| Fotos (ver todos los 25 | slideshow) | Videos (see all 2) |
| Javier Bardem | ... | Agustín Rejas | |
| Juan Diego Botto | ... | Sucre | |
| Laura Morante | ... | Yolanda | |
| Elvira Mínguez | ... | Llosa | |
| Alexandra Lencastre | ... | Sylvina Rejas | |
| Oliver Cotton | ... | Merino | |
| Luís Miguel Cintra | ... | Calderón | |
| Javier Manrique | ... | Clorindo | |
| Abel Folk | ... | Ezequiel / Durán | |
| Marie-Anne Berganza | ... | Laura | |
| Lucas Rodríguez | ... | Gómez | |
| Xabier Elorriaga | ... | Pascual | |
| Natalia Dicenta | ... | Marina | |
| Wolframio Sinué | ... | Santiago | |
| Ramiro Jiménez | ... | Sergeant Pisac | |
| Montserrat Astudillo | ... | Woman in Pick-up - Edith Pusanga | |
| Galo Urbina | ... | Indian 1 in Pick-up | |
| Jairon Flores | ... | Indian 2 in Pick-up | |
| Chuen Lam | ... | Major Kwan (as Lam Chuen) | |
| José Antonio Izaguirre | ... | Quesada | |
| Isabel Prinz | ... | Quesada's Wife | |
| Ignacio Carreño | ... | Quesada's Bodyguard | |
| Benjamas Boonnak | ... | Chinese Ambassadress | |
| Tito García | ... | Admiral Prado | |
| Veronica Noboa | ... | Model (as Verónica Noboa) | |
| Luis Gaspar | ... | Judge | |
| Steve Emerson | ... | TV Producer | |
| Carlos Carrillo | ... | TV Technician | |
| Eusebio Lázaro | ... | Father Ramon | |
| Paulina Aguilar | ... | Shanty Girl | |
| Esteban Salazar | ... | Shanty Policeman | |
| German Nuñez | ... | Manager (as German Núñez) | |
| Pachacutic Chugchilan | ... | Bomb Boy | |
| Juan Carlos Vellido | ... | Soldier 1 in Rejas' Office | |
| Diego Naranjo | ... | Captain Montesinos | |
| Montserrat Iglesias | ... | Student / Voice of Radio Announcer | |
| Celina Casari | ... | Maria | |
| Maribel Rivera | ... | Patricia | |
| Ignacio Durán | ... | Theatre Manager | |
| Frida Torresblanco | ... | Woman in Theatre | |
| Ana Lozano | ... | Vera | |
| Lola Peno | ... | Nurse | |
| Javier Páez | ... | Army Colonel | |
| David Aguilar | ... | Boy with a Poster | |
| Raquel Rocha | ... | Woman in Convertible | |
| Alexis Rodrigues | ... | Man in Convertible | |
| Daniel Aguilar | ... | CocaCola Cap | |
| Yousaf Bokhari | ... | Radio Announcer (voice) | |
| Natalia Tarnawiecki | ... | Radio Announcer (voice) | |
| Carlos Thiebaut | ... | Radio Announcer (voice) | |
| Nuevo Repertorio | ... | Theatre Group | |
| listado alfabético del resto del reparto: | |||
| Vivian Agüero | ... | Student (uncredited) | |
| Nur Al Levi | ... | (uncredited) | |
| Yohana Cobo | ... | Terrorista (uncredited) | |
| Olga Dias | ... | Woman in Café Esplanade (uncredited) | |
| Ricardo Lopes | ... | Journalist (uncredited) | |
| Joana Loureiro | ... | Lady (uncredited) | |
| John Malkovich | ... | Abimael Guzman (uncredited) | |
| Devon Walker | ... | Ballet Dancer Prodigy (uncredited) | |
Dirigida por | |||
| John Malkovich | |||
Créditos del guión | ||
| Nicholas Shakespeare | (novel) | |
| Nicholas Shakespeare | (screenplay) | |
Producida por | |||
| Yousaf Bokhari | .... | line producer | |
| Andrés Vicente Gómez | .... | producer | |
| Lianne Halfon | .... | executive producer | |
| John Malkovich | .... | producer | |
| Russell Smith | .... | executive producer (as Russ Smith) | |
Música original por | |||
| Alberto Iglesias | |||
Fotografía por | |||
| José Luis Alcaine | (director of photography) | ||
Montaje por | |||
| Mario Battistel | |||
Casting | |||
| Katrina Bayonas | |||
| Camilla-Valentine Isola | |||
Diseño de producción por | |||
| Pierre-François Limbosch | (as Pierre-François Limbosh) | ||
Dirección artística | |||
| Pierre-François Limbosch | (uncredited) | ||
Diseño de vestuario por | |||
| Sabine Daigeler | (as Bina Daigeler) | ||
Departamento de maquillaje | |||
| Lucy Da Silva | .... | assistant makeup artist: Ecuador | |
| Manolo García | .... | hair stylist | |
| Ana Lozano | .... | makeup artist | |
| Mariló Osuna | .... | makeup artist | |
Dirección de producción | |||
| Pocho Álvarez | .... | production manager: Ecuador | |
| Adélaide Empis | .... | production manager: Portugal (as Adelaide Empis) | |
| Josean Gómez | .... | production supervisor: Ecuador | |
