| Fotos (ver todos los 47 | slideshow) | Videos |
| Keanu Reeves | ... | Paul Sutton | |
| Aitana Sánchez-Gijón | ... | Victoria Aragon (as Aitana Sanchez-Gijon) | |
| Anthony Quinn | ... | Don Pedro Aragon | |
| Giancarlo Giannini | ... | Alberto Aragon | |
| Angélica Aragón | ... | Marie Jose Aragon (as Angelica Aragon) | |
| Evangelina Elizondo | ... | Guadelupe Aragon | |
| Freddy Rodríguez | ... | Pedro Aragon, Jr. (as Freddy Rodriguez) | |
| Debra Messing | ... | Betty Sutton | |
| Febronio Covarrubias | ... | Jose Manuel | |
| Roberto Huerta | ... | Jose Luis | |
| Juan Jiménez | ... | Jose Marie (as Juan Jimenez) | |
| Ismael Gallegos | ... | Jose's Musical Son | |
| Alejandra Flores | ... | Consuelo | |
| Gema Sandoval | ... | Maria | |
| Don Amendolia | ... | Father Coturri | |
| Gregory Paul Martin | ... | Armistead Knox (as Gregory Martin) | |
| Mary Pat Gleason | ... | Bus Driver | |
| John Dennis Johnston | ... | Lout #1 | |
| Joseph Lindsey | ... | Lout #2 | |
| Mark Matheisen | ... | Soldier | |
| Macon McCalman | ... | Conductor | |
| Ivory Ocean | ... | Truck Driver | |
| Fred Burri | ... | Swiss Yodler | |
| Stephanie Maislen | ... | USO Woman | |
| Brad Rea | ... | Soldier #2 | |
| Joe Troconis | ... | Man at Gate | |
| Loren Sitomer | ... | Ten Year Old Boy | |
| listado alfabético del resto del reparto: | |||
| Bret Culpepper | ... | Josh the Ranchhand (uncredited) | |
| Erica Howard | ... | Woman on Bus (uncredited) | |
Dirigida por | |||
| Alfonso Arau | |||
Créditos del guión(WGA) | ||
| Robert Mark Kamen | (screenplay) and | |
| Mark Miller | (screenplay) & | |
| Harvey Weitzman | (screenplay) | |
| Piero Tellini | (story and screenplay material: "Quattro passi fra le nuvole") and | |
| Cesare Zavattini | (story and screenplay material: "Quattro passi fra le nuvole") and | |
| Vittorio de Benedetti | (story and screenplay material: "Quattro passi fra le nuvole") | |
Producida por | |||
| James D. Brubaker | .... | executive producer | |
| Bill Johnson | .... | co-producer | |
| Stephen Lytle | .... | associate producer | |
| Gil Netter | .... | producer | |
| David Zucker | .... | producer | |
| Jerry Zucker | .... | producer | |
Música original por | |||
| Maurice Jarre | |||
Fotografía por | |||
| Emmanuel Lubezki | (director of photography) | ||
Montaje por | |||
| Don Zimmerman | |||
Casting | |||
| John S. Lyons | (as John Lyons) | ||
| Christine Sheaks | |||
| Melissa M. Thomas | |||
Diseño de producción por | |||
| David Gropman | |||
Dirección artística | |||
| Daniel Maltese | |||
Decorados | |||
| Denise Pizzini | |||
Diseño de vestuario por | |||
| Judy L. Ruskin | |||
Departamento de maquillaje | |||
| Catherine Childers | .... | hair stylist | |
| Mindy Hall | .... | makeup artist | |
| Julie Hewett | .... | key makeup artist | |
| Erwin H. Kupitz | .... | wig designer | |
| Beth Miller | .... | key hair stylist | |
Dirección de producción | |||
| James D. Brubaker | .... | unit production manager | |
| Tina L. Fortenberry | .... | production supervisor | |
| Paul Moen | .... | unit production manager | |
Departamento de Arte | |||
| Jess Anscott | .... | greensman | |
| Emilio R. Aramendia | .... | on-set dresser: Napa (as Emilio Ricardo Aramendia) | |
| Kristin Argue | .... | set dresser | |
| Lori Ashcraft | .... | art department coordinator | |
| John Barbera | .... | labor gang boss | |
| Brent Boates | .... | illustrator | |
| Ignacio Borja | .... | graphics: one sheet concepts | |
| Richard J. Brown | .... | assistant props: Napa (as Richard Brown) | |
| Paul J. Campanella | .... | stand-by painter | |
| Larry Clark | .... | paint supervisor | |
| Thomas Culberhouse | .... | propmaker foreman (as Tom Culberhouse) | |
| Mauricio De Aguinaco | .... | assistant art director | |
