| Photos (see all 1 | slideshow) |
| Nancho Novo | ... | Max | |
| Cayetana Guillén Cuervo | ... | Mónica | |
| Ingrid Rubio | ... | Yeye | |
| Beatriz Santiago | ... | María | |
| Gustavo Salmerón | ... | Alberto | |
| Javier Manrique | ... | Luis | |
| Javier Albalá | ... | Álex | |
| Liberto Rabal | ... | David | |
| Bibiana Fernández | ... | Cristina (as Bibí Andersen) | |
| Juan Diego Botto | ... | Carlos | |
| Daniel Mirabal | ... | Divva | |
| Juanfra Becerra | ... | Doly | |
| Paloma Tabasco | ... | Jacky | |
| Nuria Gallardo | ... | Clara | |
| Carlos Bardem | ... | Miguel | |
| Amanda | ... | Mujer madura | |
| Ernesto Alterio | ... | Marcos | |
| Maite Pastor | ... | Raquel | |
| César Vea | ... | Julio | |
| Blanca Sanromán | ... | Elsa | |
| María Esteve | ... | Chica 1 | |
| Mónica Bardem | ... | Chica 2 | |
| La Calva | ... | Ciberpunk | |
| Carlos Olivares | ... | Portero | |
| José Manuel Cervino | |||
| Fernando Colomo | ... | Fernando | |
| Penélope Cruz | |||
| Antonio de la Torre | |||
| Pepón Nieto | |||
| Amelia Ochandiano | |||
| Luca Iezzi | ... | Coreógrafo | |
| Miriam Akinfenwa | ... | Go-go | |
| Javier Albacete | ... | Go-go | |
| Jesús Llorente | ... | Go-go | |
| Elena Martín | ... | Go-go | |
| Raquel Roca | ... | Go-go | |
| listado alfabético del resto del reparto: | |||
| Javier Bardem | |||
| Diossa | |||
| Malyzzia | |||
Dirigida por | |||
| Alfonso Albacete | |||
| Miguel Bardem | |||
| David Menkes | |||
Créditos del guión(in alphabetical order) | ||
| Alfonso Albacete | writer | |
| Miguel Bardem | writer | |
| David Menkes | writer | |
Producida por | |||
| Fernando Colomo | .... | producer | |
| Beatriz de la Gándara | .... | producer | |
Música original por | |||
| Juan Bardem | |||
Fotografía por | |||
| Néstor Calvo | |||
Montaje por | |||
| Miguel Ángel Santamaría | |||
Casting | |||
| Amelia Ochandiano | |||
Diseño de producción por | |||
| Alain Bainée | |||
Dirección artística | |||
| Alain Bainée | |||
Diseño de vestuario por | |||
| Paloma López | |||
| Vito | |||
Departamento de maquillaje | |||
| Almudena Fonseca | .... | makeup artist | |
| Pablo Robledo | .... | makeup artist | |
| Rosana Rodríguez | .... | assistant makeup artist | |
| Juan Valverde | .... | hair stylist | |
Ayudante de dirección | |||
| Juan Gautier | .... | assistant director trainee | |
| Ana Hernando | .... | assistant director (as Ana C. Hernando) | |
| Luis Oliveros | .... | assistant director | |
Art Department | |||
| José M. Canencia | .... | property master | |
| Estíbaliz Sáez | .... | assistant set decorator | |
Departamento de sonido | |||
| José Antonio Bermúdez | .... | sound mixer | |
| Sergio Bürmann | .... | boom operator | |
| Pepín Fernández | .... | sound editor | |
| Antonio García | .... | sound effects | |
| Daniel Goldstein | .... | sound | |
| Manuel Moreno | .... | sound effects | |
| Ricardo Steinberg | .... | sound (as Steinberg) | |
Efectos especiales | |||
| Reyes Abades | .... | special effects | |
| Ana Casanova | .... | special effects | |
| Ricardo G. Elipe | .... | special effects | |
| Úrsula García | .... | special effects | |
Camera and Electrical Department | |||
| Paulino Alonso | .... | lighting technician | |
| Vladimiro Amor | .... | electrician | |
| Juan A. Caso | .... | electrician | |
| Alfredo Díaz | .... | grip | |
| Ángel Gómez | .... | electrician | |
| Ángel Granell | .... | electrician | |
| Juan M. Graves | .... | electrician | |
| Teresa Isasi | .... | still photographer | |
| Asunción de Juan | .... | assistant camera trainee | |
| Mónica Ochoa | .... | photographer | |
| Eduardo Pérez Climent | .... | camera operator | |
| Juan Carlos Rodríguez | .... | chief lighting technician | |
| Gema Velasco | .... | video technician | |
| Ángel Yebra | .... | camera operator | |
Costume and Wardrobe Department | |||
| María José Lebrero | .... | assistant costume designer (as Maria J. Lebrero) | |
| Teresa Mora | .... | wardrobe (as Teresa P. Mora) | |
Editorial Department | |||
| Pepe Pastor | .... | assistant editor | |
| Alfonso Sevilla | .... | assistant editor | |
Music Department | |||
| Jorge E. Bauche | .... | musician | |
| Víctor Correa | .... | musician | |
| Alberto Estébanez | .... | musician: keyboard | |
| Juan Luis Gallego | .... | musician | |
| Manuel Guillén | .... | musician | |
| Josep Lladó | .... | music producer | |
| Eduardo Posada | .... | music producer | |
| Enrique D. Santacecilia | .... | musician | |
| Francisco de Tapia | .... | musician | |