| Guiselle Jaramillo | .... | unit manager: Ecuador | |
| Rui Louro | .... | production supervisor: Portugal | |
| Ana Parra | .... | unit manager: Madrid | |
| Iñaki Ros | .... | production manager: Madrid | |
| Frida Torresblanco | .... | production supervisor (uncredited) | |
Ayudante de dirección | |||
| João Cayatte | .... | assistant director: Portugal (as Joao Cayatte) | |
| Diego Falconi | .... | third assistant director: Ecuador | |
| César Fernandes | .... | third assistant director: Portugal (as Cesar Fernandes) | |
| Daniela Forn | .... | second assistant director | |
| David Martínez | .... | first assistant director | |
| Rita Rubio | .... | third assistant director: Madrid | |
Departamento de Arte | |||
| José Avilés | .... | prop buyer: Ecuador | |
| José Carracedo | .... | stand-by props (as Jota Carracedo) | |
| Susana Fernández | .... | art department assistant: Madrid | |
| Roberto Frisone | .... | art director: Ecuador | |
| Fernando Garcia | .... | construction manager: Ecuador | |
| Juan Manuel Garcia | .... | props assistant: Madrid | |
| Serafin González | .... | stagehand | |
| Pablo Iturralde | .... | stand-by props: Ecuador | |
| Fernando Jiménez | .... | construction manager: Ecuador | |
| Javier López | .... | propman: Madrid (as Fco. Javier López) | |
| Marcelo Mejia | .... | propsman: Ecuador | |
| Laura Musso | .... | set dresser: Madrid | |
| Victor Rodríguez | .... | graphic designer: Madrid | |
| María Lourdes Rosero | .... | assistant art director: Ecuador (as Mª Lourdes Rosero) | |
| Nuria Sanjuan | .... | art director: Madrid | |
| José M. Serrano | .... | prop buyer: Madrid (as José Mariano Serrano) | |
Departamento de sonido | |||
| Paolo Amici | .... | sound effects editor: Ecuador | |
| Antonio Bloch | .... | production sound | |
| Italo Cameracanna | .... | foley artist: Ecuador | |
| Jordi Casugas | .... | adr recordist: Ecuador | |
| Fernando Cuesta | .... | cable person: Ecuador | |
| Bela María da Costa | .... | sound editor (as Bela Da Costa) | |
| Marco De Gregori | .... | digital sound: pro-tools (as Marco De Gregory) | |
| Enzo Diliberto | .... | foley artist: Ecuador (as Enzo Di Liberto) | |
| Sara Fijo | .... | boom operator | |
| Ángel Gallardo | .... | adr recordist: Ecuador | |
| Arturo Garcia | .... | adr editor: Ecuador | |
| Carlos Garrido | .... | sound re-recordist | |
| Diego Garrido | .... | sound re-recordist: Ecuador | |
| Antonello Giorgiucci | .... | adr recordist: Ecuador | |
| Ezio Marcorin | .... | sound effects editor: Ecuador | |
| Marco Marinelli | .... | sound effects editor: Ecuador | |
| Massimo Marinelli | .... | sound effects editor: Ecuador | |
| Daniele Quadroli | .... | sound effects editor: Ecuador | |
| Ricardo Viñas | .... | consultant: Dolby | |
| Ken Teaney | .... | sound re-recording mixer (uncredited) | |
Visual Effects | |||
| Jorge Calvo | .... | digital effects: Mad Pix Company | |
| Pilar Cienfuegos | .... | 3D artist: Mad Pix Company | |
| Isaac de la Pompa | .... | 3D artist: Mad Pix Company (as Isaac De La Pompa) | |
| Juancho Fernández | .... | Inferno compositor: Mad Pix Company | |
| Ramón Guzmán | .... | Inferno compositor: Mad Pix Company | |
| Juan Ramón Herrero | .... | Inferno compositor: Mad Pix Company | |
| Ezequiel Larru | .... | Inferno compositor: Mad Pix Company | |
| Rubén Villoria | .... | 3D artist: Mad Pix Company | |
| José Miguel Zapata | .... | 3D artist: Mad Pix Company | |
Especialistas | |||
| David Andrade | .... | stunts: Ecuador | |
| Mónica Consuegra | .... | stunt artist: Madrid | |
| Sergio del Var | .... | stunt artist: Madrid (as Sergio Del Val) | |
| Miguel García | .... | stunt artist: Madrid | |
| José María López | .... | stunt artist: Madrid (as José Mª López) | |
| Ángel Planas | .... | stunt coordinator: Madrid | |
| Manolo Torres | .... | stunt artist: Madrid | |
| Jorge Huergo | .... | stunts (uncredited) | |
Departamento de reparto | |||
| Tiago Mesquita | .... | extras casting | |
| Galo Urbina | .... | extras casting assistant: Ecuador | |
| Jorge Vivanco | .... | extras casting: Ecuador | |
Departamento de vestuario | |||
