Kolja (1996)

Calificación de los usuarios:

7.7/10   

Director:

Jan Sverák

Escritores:

Pavel Taussig (story)
Zdenek Sverák (screenplay)

Fecha de Lanzamiento:

24 enero 1997 (USA)

Género:

Comedia | Drama

Frase comercial:

The perfect grouch has met his match. A five-year-old boy named Kolya.

Plot:

Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man...

Plot Keywords:

Russian | Tombstone | Bachelor | Stepfather | Funeral

Premios:

Won Oscar. Another 19 wins & 11 nominations

Comentarios de los usuarios:

A beautiful film

Reparto

Zdenek Sverák	...	Frantisek Louka
Andrei Chalimon	...	Kolja
Libuse Safránková	...	Klára
Ondrej Vetchý	...	Broz
Stella Zázvorková	...	Mother
Ladislav Smoljak	...	Houdek
Silvia Suvadova	...	Blanka
Liliya Malkina	...	Tamara (as Lilian Malkina)
Karel Hermánek	...	Musil
Petra Spalková	...	Pasa
Irina Livanova	...	Nadezda
Magda Sebestová	...	Zuzana
Nella Boudová	...	Brozová
René Pribil	...	Pokorný
Miroslav Táborský	...	Novotný

También conocida como:

Kolya (International: English title)
Kolya (Spain) [es]
Kolya, el nombre de la esperanza (Argentina) [es]

MPAA:

Rated PG-13 for some sensuality.

Duración:

105 min

País:

Czech Republic

Idioma:

Slovak | Checo | Ruso

Color:

Color

Relación de Aspecto:

1.66 : 1

Sonido:

Dolby SR

Clasificación:

Iceland:L | Australia:PG | Taiwan:GP | South Korea:15 | Argentina:13 | Australia:M (cable rating) | Chile:14 | Finland:S | Germany:6 | Norway:A | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:Btl | USA:PG-13 | UK:12

Locaciones de Filmación:

Prague, Czech Republic

Compañía:

Biograf Jan Sverak

Trivialidades:

The child actor who plays Kolja, Andrei Chalimon, was not cast until three weeks before filming started.

Errores:

Continuidad: After Kolya becomes lost on the subway network and is trying to negotiate the escalator, he is trying to step onto the left hand side of the up escalator. However, from Kolya's point of view shot, he is trying to step onto the right hand side of the up escalator.

Conexiones de Película:

Referenced in Vratné lahve (2007)

Banda de Sonido:

Impressions and Recollections

A beautiful film

I've seen a number of U.S. movies filmed in Czechoslovakia, but this is the first Czech film I've seen. Seeing this makes me understand how Czechoslovakia could have a fairly booming film industry.

This movie came on on cable network IFC and it first grabbed my attention because I didn't recognize what language the characters were speaking. Within a couple of minutes, however, the movie itself had hooked me, though it's not the type of story I'd usually seek out. Indeed I was late to work and really wanted to get going, but I was unable to tear myself away.

Beyond the great writing, acting, and directing, this film has some truly amazing cinematography. There are occasions where the filmmakers seem to have commanded the universe around them to get these shots. In one scene, the lead character looks up through his car's windshield as he's driving, and in perfect synchronization the reflection of the airliner he was looking at passes across the windshield. Even more amazing was the shot from well up in the air, with the lead characters' car driving up the road, a train going up a track in parallel to them, and a hawk (or eagle?) hovering right in front of the camera and then diving off to the side -- and they got this shot right at "magic hour". In Hollywood CGI surely would have been used to coordinate this ballet of elements.

There were also many shots incorporating wonderfully poetic imagery. One of my favorites was the lead character staring into the reflective doors at the airport which close and reveal him to himself, standing there utterly alone.

One more comment -- another reviewer called the ending "predictable", but I'd have to disagree. I really didn't know where the movie would end up, and in fact it was portrayed so subtly that I had to rewind the final scene to be sure what had happened, and then go back and re-watch a prior scene that contained a seemingly throwaway line that bears on the ending.