Jerusalem (1996)

Calificación de los usuarios:

6.9/10   

Director:

Bille August

Escritores:

Bille August (writer)
Selma Lagerlöf (novel)

Fecha de Lanzamiento:

7 marzo 1997 (USA)

Género:

Drama

Frase comercial:

En film om trons makt och kaerlekens styrka.

Plot:

The beginning of the 20th century. Gertrud and Ingmar are in love with each other. While Ingmar is away during the winter...

Plot Keywords:

Love | Palestine | Religion | Marriage | Sweden

Premios:

2 wins & 3 nominations

Comentarios de los usuarios:

Love in pain

Reparto

Maria Bonnevie	...	Gertrud
Ulf Friberg	...	Ingmar
Pernilla August	...	Karin
Lena Endre	...	Barbro
Sven-Bertil Taube	...	Hellgum
Reine Brynolfsson	...	Tim
Jan Mybrand	...	Gabriel
Max von Sydow	...	Vicar
Olympia Dukakis	...	Mother (Mrs. Gordon)
Björn Granath	...	Storm
Viveka Seldahl	...	Stina
Sven Wollter	...	Stor-Ingmar
Johan Rabaeus	...	Eljas
Mona Malm	...	Eva Gunnarsdotter
André Beinö	...	Ingmar som barn

También conocida como:

Jerusalem (Argentina) [es]
Jerusalem, de Bille August (Spain) [es]

MPAA:

Rated PG-13 for some violence and a scene of sensuality.

Duración:

168 min

País:

Sweden | Denmark | Norway | Finland | Iceland

Idioma:

Sueco | Inglés | Ruso

Color:

Color

Sonido:

Dolby

Clasificación:

Iceland:12 | Argentina:13 | Chile:18 | Finland:K-12 | Spain:13 | Sweden:11 | USA:PG-13 | Germany:12 (f)

Locaciones de Filmación:

Jämtlands län, Sweden

Compañía:

Danmarks Radio (DR)

Conexiones de Película:

Version of Karin Ingmarsdotter (1920)

Love in pain

Billie August offers a compelling visualization of Selma Lagerlöf's novel "Jerusalem." The narrative evokes the evangelical millennialism that in 1896 compelled Swedes from the village of Nas to leave their families and their land for Ottoman Jerusalem to await the second coming of Jesus. The austere and beautiful cold of Sweden contrasts to the austere and beautiful heat of Jerusalem; the stoicism demanded by the weather in the north is tested by the violence of disease, aridity and social ostracism in the south. These two disparate sites frame the love story of the protagonists, Gertrude (Maria Bonnevie) and Ingmar (Ulf Friberg), whose devotion to one another transcends conventional romance. The characters are complex. Their distinct weaknesses (Gertrude's febrile and pious imagination and Ingmar's passion for his land) thicken their mutual strengths—unselfish empathy and candid honesty. The villain in the piece is Hellgum (Sven-Bertil Taube), the born-again evangelical preacher who returns to his Swedish homeland from America as a dark shadow praying upon rifts in the religious fabric of the community. Selma Lagerlöf was the first woman to win the Nobel Prize for literature. "Jerusalem," published in Sweden in 1901, depicted recent events with resonant sympathy. Billie August has succeeded in recovering that same compassion in his rendering of a now remote historical moment. Nevertheless, Hellgum's evangelical megalomania and the Holy City's violence so powerfully described in the film seem all too contemporary. Unfortunately, the simple human goodness also so powerfully represented in "Jerusalem" now seems quaintly out-of-date.