| Jeremy Capilla | .... | wardrobe assistant: Ecuador | |
| Raquel del Val | .... | wardrobe assistant (as Raquel Del Val) | |
| Lily Flor | .... | wardrobe assistant: Ecuador | |
| Ana López | .... | costumer | |
| Rosa María López | .... | seamstress: Madrid (as Rosa Mª López) | |
| Silvia Meireles | .... | wardrobe assistant | |
| Ana Salazar | .... | wardrobe assistant: Ecuador | |
Departamento de Edición | |||
| Irene Blecua | .... | assistant editor: Eduador | |
| Patricia Bonet | .... | post-production assistant: Eduador | |
| Elsa Fernández | .... | second assistant editor: Ecuador | |
| Ascen Marchena | .... | assistant editor: Ecuador | |
| Nino Martínez Sosa | .... | second assistant editor: Ecuador | |
| Simon Njoo | .... | assistant editor: Ecuador | |
| Dimas Ortiz | .... | second assistant editor: Ecuador | |
| Cristina Pastor | .... | assistant editor: Ecuador | |
| Aitor Tapia | .... | second assistant editor: Ecuador | |
| Nicholas Wentworth | .... | executive in charge of post-production | |
Departamento de Música | |||
| Pedro Alcalde | .... | conductor | |
| Yul Anderson | .... | music arranger: "All Along the Watchtower" | |
| Yul Anderson | .... | musician: piano, "All Along the Watchtower" | |
| Kolja Blacher | .... | musician: violin | |
| Javier Casado | .... | musician: piano | |
| José Luis Crespo | .... | music editor | |
| José Luis Crespo | .... | music score engineer | |
| Clarissa Farrán | .... | score copyist | |
| Raquel Fernández | .... | assistant music editor | |
| Raquel Fernández | .... | assistant music scoring engineer | |
| Christian Gómez | .... | music coordinator: Ecuador | |
| Juanjo Guillén | .... | musician: percussion | |
| Wolfgang Hoff | .... | music studio manager: SFB - Berlin | |
| Sonia Lozano | .... | music production assistant | |
| Ekkehard Stoffregen | .... | music studio manager: SFB - Berlin | |
| Dominik Wollenweber | .... | musician: English horn | |
Departamento de Transporte | |||
| Antonio Fernández | .... | generator driver: Madrid | |
| Juan Carlos Fuentes | .... | caravan driver: Madrid (as J. Carlos Fuentes) | |
| Julián Hernández | .... | wardrobe truck driver: Madrid | |
| Miguel Ángel López | .... | electric truck driver: Madrid | |
| Javier Montero | .... | driver | |
| Bernardino Villanueva | .... | driver: camera van, Madrid | |
Gracias | |||
| Fernando Méndez Leite | .... | thanks (as D. Fernando Méndez Leite) | |
| D. Luis Alfredo Muñoz | .... | thanks: Head of Customs - Quito | |
| Michèle Ray-Gavras | .... | grateful acknowledgment: "State of Diege" by Costa Gavras | |
| Cristina Rota | .... | thanks | |
|
|
|
|
|
| Across the Universe | The Unbearable Lightness of Being | Lantana | Into the Wild | Jimmy and Judy |
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
IMDb Calificación de los usuarios:
|
| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
Very closely based on Guzman and the Shining Path Maoist terrorists in Peru, this movie is compulsive viewing.
The plot is fairly standard good cop tracks down bad guys - there are no bonus points for this plot. Indeed, some of the coincidences that arise as the film goes on are the weakest link in this otherwise near-flawless movie.
There has been much talk about the violent scenes in this movie, which are many, but especially the scenes with animals. My view is that it is no more morally wrong to depict violence to animals than it is to depict violence to humans, as long as no animal (or human) is actually harmed in making the depiction. We are told that none of the animals were harmed in the making of the film (and presumably also none of the people). As far as I am concerned that is the end of that matter - the use of animals, unhamred, for this purpose is acceptable. To argue otherwise I find, frankly, daft. However, I would recommend that people who get particularly upset when violence to animals is depicted should simply avoid this movie.
Back to the movie - the acting and the cinematography are superb. It is gripping - the film is 135 minutes long which is well past my attention span unless the film is really good. This film is just that.