The Fifth Element (1997)

Calificación de los usuarios:

7.4/10   

Director:

Luc Besson

Escritores (WGA):

Luc Besson (story)
Luc Besson (screenplay) ...

Fecha de Lanzamiento:

9 mayo 1997 (USA)

Género:

Acción | Aventura | Romance | Ciencia-Ficción | Suspenso

Frase comercial:

It Mu5t Be Found.

Plot:

In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr Zorg at bay.

Plot Keywords:

Evil | Future | Alien | Cab Driver | Weapon

Premios:

Nominated for Oscar. Another 7 wins & 17 nominations

Comentarios de los usuarios:

Plot wise it is weak and rather silly but, for all its weak points it is great fun with a good sense of energy and wonderful design

Reparto

Bruce Willis	...	Korben Dallas
Gary Oldman	...	Jean-Baptiste Emanuel Zorg
Ian Holm	...	Father Vito Cornelius
Milla Jovovich	...	Leeloo
Chris Tucker	...	Ruby Rhod
Luke Perry	...	Billy
Brion James	...	General Munro
Tommy 'Tiny' Lister	...	President Lindberg (as Tommy 'Tiny' Lister Jr.)
Lee Evans	...	Fog
Charlie Creed-Miles	...	David (as Charlie Creed Miles)
Tricky	...	Right Arm
John Neville	...	General Staedert
John Bluthal	...	Professor Pacoli
Mathieu Kassovitz	...	Mugger
Christopher Fairbank	...	Mactilburgh

También conocida como:

Le cinquième élément (France)
The 5th Element (USA) (alternative spelling)
El quinto elemento (Spain) [es]

MPAA:

Rated PG-13 for intense sci-fi violence, some sexuality and brief nudity.

Duración:

126 min

País:

France

Idioma:

Inglés | Sueco | Alemán

Color:

Color (Technicolor)

Relación de Aspecto:

2.35 : 1

Sonido:

SDDS | Dolby Digital

Clasificación:

Argentina:13 | Iceland:10 | Iceland:12 (video rating) | Australia:M (TV rating) | USA:PG-13 (certificate #34794) | Netherlands:6 (re-rating) | New Zealand:PG | Australia:PG | Belgium:KT | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:PG (Manitoba) | Chile:TE | Finland:K-12 | France:U | Germany:12 | Ireland:12 | Israel:PG | Italy:T | Netherlands:12 | Norway:11 | Portugal:M/12 | Singapore:NC-16 | Singapore:PG (cut) | South Korea:12 | Spain:7 | Sweden:11 | UK:PG

Locaciones de Filmación:

Albert R. Broccoli 007 Stage, Pinewood Studios, Iver Heath, Buckinghamshire, England, UK

Compañía:

Gaumont

Trivialidades:

When Korben Dallas wakes up, the date can just be seen on his bedroom wall: March 18th, 2263. 18 March is director Luc Besson's birthday (a day before Bruce Willis').

Errores:

Continuidad: When the diva rubs Korben's cheek she leaves a streak of blue blood. In the next shot of Korben there is more blood and it is in a different shape.

Citas:

[first lines]
Omar: [whispers to sleeping Aziz] Aziz! Aziz!
Professor Pacoli: [shouts] Aziz! Light!
[Aziz wakes up with a start]
Billy: "Aziz! Light!"

Conexiones de Película:

Referenced in "Spaced: Ends (#1.7)" (1999)

Banda de Sonido:

Little Light Of Love

Plot wise it is weak and rather silly but, for all its weak points it is great fun with a good sense of energy and wonderful design

Three hundred years ago, the powerful weapon of the fifth element was removed from Earth. Three hundred years later and pure evil has stirred in the far reaches of space – and is heading straight for Earth, with traditional weapons unable to stop it. When the Fifth Element is returned, the ship is attacked and seemingly lost – but scientists are able to recreate the fifth element and are surprised to find it is a beautiful young woman, Leeloo. When Leeloo escapes custody she is helped by ex-army taxi driver Korben Dallas. Korben takes her to the priest she names, but he finds that everyone wants her for one reason or another – then he finds that both the army and the priest need him to go on a mission to reclaim the missing four stones and save the Earth from evil.

I have seen this film several times and will usually come back to it if I find myself in the mood – but yet I also find myself thinking of its flaws whenever anyone asks me about it. I can't understand why I do this because I really do enjoy this film even though there is much I sort of dislike about it. The plot is one of the weak points; generally it is quite good as an idea but it has many weak points that make it seem rather silly and overly busy. While this is not enough to really damage the film I know that it has put some people off in some audiences, but for me it was only a minor problem as these rather silly bits were all part of a film that had a great sense of fun running through it. Some of it didn't make much sense and at times I got the feeling that the film had more ideas than it really knew what to do with, but the majority of it worked well. The action is good but you should be prepared for the fact that, like much of the film, it is done with a certain amount of tongue in cheek humour. Suffice to say I never found it dull and it has plenty going on for the majority of the film

Visually is the area where the film is strongest and I could watch it for this alone. The effects are great and are full of imagination as well as looking very impressive. The design work of Dan Weil is very well used and compliments the effects used – the film looks lavish and rich all the way through and matches the wonderful costumes from Jean-Paul Gaultier. Of course much of the praise goes to Luc Besson who has managed to pull this together really well to produce an endlessly impressive film, which manages to be a fun and exciting sci-fi.

The casting also backs this idea up and features many performances that are spot on with tongue in cheek performances that match the tone of the film perfectly. Bruce Willis delivers the same, great mocking performance that he tried in Hudson Hawk but here he does it in a film that is better structured and less silly than that one and it works a lot better. He still delivers the goods as an action lead but he puts his tongue just far enough in his cheek so as to be there without hurting the film! I don't want to overdo it (after all – he is Bruce Willis!) but I thought he was very well cast here. Oldman is very hammy but this also works as it matches the humour of the piece. Jovovich had a very difficult role and it is easy to laugh at her baby talk etc but I think she made it work well and gave a good performance against the odds. Holm is pretty good and brings humour to his role as well. Tucker, sadly, fails to do the same as these and his overblown performance doesn't even fit well within this film (god knows where it WOULD fit!) and he only succeeds in being shrill and very annoying throughout – not all his fault, his character is a wholly unnecessary part of the film. The support cast is roundly good and features a raft of famous faces in minor roles including Lee Evans, Brion James, Tricky, Luke Perry and Kim Chan. Generally the cast seem to be right on the same page as their director and compliment the material and tone perfectly.

Overall this is far from a perfect film and some may find the humour to be at odds with the sci-fi action; but for my money the fact that most of the film backed up this tongue in cheek tone made it all work. Some of the plot has too many ideas or unnecessary elements but most of it is really good and, combined with mostly good performances and stunning designs and effects make for a film that I will watch many times even if I cannot help but see the weaknesses that many others cannot get past.