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Lumière et compagnie (1995)
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Overview
Plot:
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers... más | add synopsisComentarios de los usuarios:
An engrossing, tumbling parade of cinematic images másCast
(Complete credited cast) | Jeffe Alperi | ... | Policeman (segment "David Lynch") |
| Romane Bohringer | ... | (segment "Claude Miller") |
| Michele Carlyle | ... | (segment "David Lynch") |
| Lou Chapiteau | ... | (segment "Claude Miller") |
| Marc Chapiteau | ... | (segment "Claude Miller") |
| Antoine Duléry | ... | (segment "Claude Lelouch") |
| Pascal Duquenne | ... | (segment "Jaco Van Dormael") |
| Bruno Ganz | ... | Damiel (segment "Wim Wenders") |
| Charles Gérard | ... | (segment "Claude Lelouch") |
| Ticky Holgado | ... | (segment "Claude Lelouch") |
 | Isabelle Huppert | ... | (segment "Abbas Kiarostami") (voice) |
| Neil Jordan | ... | (segment "John Boorman") |
| Patrice Leconte | ... | Himself (segment "Sarah Moon") |
| Satchel Lee | ... | (segment "Spike Lee") |
 | Spike Lee | ... | Himself (segment "Sarah Moon") |
| Claude Lelouch | ... | Himself (segment "Sarah Moon") |
| Stan Lothridge | ... | Policeman (segment "David Lynch") |
 | David Lynch | ... | Himself |
| Alessandra Martines | ... | (segment "Claude Lelouch") |
| François Mitterrand | ... | Himself (segment "Régis Wargnier") |
 | Liam Neeson | ... | (segment "John Boorman") |
| Sven Nykvist | ... | (segment "Liv Ullman") |
 | Lena Olin | ... | (segment "Lasse Hallström") |
| Idrissa Ouedraogo | ... | Himself |
| Géraldine Pailhas | ... | (segment "Cédric Klapisch") |
| Russ Pearlman | ... | Child (segment "David Lynch") |
| Pam Pierrocish | ... | Mother (segment "David Lynch") |
 | Aidan Quinn | ... | (segment "John Boorman") |
| Kathleen Raymond | ... | (segment "David Lynch") |
 | Stephen Rea | ... | (segment "John Boorman") |
| Nathalie Richard | ... | Ninon (segment "Jacques Rivette") |
 | Alan Rickman | ... | (segment "John Boorman") |
| Jacques Rivette | ... | Himself (segment "Sarah Moon (I)") |
| Félix Romeo | ... | Himself (segment "Fernando Trueba") |
| Joan Rudelstein | ... | (segment "David Lynch") |
| Dawn Salcedo | ... | (segment "David Lynch") |
| Otto Sander | ... | Cassiel (segment "Wim Wenders") |
| Clyde Small | ... | Father (segment "David Lynch") |
| Zinedine Soualem | ... | (segment "Cédric Klapisch") |
 | Liv Ullmann | ... | Herself (segment "Sarah Moon (I)") |
| Mark Wood | ... | Policeman (segment "David Lynch") |
 | Yimou Zhang | ... | Himself |
Additional Details
También conocida como:
Lumière and Company (International: English title)Lumiere y compañía (Spain)
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88 minSonido:
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The film would be inherently fascinating even if it were no good, but there's actually a lot here of genuine interest. The repeated questions about why the directors make cinema and whether it's "mortal" receive predictably lame responses, but the glimpses of them at work, punctuated with their 50 second films, is mesmerizing. Many of them turn the project into a commentary on cinema in some form - Boorman films Neil Jordan at work, with the actors looking quizzically into the camera (a common device here, also used by Angelopoulos and Costa-Gavras); Lelouch has a sort of reverse version of the Vertigo kiss, designed with great panache. in which a historic parade of cameras observes the spiraling lovers; some, like Rivette, just take varied people and let them play (he's very engaging, seen protesting that the film is too short). Lynch's segment is magnificently skillful and striking, with a potted narrative of police, a 50's style family, and a bunch of space aliens holding a captive woman - it's almost as effective as the whole of Lost Highway and utterly distinctive. In all, it's a tumbling parade of cinematic images that evokes love, passion and breadth, whether the directors take a playful approach (a majority) or aim for greater seriousness (as in Handke's filming of a potted TV news bulletin).