Goofs for
Bad Boys (1995)

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• Continuity: Marcus' wife complains that he is not wearing his wedding ring, even though he is. It suddenly disappears, after which he retrieves it from his pocket.
  
  
• Continuity: The Porsche that Marcus, Mike, and Julie are escaping the exploding building in changes from going backwards to forwards suddenly.
  
  
• Continuity: The same computer screen shot of the location of the speeding car is shown twice when tracking the cellular phone call.
  
  

• Continuity: At the Biltmore Hotel when Julie and Max arrive the sun is out, but when they are chasing Julie on the roof, it is already night.
  
  
• Continuity: During the firefight outside of Julie's apartment, Marcus' gun locks open (empty), however at his car he fires again without reloading.
  
  
• Revealing mistakes: When the Mike throws the ether out of the car and makes it explode, a cable can be seen attached to the roof.
  
  
• Crew or equipment visible: In the opening car-jacking sequence, the crew is reflected in the door of the Porsche as it is opened.
  
  
• Continuity: The huge car-jacker's gun (the man on Marcus' side) switches hands between shots (right-left-right).
  
  
• Continuity: After Mike shoots Fouchet dead lying on the ground in the final scene, Fouchet's head falls to the right. Shortly after, however, Fouchet's head is looking straight up.
  
  
• Continuity: When Julie and Max arrive at the Biltmore, Julie has no lipstick on. In the next shot when they hand her the champagne glass, she has dark lipstick on.
  
  
• Revealing mistakes: When Mike looks out the window to see Marcus breaking in he has a white undershirt on. When he is fighting with Marcus outside his shirt is then a dark blue color.
  
  
• Crew or equipment visible: As Marcus and Mike are about to break into the air conditioner contractor's house, the camera's reflection can be seen on the hood of the car in the foreground.
  
  
• Continuity: The Porsche features leather seats. In the first scene, it's clear that the car has the option which embosses the Porsche logo on the headrest. The embossing disappears and reappears throughout the movie.
  
  
• Continuity: When Marcus and Mike are at Club Hell, Mike is at the bar while Marcus is being attacked in the restroom. The foot of the dancer that Mike is watching changes as the scene cuts back and forth. The shoe and toe nail polish is different.
  
  
• Errors in geography: When the Porsche stops after the Cobra crashes, the license plate shows that the car is registered in Paris, France.
  
  
• Revealing mistakes: When the crooks are breaking into the police evidence locker, they freeze and shatter the padlock, which lets both ends of the chain fall into the locker. In the same sequence, however, hands grasp both ends of the chain and pull it out through the bars as if there were two lengths of chain simply dangling into the locker and attached to the padlock. At the same time, chunks of the "steel" bars break off from the impact of the bolt cutters and the dragging of the chains revealing the bars are made of wood.
  
  
• Continuity: One of the goons in the hangar is shot down by Mike Lowry. Later, before the hangar explodes, you can see him running out of the hangar.
  
  
• Continuity: When Mike and Marcus draw their guns on the store owner, Mike is on the clerk's right and Marcus on the left. However, Mike's double guns appear on the store owner's left when the camera switches.
  
  
• Continuity: Three tail lights get shot out of the same car in the hotel chase scene.
  
  
• Continuity: After Marcus takes the bat away from Julie and is telling her the hit men are coming to get her, the bat is in his hand. In the next shot, it's lying on the floor by her leg, and then Marcus asks for the back door and throws the bat down.
  
  
• Crew or equipment visible: In the fight sequence at the end of the film, a cameraman can be seen standing with a hand-held camera in the group of kids that are circling the area.
  
  
• Continuity: When Julie calls the precinct to speak to Mike, she ends up talking with Marcus. There is an out of focus flower in the foreground that alternates from perky to wilted to perky to wilted throughout the scene.
  
  
• Continuity: When Mike interrogates Jojo he puts a gun to his head. When Marcus intervenes Mike pulls another one on Marcus with his left hand, but when he puts it to Jojo's head when Marcus leaves, the gun is in his right hand.
  
  

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