| Photos (see all 45 | slideshow) | Videos |
| Al Pacino | ... | Benjamin 'Lefty' Ruggiero | |
| Johnny Depp | ... | Donnie Brasco / Joseph D. 'Joe' Pistone | |
| Michael Madsen | ... | Sonny Black | |
| Bruno Kirby | ... | Nicky | |
| James Russo | ... | Paulie | |
| Anne Heche | ... | Maggie Pistone | |
| Zeljko Ivanek | ... | Tim Curley | |
| Gerry Becker | ... | Dean Blandford | |
| Robert Miano | ... | Sonny Red | |
| Brian Tarantina | ... | Bruno | |
| Rocco Sisto | ... | Richard 'Richie' Gazzo | |
| Zach Grenier | ... | Dr. Berger | |
| Walt MacPherson | ... | Sheriff | |
| Ronnie Farer | ... | Annette | |
| Terry Serpico | ... | Strip Club Owner | |
| Gretchen Mol | ... | Sonny's Girlfriend | |
| Tony Lip | ... | Philly Lucky | |
| George Angelica | ... | Big Trin | |
| Val Avery | ... | Trafficante | |
| Madison Arnold | ... | Jilly | |
| Delanie Fitzpatrick | ... | Daughter Amanda Pistone | |
| Katie Sagona | ... | Daughter Jessica Pistone | |
| Sara Gold | ... | Daughter | |
| Larry Romano | ... | Tommy Ruggiero | |
| Tim Blake Nelson | ... | FBI Technician | |
| Paul Giamatti | ... | FBI Technician | |
| James Michael McCauley | ... | FBI Agent | |
| James Bulleit | ... | U.S. Attorney (as Jim Bulleit) | |
| Andrew Parks | ... | Hollman | |
| Keenan Shimizu | ... | Japanese Maitre D' | |
| Rocco Musacchia | ... | Trafficante's Man | |
| Joe Francis | ... | Trafficante's Man | |
| Sal Jenco | ... | Mare Chiaro Bartender | |
| Billy Capucilli | ... | Communion Party Man | |
| Laura Cahill | ... | Communion Party Woman | |
| Doreen Murphy | ... | Mob Girlfriend | |
| Elle Alexander | ... | Mob Girlfriend | |
| Denise Faye | ... | Mob Girlfriend | |
| Elaine del Valle | ... | Mob Girlfriend (as Elaine Del Valle) | |
| John Horton | ... | FBI Director | |
| Dan Brennan | ... | FBI Photographer | |
| LaJuan Carter | ... | Singer | |
| Sandy Barber | ... | Singer | |
| Joyce Stovall | ... | Singer | |
| Frank Pesce | ... | Wiseguy | |
| Randy Jurgensen | ... | Wiseguy | |
| John Di Benedetto | ... | Wiseguy (as John DiBenedetto) | |
| Richard Zavaglia | ... | Wiseguy | |
| Tony Ray Rossi | ... | Wiseguy | |
| Edward Black | ... | Wiseguy | |
| Gaetano LoGiudice | ... | Wiseguy | |
| Carmelo Musacchia | ... | Wiseguy | |
| Pat Vecchio | ... | Wiseguy | |
| Caleb | ... | The Lion | |
| listado alfabético del resto del reparto: | |||
| Elle Alexander | ... | Mob Girlfriend (uncredited) | |
| Christopher Del Gaudio | ... | Pedestrian (uncredited) | |
| Jim Lavin | ... | Arresting FBI Officer (uncredited) | |
| Jeff Millstein | ... | Bar Patron (uncredited) | |
| Lisa Marie Panagos | ... | Sonny Black's girl (uncredited) | |
| Garry Pastore | ... | Carmine Galante's Bodyguard (uncredited) | |
| Larry Tobias | ... | Man in Bar (uncredited) | |
Dirigida por | |||
| Mike Newell | |||
Créditos del guión(WGA) | ||
| Joseph D. Pistone | (book "Donnie Brasco: My Undercover Life in the Mafia") and | |
| Richard Woodley | (book "Donnie Brasco: My Undercover Life in the Mafia") | |
| Paul Attanasio | (screenplay) | |
Producida por | |||
| Louis DiGiaimo | .... | producer | |
| Alan Greenspan | .... | executive producer | |
| Mark Johnson | .... | producer | |
| Barry Levinson | .... | producer | |
| Patrick McCormick | .... | executive producer | |
| Gail Mutrux | .... | producer | |
Música original por | |||
| Patrick Doyle | |||
Fotografía por | |||
| Peter Sova | (director of photography) | ||
Montaje por | |||
| Jon Gregory | |||
Casting | |||
| Louis DiGiaimo | |||
| Brett Goldstein | |||
Diseño de producción por | |||
| Donald Graham Burt | |||
Dirección artística | |||
| Jefferson Sage | |||
Decorados | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Diseño de vestuario por | |||
| Aude Bronson-Howard | |||
| David C. Robinson | (as David Robinson) | ||
Departamento de maquillaje | |||
| Margot Boccia | .... | makeup artist | |
| Milton Buras | .... | key hair stylist | |
| Nathan J. Busch II | .... | hair stylist (as Nathan Busch II) | |
| John Caglione Jr. | .... | key makeup artist | |
| Jay Cannistraci | .... | makeup artist: Florida (uncredited) | |
| Sharon Kalb | .... | makeup artist: Miami (uncredited) | |
Dirección de producción | |||
| Richard Baratta | .... | unit production manager | |
| Michael Saxton | .... | post-production supervisor | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
Ayudante de dirección | |||
| Eric Henriquez | .... | dga trainee | |
| Sam Hoffman | .... | second assistant director | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Danielle Rigby | .... | second second assistant director | |
Departamento de sonido | |||
| Philip Alton | .... | foley editor | |
| Sue Baker | .... | dialogue editor | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Graham Farrow | .... | assistant sound editor | |
| Ian Fuller | .... | supervising sound editor | |
| Derek Holding | .... | adr editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Ian Macbeth | .... | assistant sound editor | |
| Tod A. Maitland | .... | sound mixer | |
| Christine Newell | .... | assistant sound editor | |
| Victor Nunes | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as Terence O'Mara) | |
| Grahame Peters | .... | sound effects editor | |
| Michael Redfern | .... | assistant sound editor | |
