Chun gwong cha sit (1997)

Director:

Kar Wai Wong

Guionista:

Kar Wai Wong (writer)

Release Date:

29 abril 1997 (Italy)

Genre:

Drama | Romance

Plot:

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift...

Plot Keywords:

Title Based On Song | Homosexual | Homosexuality | Hotel | Tango

Awards:

5 wins & 12 nominations

Comentarios de los usuarios:

Raw, Imperfect, Intense

Cast

Leslie Cheung	...	Ho Po-wing
Tony Leung Chiu Wai	...	Lai Yiu-fai
Chen Chang	...	Chang
listado alfabético del resto del reparto:
Gregory Dayton	...	Lover
Shirley Kwan	...	(scenes cut)

Dirigida por
Kar Wai Wong

Créditos del guión (in alphabetical order)
Kar Wai Wong		writer

Producida por
Ye-cheng Chan	....	producer
Kar Wai Wong	....	executive producer

Música original por
Danny Chung

Fotografía por
Christopher Doyle

Montaje por
William Chang
Ming Lam Wong

Diseño de producción por
William Chang

Ayudante de dirección
Johnny Kwong	....	assistant director

Departamento de sonido
Chi-tat Leung	....	sound
Du-Che Tu	....	sound

Efectos especiales
Tom Cundom	....	special effects

Music Department
Danny Chung	....	music supervisor

Otros miembros del equipo
Juan Carlos Copes	....	choreographer

Production Companies

• Block 2 Pictures
• Jet Tone Production
• Prénom H Co. Ltd.
• Seowoo Film Company

Distributors

• Golden Harvest Company (1997) (Hong Kong) (theatrical)
• Artificial Eye (1998) (UK) (theatrical) (subtitled)
• Lucky Red (1998) (Italy) (theatrical)
• Artificial Eye (2003) (UK) (DVD)
• Kino Video (2003) (USA) (DVD)
• Kinowelt Home Entertainment (2005) (Germany) (DVD)
• Argentina Video Home (????) (Argentina) (VHS)
• Arthaus (????) (Norway) (VHS)
• Artistas Argentinos Asociados (AAA) (????) (Argentina) (theatrical)
• Aska Film Distribution (????) (Canada) (theatrical) (subtitled)
• Atalanta Filmes (????) (Portugal) (theatrical)
• Cinemien (1997) (Netherlands) (theatrical)
• Cult Filmes (????) (Brazil) (VHS)
• Homescreen (1997) (Netherlands) (video)
• JMM Invest S.L. (????) (Spain) (theatrical)
• Kino International (????) (USA) (theatrical) (subtitled)
• Madman Entertainment (2004) (Australia) (DVD)
• Madman Entertainment (2004) (New Zealand) (DVD)
• Wanda Distribución Cinematográfica de Films S.A. (????) (Spain) (theatrical)

También conocida como:

Happy Together (Hong Kong: English title) (USA)
Buenos Aires Affair (International: English title)
Chun guang zha xie (Hong Kong: Mandarin title)
Happy
Happy Together (Spain) [es]

Duración:

96 min

País:

Hong Kong

Idioma:

Mandarin | Cantonese | Español

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sonido:

Dolby

Clasificación:

Canada:AA (Ontario) | Netherlands:12 | Iceland:12 | Italy:VM18 | Philippines:R-18 | France:U | New Zealand:R18 | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Canada:PA (Manitoba) | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Germany:12 | Hong Kong:III | Norway:15 | Portugal:M/16 | Singapore:(Banned) (original rating) | Singapore:R(A) (re-rating on appeal) | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (cut) | Spain:18 | UK:15

Filming Locations:

Buenos Aires, Federal District, Argentina

Company:

Block 2 Pictures

Trivialidades:

Tony Leung Chiu Wai agreed to do the film on the basis of a fake script and only learned of the requirement of doing a gay sex scene after arriving in Argentina for filming.

Goofs:

Continuity: Before Fai push starts the old car, the engine has already started while it is standing still.

Quotes:

Lai Yiu-fai: Turns out that lonely people are all the same.

Movie Connections:

Referenced in Film Geek (2005)

Soundtrack:

Happy Together

Raw, Imperfect, Intense

"Happy Together" is a depressing film. Yet it's one which I keep coming back to when I feel down and heartbroken.

Lost souls, lonely, longing, and lovelorn, are staples in the Wong Kar-Wai universe. His best works uncannily portray the beauty and misery of being struck by love and its multiple variations and illusions. His fluid, script-free, improvisational style of work is now legendary and applies well to the unpredictable nature of this subject matter while giving his works a raw, open-ended quality. "Happy Together" is quite probably his rawest work to date and, as a result, one of the most difficult to watch (this honor goes to "Ashes of Time"). The rawness makes it seem organic. It feels as if it's an ever-evolving creature which hides and exposes its multiple facets with each different viewing.

Argentina sounds like a great romantic escape for most of us but for our couple, Po-wing (Leslie Cheung) and Yiu-fai (Tony Leung), it's a lonely, bleak, melancholic place on the edge of the world. Travelogue film this isn't. Buenos Aires may have initially held romantic promise for them. "Let's start over," Po-wing asks Yiu-fai yet again, and off they go to South America to work things out. Soon, however, the place becomes a physical representation of their relationship. It's claustrophobic and oppressive, something that could've been so beautiful yet one which they now need to escape from. Wong beautifully portrays spectacular Iguazu Falls with mythical significance throughout the film. Initially nothing more than amusing kitsch, it eventually progresses as the defining geographical manifestation of their amorous aspirations. It achieves such heavy, symbolic power, the last time we see it is one of the most memorable scenes in the film.

If the homosexual angle seems downplayed here, it is to parallel the film's treatment. It's so matter-of-fact it's irrelevant and even embarrassing to make an issue out of it. This is a couple who just happens to be gay. Indeed, there is nothing gay-specific about the film, the couple may well have been straight and it wouldn't make a difference at all.

"Happy Together" is such a vivid examination of a relationship, it's occasionally painful to watch. The emotional authenticity, however, makes it quite absorbing. Wong Kar-Wai often aims for the heart and, with the possible exception of "In the Mood for Love", he's never been closer to his target.