| María Tellechea | .... | musician | |
| Xasqui Ten | .... | music producer | |
| Mansfield T. | .... | music producer | |
Transportation Department | |||
| Ángel Frutos | .... | driver | |
| Andrés García Moreno | .... | driver (as Andrés García) | |
| Juan Manchego | .... | driver | |
| Ángel Megino | .... | transportation | |
| Ángel Prada | .... | driver | |
Otros miembros del equipo | |||
| María Bardem | .... | script supervisor | |
| Lourdes Barroso | .... | unit publicist | |
| Yolanda Bergareche | .... | title designer | |
| Dave Burton | .... | title designer | |
| Juan Cook | .... | advisor | |
| Adolfo Cora | .... | production accountant | |
| Purificación García | .... | production secretary | |
| Alfonso Jadraque | .... | location manager | |
| Carmen Mansilla | .... | sketcher | |
| Javier Martínez Calvo | .... | title designer | |
| James Nathan | .... | dialogue supervisor | |
| Raúl Pascual | .... | unit publicist | |
| Ángel Prada | .... | continuity | |
| José Serrano | .... | general manager | |
| Trini Solano | .... | public relations | |
| Antonio Villares | .... | administrator | |
| Bárbara Yacobi | .... | production secretary | |
Thanks | |||
| Ceferino Albacete | .... | special thanks | |
| Charo Azcona | .... | special thanks | |
| Guillermina Baeza | .... | special thanks | |
| Evelyn Botellas | .... | special thanks | |
| Javier Cámara | .... | special thanks | |
| Jorge Gómez | .... | special thanks | |
| Manuel de Gotor | .... | special thanks | |
| Hermes Govantes | .... | special thanks | |
| Laura Gutiérrez | .... | special thanks | |
| Jorge-Denis | .... | dedicatee | |
| Philippe Laporte | .... | special thanks | |
| Nathalie Leon | .... | special thanks | |
| David Menkes Jr. | .... | special thanks | |
| Samuel Menkes | .... | special thanks | |
| Charo Retuerto | .... | special thanks | |
| Joaquín Roa | .... | special thanks | |
| Sonia Sanz | .... | special thanks | |
| Rosa Maria Sardà | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Spain section | Add this title to MyMovies |
NOT LOVE, JUST FRENZY (Más que Amor Frenesí)
Aspect ratio: 1.85:1
Sound format: Dolby Digital
Staff and customers of a popular Madrid nightclub - gay, straight and everything in between - are thrown into disarray by the arrival of a stranger (Nancho Novo) whose life is threatened by a corrupt cop (Javier Manrique) seeking to connect him with a brutal murder.
Despite a lack of focus in its early stages and a couple of disappointing plot twists, this outrageous romp plays Almodóvar at his own game and comes up trumps. Co-written and directed by Miguel Bardem and debut filmmakers Alfonso Albarete and David Menkes (I LOVE YOU BABY), the movie features some of Spain's sexiest rising stars - including popular actress/TV presenter Cayetana Guillén Cuervo (STORIES FROM THE KRONEN) as a trampy nightclub owner with the hots for Novo, and Gustavo Salmerón (99.9) as the eternal party-boy who dumps his deceitful boyfriend Javier Albalá (SECOND SKIN) to pursue an impossible infatuation with the unattainable, ultra-beautiful Liberto Rabal (LIVE FLESH) - and includes cameo appearances by Penelope Cruz (blink and you'll miss her), Javier Bardem (ditto) and Almodovar favorite Bibi Andersen as a lesbian pimp (!).
The script combines sure-fire commercial elements (unrequited love, sexual betrayal, nymphomania, etc.) with layers of melodramatic excess (the gigolo who swears he was framed for murder, the psycho cop determined to nail him come what may), and the movie indulges an exhilarating sexual candor, including a heated exchange between Salmerón and Albalá in a shower, Novo and Guillén Cuervo enjoying a wild encounter in front of a bank of video monitors, and - in the film's most romantic episode - Rabal's full-frontal nude scene on a rooftop at midnight. All in all, voyeurs will certainly get their money's worth! About halfway through, however, the movie surrenders its 'gay' credentials and descends into mere 'camp', dropping several interesting plot threads to focus on Manrique's increasingly psychotic behavior as he launches a series of violent assaults on the primary female characters (the final sequence is a jaw-dropping combination of sex, death and bodily fluids!). Still, the movie is well-played by an engaging young cast (watch out for the lovely shot of Guillén Cuervo sweeping down a crowded high street in a billowing Victorian-style party dress!), and most viewers will be impressed by the filmmakers' refusal to compromise their eccentric ideals.
(Spanish dialogue)