Fargo (1996)

Calificación de los usuarios:

8.3/10   

Director:

Joel Coen

Escritores (WGA):

Joel Coen (written by) &
Ethan Coen (written by)

Fecha de Lanzamiento:

8 marzo 1996 (USA)

Género:

Crimen | Drama | Suspenso

Frase comercial:

A homespun murder story.

Plot:

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of pregnant Marge Gunderson.

Plot Keywords:

Ransom | Murder | Blood | Fargo North Dakota | Police

Premios:

Won 2 Oscars. Another 52 wins & 30 nominations

Comentarios de los usuarios:

A masterpiece of Shakesperean proportions

Reparto

William H. Macy	...	Jerome 'Jerry' Lundegaard
Steve Buscemi	...	Carl Showalter
Peter Stormare	...	Gaear Grimsrud
Kristin Rudrüd	...	Jean Lundegaard
Harve Presnell	...	Wade Gustafson
Tony Denman	...	Scotty Lundegaard
Gary Houston	...	Irate Customer
Sally Wingert	...	Irate Customer's Wife
Kurt Schweickhardt	...	Car Salesman
Larissa Kokernot	...	Hooker #1
Melissa Peterman	...	Hooker #2
Steve Reevis	...	Shep Proudfoot (as Steven Reevis)
Warren Keith	...	Reilly Diefenbach (voice)
Steve Edelman	...	Morning Show Host
Sharon Anderson	...	Morning Show Hostess

También conocida como:

Fargo (Argentina) (Spain) [es]

MPAA:

Rated R for strong violence, language and sexuality.

Duración:

98 min

País:

USA

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby SR

Clasificación:

Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | New Zealand:R18 | USA:R (certificate #34206) | Denmark:15 | Canada:16+ (Quebec) | Philippines:R-18 | Brazil:18 | Argentina:16 | Australia:MA | Belgium:KT | Chile:18 | Finland:K-16 | France:-12 | Germany:16 (bw) | Hong Kong:III | Iceland:16 | Ireland:18 | Italy:VM14 | Japan:R-15 | Netherlands:16 | Norway:15 | Peru:18 | Portugal:M/16 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | South Korea:18 | Spain:18 | Sweden:15 | UK:18

Locaciones de Filmación:

Bathgate, North Dakota, USA

Compañía:

PolyGram Filmed Entertainment

Trivialidades:

Característica del director: [Joel Coen] [Kubrick]. When Carl and Gaear are driving outside Minneapolis, the song 'These Boots are Made for Walkin' can be heard on the radio, a reference to Full Metal Jacket (1987), which features the same song.

Errores:

Errores que Revelan: After Marge arrives on the second murder scene about 35 minutes into the film, as she examines the slain trooper, his eyelids move up and down.

Citas:

[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.

Conexiones de Película:

Referenced in "The Office: The Fire (#2.4)" (2005)

A masterpiece of Shakesperean proportions

I've always thought Fargo would make a great Shakesperean play; you could alter the modern elements and still have created a buzz 400 years ago in suburban England. Indeed, the plot is similar to Hamlet's, in that they both have characters we root for who create zany plans than end up spinning wildly out of control into bloodshed. Many people seem to like Fargo for its humorous qualities, its characterization of the Minnesotan culture and Frances McDormand- not me. I love Fargo for its brilliant writing, its tragic musical score, its tragic plot, William H Macy, Harve Presnell and Steve Buscemi, its ignorance of political correctness (how many movies can you remember when the only two minority characters were both revealed to be creeps).I want to draw attention to an overlooked reason why the film works so well - how well the music suits the visuals in this movie. Each murder scene is scored superbly, and other audio clues really add to the effect (for instance, notice how when the police officer asks Carl Showalter "What's this?" in reference to the abductee, a disquieting guitar sound is immediately played that has an instantaneous psychological effect on how you interpret the scene). I have seen this film over, well, an embarrassing number of times and have committed its screenplay, from start to finish, by memory. Fargo is the ultimate Coen Brothers movie, a brilliant tragedy, and restores my faith in Roger Ebert as he places this movie in as his fourth favorite movie of the '90s.