| Joel Holland | .... | sound recordist (uncredited) | |
Efectos especiales | |||
| Ron Ottesen | .... | special effects supervisor (as Ronald Ottesen Jr.) | |
Visual Effects | |||
| Martin Body | .... | optical cameraman (uncredited) | |
Especialistas | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Victor Chan | .... | stunts | |
| Peter Bove | .... | stunt double (uncredited) | |
| Blaise Corrigan | .... | stunts (uncredited) | |
| Jeffrey Lee Gibson | .... | stunts (uncredited) | |
| Steve Hart | .... | stunts (uncredited) | |
| Brian Smyj | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Tom Anderson | .... | best boy electric (as Thomas Anderson) | |
| David E. Baron | .... | second assistant camera (as David Baron) | |
| Michael Green | .... | first assistant camera | |
| Richard Guinness Jr. | .... | key grip | |
| Brian Hamill | .... | still photographer | |
| Kevin Janicelli | .... | rigging gaffer | |
| Sal Lanza | .... | best boy grip | |
| Patrick McGrath | .... | dolly grip | |
| Dick Mingalone | .... | camera operator | |
| Gary Muller | .... | first assistant camera | |
| Kevin Murphy | .... | chief lighting technician | |
| Peter Norman | .... | additional photographer | |
| Ronald Plant | .... | rigging grip | |
| Andrew Priestley | .... | second assistant camera | |
| Nils Johnson | .... | 24 frame video operator (uncredited) | |
| Wayne Paull | .... | additional camera operator (uncredited) | |
| James M. Reeves | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Fleet Emerson | .... | extras casting | |
| Sylvia Fay | .... | extras casting | |
| Mark Byrne | .... | casting assistant: Sylvia Fay casting (uncredited) | |
Costume and Wardrobe Department | |||
| David Dumais | .... | wardrobe supervisor: men | |
| Mary Gierczak | .... | costumer | |
| Lauren Press | .... | assistant costume designer | |
| Lawrence Tarzy | .... | costumer | |
| Susan J. Wright | .... | wardrobe supervisor (as Susan Wright) | |
| Joanna Brett | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Sam Adelman | .... | first assistant editor: USA | |
| John Dicker | .... | third assistant editor: USA | |
| Valentina Giambanco | .... | second assistant editor: UK | |
| Marianne Gray | .... | post-production coordinator (as Marianne Pettersson Gray) | |
| Sorin Ariel Iarovici | .... | second assistant editor: USA (as Sorin Iarovici) | |
| Kezia Martin | .... | third assistant editor: UK | |
| Ian Seymour | .... | first assistant editor: UK | |
| John Stanborough | .... | color timer | |
| Mike Fraser | .... | negative cutter (uncredited) | |
| Kurt Mattila | .... | editor: title sequence (uncredited) | |
| Mark Neale | .... | trainee assistant film editor (uncredited) | |
Music Department | |||
| Budd Carr | .... | executive music producer | |
| Robin Clarke | .... | music editor | |
| Paul Hulme | .... | scoring mixer | |
| Allan Mason | .... | executive music producer | |
| Sylvia Nestor | .... | music coordinator | |
| Roy Prendergast | .... | music editor | |
| Maggie Rodford | .... | music score producer | |
| Curt Sobel | .... | music consultant | |
| John Bell | .... | orchestrator (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Richard Holston | .... | transportation captain | |
| Michael Hyde | .... | transportation coordinator | |
| Mike Easter | .... | driver (uncredited) | |
Thanks | |||
| James Flamberg | .... | special thanks | |
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| The Godfather | Scarface | Goodfellas | The Departed | Carlito's Way |
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IMDb Calificación de los usuarios:
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First rate mafia drama connects on a deeper level than most. Its cinematography may not have the moody, noirish atmosphere that makes The Godfather so appealing, but despite its slick Hollywood look, it seems to attain such penetrating truth (this, perhaps, has a little to do with its being based on a book by the real life main character). The central situation of the aging mafia man taking under his confidence and vouching for an undercover FBI agent, and that a bond forms between the two men is a great one. The performances are absolutely superb. Particularly the two men who the story centres on, Joe Pistone, a.k.a Donnie Brasco (Johnny Depp, going for realism in this role, is incredible. It begins and ends with a closeup of his eyes - this movie would be nothing without him) and mafia man "Lefty" (Pacino, who gives us one of his finest characterisations - best bit, his close-up after Donnie is asked to shake hands by a certain character on a certain boat). The vividness of the characters in this movie seems to owe a great deal to the superb screenplay (again, credit to the real-life source material). Recurring catch-phrases make it easy for us to get to know characters, and wonderful little touches give the story such a resonance, and make it ring true: like Lefty's smoking inside the car when driving with Brasco and accusing Brasco of trying to kill him with the draft when he opens a window to let some smoke out, and the portrait of Lefty, the opposite of how we imagine a mafia veteran, as a vulnerable, often emotional man.
Deserves at least four stars. Recommended to anyone (except, obviously kids, for a few scenes unsuitable to them).