on its finale." But it is these same weaknesses that make the film so strong.

Firstly, its setting. The opening aerial shots of the prison are a total eye-opener. This is an amazing piece of architecture, strong and Gothic in design. Immediately, the prison becomes a character. It casts its shadow over most of the film, its tall stone walls stretching above every shot. It towers over the men it contains, blotting out all memories of the outside world. Only Andy (Robbins) holds onto hope. It's in music, it's in the sandy beaches of Zihuatanejo; "In here's where you need it most," he says. "You need it so you don't forget. Forget that there are places in the world that aren't made out of stone. That there's a - there's a - there's something inside that's yours, that they can't touch." Red (Morgan Freeman) doesn't think much of Andy at first, picking "that tall glass o' milk with the silver spoon up his ass" as the first new fish to crack. Andy says not a word, and losing his bet, Red resents him for it. But over time, as the two get to know each other, they quickly become the best of friends. This again, is one of the film's major strengths. Many movies are about love, many flicks have a side-kick to the hero, but Shawshank is the only one I can think of that looks honestly at the love between two best friends. It seems odd that Hollywood would skip this relationship time and again, when it's a feeling that weighs so much into everyone's day to day lives. Perhaps it's too sentimental to seem conventional, but Shawshank's core friendship hits all the right notes, and the film is much better for it.

It's pacing is deliberate as well. As we spend the film watching the same actors, it is easy to forget that the movie's timeline spans well over 20 years. Such a huge measure of time would pass slowly in reality, and would only be amplified in prison. And it's not as if the film lacks interest in these moments. It still knows where it's going, it merely intends on taking its sweet time getting there. It pays off as well, as the tedium of prison life makes the climax that much more exhilarating.