| John Dexter | .... | assistant art director | |
| Bruce Di Valerio | .... | construction coordinator | |
| Flint Ellsworth | .... | art department researcher | |
| Scott Farber | .... | swing gang (as Scott D. Farber) | |
| Robert Fechtman | .... | set designer | |
| Emily Ferry | .... | property master | |
| Otniel Gonzalez | .... | property assistant | |
| Erik Grasteit | .... | assistant property master | |
| Jeffery J. Jenkins | .... | paint foreman | |
| Jeff L. Johnson | .... | propmaker foreman (as Jeff Johnson) | |
| Donald E. Kerns | .... | construction coordinator: Napa (as Donald Kerns) | |
| Geoffrey Lake | .... | assistant greensman: Napa | |
| Mark Lapotsky | .... | greensman | |
| Nickle Lauritzen | .... | swing gang | |
| Mara Massey | .... | on-set dresser | |
| Douglas McKay | .... | swing gang (as Douglas James McKay) | |
| Doni McMillan | .... | leadperson: Napa (as Don McMillan) | |
| Don W. Monson | .... | propmaker foreman (as Don Monson) | |
| Kenny Montante | .... | assistant props: Napa | |
| Barbara Munch | .... | leadperson: Napa | |
| Douglas Barrett Netter | .... | art department production assistant (as Douglas B. Netter) | |
| Harry Niedzwetski | .... | assistant greensman: Napa (as Harry Niedzwetzki) | |
| Steve Perea | .... | labor foreman | |
| Joseph Perugini | .... | plasterer foreman | |
| Bruce Richter | .... | carpenter | |
| Monti Santilli Rainbolt | .... | swing gang (as Monti Rainbolt) | |
| Joy Taylor | .... | assistant property master | |
| Eugene M. Texeira | .... | assistant greensman: Napa | |
| Kenneth Turek | .... | leadman (as Ken Turek) | |
| Mark Vena | .... | illustrator (as Marc Vena) | |
| Edward Wouters | .... | construction foreman (as Edward M. Wouters) | |
| John Zemansky | .... | property master | |
| George Zimninsky | .... | greensman: Napa (as George Zimininsky) | |
| Harold Michelson | .... | visual consultant (uncredited) | |
Departamento de sonido | |||
| George H. Anderson | .... | adr editor (as George Anderson) | |
| Bill W. Benton | .... | sound re-recording mixer | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Rick Canelli | .... | adr recordist | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Carrie Cashman | .... | sound recordist (as Carrie Landaker Minkler) | |
| Jeff Erdmann | .... | cable | |
| Tim Gomillion | .... | sound recordist | |
| Don Hall | .... | supervising sound editor | |
| Hilda Hodges | .... | foley artist | |
| Roxanne Jones | .... | sound editor (as Roxanne Jones McCarthy) | |
| Elizabeth Kenton | .... | assistant sound editor | |
| Mary Jo Lang | .... | foley mixer | |
| Vanessa Lapato | .... | assistant sound editor | |
| Thomas J. O'Connell | .... | adr mixer | |
| George Reinhardt | .... | boom person: Napa | |
| George Reinhardt | .... | cable: Napa | |
| Sergio Reyes | .... | sound re-recording mixer | |
| Carolyn Tapp | .... | foley recordist | |
Efectos especiales | |||
| Robbie Clot | .... | special effects: Napa (as Robert P. Clot) | |
| Scott Forbes | .... | special effects foreman | |
| Scott Garcia | .... | special effects technician | |
| Geoff Heron | .... | special effects: Napa | |
| Rod M. Janusch | .... | special effects: Napa (as Rod Janusch) | |
| Nick Karas | .... | special effects | |
| Jeffrey Knott | .... | special effects | |
| Gary McClendon | .... | special effects: Napa | |
| John McLeod | .... | special effects coordinator | |
| Barry McQueary | .... | special effects (as Barry L. McQueary) | |
| Tom Sindicich | .... | special effects: Napa (as Thomas Sindicich) | |
| Dane Spelman | .... | special effects: Napa | |
| Frank W. Tarantino | .... | special effects: Napa (as Frank William Tarantino) | |
| Keith Urban | .... | special effects: Napa | |
