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Pronto (1997) (TV)
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Overview
Release Date:
8 junio 1997 (USA) másPlot:
Harry Arno is a Miami Beach bookie who finds himself in trouble with his mob bosses for reasons he can't quite figure out... más | add synopsisPlot Keywords:
Comentarios de los usuarios:
"That's where Ezra Pound lived" másCast
(in credits order) | Peter Falk | ... | Harry Arno (Henri Arnaud) |
 | Glenne Headly | ... | Joyce Patton |
 | James LeGros | ... | Raylan Givens (as James Legros) |
 | Sergio Castellitto | ... | Tommy 'the Zip' Bucks |
| Walter Olkewicz | ... | Jimmy 'the Cap' Capotorto |
 | Luis Guzmán | ... | Buck Torres (as Luis Guzman) |
| Bradford Tatum | ... | Nick 'Joe Macho' Testa |
| Therese Kablan | ... | Gloria Ayers |
| Franco Trevisi | ... | Fabrizio |
| Armando De Razza | ... | Benno |
| Francesca De Sapio | ... | Maura |
 | Glenn Plummer | ... | Robert Gee |
| Nikos Papatheodorou | ... | Marco |
| Giorgos Iaokovidis | ... | Bartender |
| Kathy Skalldou | ... | Prostitute |
| Dimitris Karambetsis | ... | Aaso Rent-a-Car Man |
| Paschalis Tsarouhas | ... | Bruno |
| Michael Koukoulomatis | ... | Enzo |
| Luigi Mezzanotte | ... | Man in Car |
 | Carmen López | ... | Bail Bond Lady |
| John Archie | ... | Kenneth |
| Laird Stuart | ... | Earl Crowe |
Dirigida por | |||
| Jim McBride | |||
Créditos del guión(WGA) | ||
| Elmore Leonard | (book) | |
| Michael Butler | (screenplay) | |
Producida por | |||
| Richard Berg | .... | producer (as Dick Berg) | |
| Chris Danton | .... | line producer | |
| Allan Marcil | .... | producer | |
Música original por | |||
| John Altman | |||
Fotografía por | |||
| Affonso Beato | (director of photography) | ||
Montaje por | |||
| Milton Moses Ginsberg | (as Milton Ginsberg) | ||
Casting | |||
| Beth Klein | |||
| Alysa Wishingrad | |||
Diseño de producción por | |||
| John Jay Moore | (as John J. Moore) | ||
Diseño de vestuario por | |||
| Rudy Dillon | |||
Departamento de maquillaje | |||
| Jay Cannistraci | .... | key makeup: Miami | |
| Donna Battersby Greene | .... | key hairdresser: Miami (as Donna Battersby-Greene) | |
| Sharon Kalb | .... | makeup artist: Miami | |
| Niki Psimouli | .... | key hairdresser: Corfu | |
| Nabile Salame | .... | key makeup artist: Corfu (as Nabil Salameh) | |
Ayudante de dirección | |||
| Jack Baran | .... | first assistant director | |
| Thanassis Christopoulos | .... | first assistant director: Corfu (as Thanasis Christopoulos) | |
| Panayiotis Kravas | .... | second assistant director: Corfu (as Panayotis Kravas) | |
| Daniel R. Suhart | .... | second assistant director | |
Efectos especiales | |||
| Michalis Samiotis | .... | special effects: Corfu | |
| Rob 'RJ' Trudell | .... | special effects supervisor: Miami (as Rob {RJ} Trudell) | |
Visual Effects | |||
| Kurt Godel | .... | digital transfer engineer | |
Especialistas | |||
| Kostas Vasilakis | .... | stunt driver: Corfu Unit | |
Casting Department | |||
| Leigh French | .... | voice casting | |
| Michelle Lang | .... | casting associate: Los Angeles | |
| Cheryl Louden-Kubin | .... | extras casting: Miami | |
| Beth Sale | .... | extras casting: Miami | |
Costume and Wardrobe Department | |||
| Mary Lou Byrd | .... | set costumer: Miami | |
| Anastasia Kokkala | .... | assistant costume designer: Corfu | |
| Kanella Koliopoulou | .... | on-set costumer: Corfu | |
| Bianca Nikolarizi | .... | costume supervisor: Corfu (as Bianca Nicolareisis) | |
| Linda Peirce | .... | set costumer: Miami | |
| Susan Salzano | .... | seamstress: Miami | |
Editorial Department | |||
| Tom Costain | .... | assistant editor (as Thomas Costain) | |
| Bob McMillian | .... | color timer | |
| Cynthia Nicolella | .... | post-production coordinator | |
| Mary Prange | .... | assistant editor | |
| Tony Reece | .... | assistant editor | |
| Chad Tomasoski | .... | post-production assistant | |
Music Department | |||
| Larry Brown | .... | composer: song "Mykonos Crawl" | |
| Larry Brown | .... | music producer: "Mykonos Crawl" | |
| Susan Pilcher | .... | music coordinator | |
| Spencer Proffer | .... | supervising music producer | |
Production Companies
- Showtime Pictures (presents) (as Showtime)
- Axium Payroll Services payroll services provided by
- Digital Sound & Picture audio post production
- F-Stop Film & Video titles and opticals
- Propmasters Inc. additional construction: Miami Unit
- Video Tape Library stock footage courtesy of
- Viv Kim Negative Cutting Service negative cutting (as Vivkim)
Additional Details
MPAA:
Rated R for violence, sexuality and language.Parents Guide:
Add content advisory for parentsDuración:
100 minPaís:
USAIdioma:
EnglishColor:
ColorSonido:
Ultra StereoMOVIEmeter: 
3% since last week
why?
Cosas divertidas
Quotes:
Harry Arno: I'm telling you, Benno and Marco, they're like The Godfather, Part Two. It's like those guys are the original cast, and Jimmy the Cap and his boys are a road company. máspreguntas frecuentes
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Related Links
| Full cast and crew | Company credits | IMDb Comedy section |
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The credits say half of this was filmed on Corfu, but it sure looks like Rapallo, and there's a plaque on a house that says approximately this, "C'he visse Ezra Pound 1924-1945 / To Confess Wrong Without Losing Rightness".
The rest takes place in Miami. The protagonist is a bookmaker, the Feds try to rope him in by putting the word out he's a stoolie. He goes to Rapallo, a favorite haunt since his days as a GI when he met Pound, who was then in a cage.
A Deputy U.S. Marshal ferrets him out, a fellow who wears a Stetson and gradually acquires the cold aplomb of a Texas Ranger.
The bookie takes a stroll along Rapallo's seafront, wearing a soft dark wide-brimmed hat and cape. "Politics aside," he observes, "he was a great poet."
Jimmy the Cap in Miami wants him dead, and the hit man or "zip" from Sicily wants his sports book. His girlfriend fancies the marshal, she used to strip, and thinks the hat and cape look like Fellini.
"You can see Sant'Ambrogio from here," says the bookie in the villa he rents with the money he's skimmed, "that's where Ezra Pound lived with his wife and his mistress." He meets an American on the seafront passing himself off as a Tunisian (with a Jamaican accent) selling umbrellas in the sunshine, and hires him as cook and bodyguard at the villa.
McBride's direction gets to the point in the minimum time required. The acting is beyond reproach, the location cinematography is as well, and Elmore Leonard can scarcely have been better served.