Trois couleurs: Rouge (1994)

Calificación de los usuarios:

8.0/10   

Director:

Krzysztof Kieslowski

Escritores:

Krzysztof Kieslowski (writer)
Krzysztof Piesiewicz (writer)

Fecha de Lanzamiento:

diciembre 1994 (USA)

Género:

Drama

Plot:

Final entry in a trilogy of films dealing with contemporary French society concerns a model who discovers her neighbour is keen on invading people's privacy.

Plot Keywords:

Judge | Model | Trilogy | Neighbor | Spying

Premios:

Nominated for 3 Oscars. Another 11 wins & 14 nominations

Comentarios de los usuarios:

Kieslowski a masterful painter in Blue, White and Red: see all three!

Reparto

Irène Jacob	...	Valentine Dussaut (as Irene Jacob)
Jean-Louis Trintignant	...	Le juge
Frédérique Feder	...	Karin (as Frederique Feder)
Jean-Pierre Lorit	...	Auguste Bruner
Samuel Le Bihan	...	Le photographe (Photographer) (as Samuel Lebihan)
Marion Stalens	...	Le Vétérinaire (Veterinary surgeon)
Teco Celio	...	Le barman (Barman)
Bernard Escalon	...	Le disquaire (Record dealer)
Jean Schlegel	...	Le voisin (Neighbour)
Elzbieta Jasinska	...	La femme (Woman)
Paul Vermeulen	...	L'ami de Karin (Karen's friend)
Jean-Marie Daunas	...	Le gardien du théâtre (Theatre manager)
Roland Carey	...	Le trafiquant (Drug dealer)
Brigitte Raul
Leo Ramseyer

También conocida como:

Three Colours: Red (Canada: English title) (UK)
Red (USA) (short title)
Three Colors: Red (USA)
Trzy kolory: Czerwony (Poland)
Rouge (Argentina) [es]
Tres colores: Rojo (Spain) [es]

MPAA:

Rated R for a brief but strong sex scene.

Duración:

99 min

País:

Poland | France | Switzerland

Idioma:

Francés

Color:

Color (Eastmancolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby

Clasificación:

Canada:14 (New Brunswick/Nova Scotia/Prince Edward Island) (DVD rating) | Iceland:L | Argentina:16 | Australia:M | Chile:14 | Finland:K-12 | Germany:6 | Hong Kong:IIA | Netherlands:AL | Norway:10 | Singapore:M18 | South Korea:18 | Spain:T | Sweden:11 | UK:15 | USA:R

Locaciones de Filmación:

Geneva, Canton Geneva, Switzerland

Compañía:

CAB Productions

Trivialidades:

Juliette Binoche and Benoît Régent, the stars of Kieslowski's Trois couleurs: Bleu (1993), and Julie Delpy and Zbigniew Zamachowski, the stars of Kieslowski's Trzy kolory: Bialy (1994), make cameo appearances at the end of this film.

Errores:

Personal o Equipo Visible: A stage hand reflected in the window upon Valentine's first visit to the Judge's house.

Citas:

The Judge: You think I'm a bastard?
Valentine: Yes.

Conexiones de Película:

Referenced in Man yan (2004)

Kieslowski a masterful painter in Blue, White and Red: see all three!

It is not only difficult to comment separately on the three parts of Kieslowski's trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work. It is true they are distinct stories with distinct themes: liberty, equality, fraternity, and each them is developed with unique applications of intrigue and artistry. They are each well worth seeing independently, but I believe they are best seen as one work. Collectively, I would rate the trilogy as a 9; separately, I place each in my top ten for the years 1993 and 1994.

The color red is most memorable in the third movie as a backdrop in a billboard ad, the profiled model of which is the central of the movie's three main characters. The other two characters do a double-take of a varying degree of recognition when they first come upon the ad, posted larger than life alongside a busy city intersection. This ad is not a major part of the plot of this movie, yet its image becomes striking and is one of the reasons I have called Red a `mind-bending' film. This is the third of Kieslowski's Three Colors trilogy, based on the Blue-White-Red of the French flag and the three parts of its motto, `Liberty, Equality, Fraternity.' The films stay primarily focused on these themes, keeping with the basic levels of one, two, or three main characters, yet with each film the complexity of plot escalates as the three principles move from fundamentally personal (Liberty, Blue) to relational (Equality, White) to social (Fraternity, Red). Red is my favorite of these films, and I give it a 9. It stands by itself as a great film, but one should see Blue and White first for the fullest effect.