| Bruno Van Zeebroeck | .... | special effects coordinator: dream sequences | |
Visual Effects | |||
| Syd Dutton | .... | special visual effects: Illusion Arts | |
| Lynn Ledgerwood | .... | matte effects: Illusion Arts | |
| Fumi Mashimo | .... | digital animation: Illusion Arts (as Fumi Maskimo) | |
| Richard Patterson | .... | digital supervisor: Illusion Arts | |
| Mark Sawicki | .... | matte photography: Illusion Arts | |
| Larry Shuler | .... | grip: Illusion Arts | |
| Robert Stromberg | .... | visual effects supervisor | |
| David Stump | .... | matte photography: Illusion Arts (as Dave Stump) | |
| Catherine Sudolcan | .... | production coordinator: Illusion Arts | |
| Bill Taylor | .... | special visual effects: Illusion Arts | |
| Mike Wassel | .... | matte artist: Illusion Arts | |
| David S. Williams Jr. | .... | optical photography: Illusion Arts | |
| Pam Vick | .... | rotoscope artist (uncredited) | |
Especialistas | |||
| Heather Burton | .... | stunts | |
| Phil Chong | .... | stunts | |
| Jake Crawford | .... | stunt coordinator | |
| Gary Guercio | .... | stunts | |
| Mike Johnson | .... | stunts (as Michael Johnson) | |
| Steven Lambert | .... | stunts (as Steve Lambert) | |
| Jack Lilley | .... | stunts | |
| Brian Joseph Moore | .... | stunts (as Brian Moore) | |
| Bobby Porter | .... | stunts | |
| Peter Stader | .... | stunts | |
| Sammy Thurman | .... | stunts | |
Cámara y Departamento Eléctrico | |||
| Richard Alarian | .... | gaffer: second unit | |
| Brian W. Armstrong | .... | first assistant camera | |
| James Babineaux | .... | rigging gaffer | |
| James Beaumonte | .... | lamp operator: Napa (as Jim Beaumont) | |
| J. Chuck Biagio | .... | best boy: Napa | |
| Gary Brostrom | .... | grip | |
| Robert Clancey | .... | grip (as Robert L. Clancey) | |
| Murray Close | .... | still photographer | |
| Mark J. Coyne | .... | assistant camera | |
| Richard Crompton | .... | rigging grip | |
| Laurence Cropley | .... | lamp operator | |
| Joseph Emanuele | .... | lamp operator: Napa | |
| Rodrigo García | .... | camera operator (as Rodrigo Garcia) | |
| David Garden | .... | film loader (as David M. Garden) | |
| Dennis Gehringer | .... | lamp operator: Napa | |
| Robert Gray | .... | key grip (as Bob Gray) | |
| Chris Hood | .... | additional second assistant camera | |
| Doug Hunt | .... | video assist: Napa (as Douglas Hunt) | |
| Walter 'T.J.' Johnson | .... | grip (as Tom 'T.J.' Johnson) | |
| Kenny King | .... | best boy grip | |
| David Maddux | .... | lamp operator (as Dave Maddux) | |
| Stevie Maislen | .... | camera production assistant | |
| Anthony J. Martin | .... | camera loader: Napa | |
| Robert 'Boomer' McCann | .... | key grip: Napa | |
| Steven J. Mikolas | .... | video assist | |
| Mark Nakahara | .... | lamp operator: Napa | |
| Dayton Nietert | .... | chief lighting | |
| Jeff Orsa | .... | lamp operator | |
| Bobby Powell | .... | first electrician: Napa (as Robert E. Powell) | |
| Brad Rea | .... | dolly grip | |
| Wesley Riley | .... | grip: Napa (as Wesley E. Riley) | |
| David Schmalz | .... | video assist operator | |
| Gihan 'Sandy' Seneviratne | .... | lamp operator (as Gihan Seneviratne) | |
| Terry Sullivan | .... | lamp operator: Napa | |
| Greg Wardell | .... | assistant chief lighting | |
| Harry Zimmerman | .... | second assistant camera | |
Departamento de reparto | |||
| Lisa S. Beasley | .... | extras casting | |
| Rick Casorla | .... | extras casting (as Ric Casorla) | |
| David Diamond | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Nancy Hayes | .... | extras casting | |
| Nancy Hayes | .... | extras casting: Napa | |
| Stephanie Holbrook | .... | local casting | |
| Cassandra Kulukundis | .... | casting assistant | |
Departamento de vestuario | |||
