Für immer und immer (1997)

Calificación de los usuarios:

3.9/10   

Director:

Hark Bohm

Escritores:

Hark Bohm (writer)
Jon Boorstin (writer)

Fecha de Lanzamiento:

30 enero 1997 (Alemania)

Género:

Drama | Suspenso

Frase comercial:

Ein Kind, zwei Frauen. Ein Kampf auf Liebe und Tod.

Comentarios de los usuarios:

MOVING AND UNSENTIMENTAL

Reparto

Johanna ter Steege	...	Susanna Eggers
Jeannette Arndt	...	Melanie
Heinz Hoenig	...	Tobias (as Heinz Hönig)
Robert Giggenbach	...	André
Angela Roy	...	Melanies Mutter
Ulrike Kriener	...	Anwältin
Lili Bohm	...	Maria
Hark Bohm	...	Richter
Klaus Rathjens	...	Schiffer
Patrick Wicher
Mila Mladek	...	Designerin
Volker Kühn	...	Betrunkener
Beke Rathjens	...	Anna
David Bohm	...	Schuljunge
Timo Rathjens	...	Schuljunge

También conocida como:

Das Wunschkind (Alemania) (working title)

Duración:

Germany:88 min

País:

Alemania

Idioma:

Alemán

Color:

Color (Eastmancolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby

Clasificación:

Germany:12 (f)

Locaciones de Filmación:

Cologne, North Rhine - Westphalia, Germany

Compañía:

Hamburger Kino-Kompanie

MOVING AND UNSENTIMENTAL

In the films of Hark Bohm children always played a central part and this film is no exception, though I can not recollect that so young a child was ever the subject in his films. Hark Bohm will never make the headlines with producing a earth shaking masterpiece, but his films are always reliable for their tenderness and humanity.

This film too is very moving and comic, tender but unsentimental, though this time the story is a bit on the thin side, artificial and rather stretched out. The film concerns the tug-of-war about the adoptive 6 year old Marie. It is hard to make out whether Bohn had any deeper meaning with the film, more than an entertaining one. If so than this aspect (claim of right on an adopted child by the natural mother) should be considered not to work as the character of the "natural" mother is that extreme that it can hardly be called representative. On the other hand: it is clear from the start with whom Bohn's sympathies lie.

Whatever the weak points of the script these are fully compensated by Bohn's direction of the cast and pacing and last but not least by the extraordinary performance by 6 (?) year old Lili Bohm (as Maria), I suppose that this is a grand-daughter of Hark Bohm. Lili steals the viewer's heart from the first time she is on the screen and plays her part very natural and Bohm avoids her becoming a Hollywood-cutie; she is just a beautiful and intelligent lady and the only one who tries to keep her head cool. The supporting cast is okay as well.

In view of the story and the film's gruesome ending I would like to point out that the film is not meant for children of Maria's age.