| María Aguilar | .... | costumer (as Maria Aguilar) | |
| Michael Becker | .... | costumer: Napa | |
| Marsha Bozeman | .... | wardrobe | |
| Carlos Brown | .... | assistant costume designer | |
| Lori DeLapp | .... | costumer (as Lori McClellen) | |
| Nancy Foreman | .... | seamstress: Napa | |
| Barbara Kassel | .... | costumer: Napa (as Barbara Kassal) | |
| Cookie Lopez | .... | costumer | |
| David Page | .... | costumer | |
| Kathy Phillips | .... | costumer: Napa | |
| Lahly Poore | .... | wardrobe supervisor | |
| Matt Reitsma | .... | wardrobe dyer | |
| David Ruble | .... | tailor | |
| Nancy Servin | .... | costumer: Napa (as Nancy Hart Servin) | |
Departamento de Edición | |||
| Bob Kaiser | .... | color timer | |
| Steve New | .... | negative cutter (as Steven New) | |
Departamento de Música | |||
| Bob Bornstein | .... | music preparation | |
| Liona Boyd | .... | musician: classical guitar solos | |
| Dan Carlin Sr. | .... | music editor | |
| Ruy Folguera | .... | music supervisor | |
| Maurice Jarre | .... | music conductor | |
| Marisol Jiménez | .... | music department coordinator (as Marisol Jimenez) | |
| Leslie Morris | .... | orchestra manager | |
| Shawn Murphy | .... | music recordist | |
| Cecilia Noel | .... | vocalist: folkloric singer | |
| Jason Arnold | .... | music editor (uncredited) | |
Departamento de Transporte | |||
| Wayne Nelson | .... | transportation coordinator | |
| Wayne Williams | .... | transportation captain | |
Gracias | |||
| Giuseppe Amato | .... | film dedicated to | |
| Massimo Tellini | .... | acknowledgment: based on "Quattro passi fra le nuvole" by assignment of | |
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| Across the Universe | The Notebook | Gone with the Wind | Big Fish | The Miracle of Morgan's Creek |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
What a revelation, a romance, pure and simple, with no sex, no violence, no foul language just pure and simple romance. While many modern romance films claim to be such they invariably end up with hero and heroine ending up in bed (sometimes with a little too much detail thanks very much). But here, in this visually stunning feast, we have a romance where the hero, out of honour and respect, doesn't bed the heroine. I am amazed that it has taken me five plus years to see this movie, and I am grateful to the family channel for screening it for me to tape. With a relatively simple story, set against beautiful scenery with cinematography to die for, we are swept into a world of the past, where honour meant something, where marriage vows, no matter how hastily taken were still to be respected, and where a single pregnant female was a family shame (not the norm as today unfortunately). I read one review where the reviewer said "in reality Paul would have said not my problem babe get an abortion" in whose reality? 2002 reality perhaps but not 1940s reality, abortions were for bad, nasty girls in back streets, by unlicensed doctors not for nice girls who had made a mistake (okay so some things have changed for the better.) I simply loved this film, while it gives a fairy tale view of the vinyards and the family running it, it is a feast for the eyes and the soul. The entire cast are superb, particularly Anthony Quinn who relished his role as the family patriarch and seemed to simply enjoy being in this delightful tale and of course Keanu whose performance is so beautifully low key and understated he reminded me of those wonderful hollywood leading men of old, strong, silent, gorgeous, Cary Grant would have played this role back in the day, who would have thought to put Keanu in the same role? Turn off your 2002 brain and just revel in the sheer delight of this wonderful film. I just know I will watch this again and again.