For Roseanna (1997)
Roseanna's Grave (original title)Reference View | Change View
- PG-13
- 1h 38min
- Comedy, Romance
- 18 Jun 1997 (USA)
- Movie
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't...
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Writer:
Stars:
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Cast verified as complete
Jean Reno | ... |
Marcello
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Mercedes Ruehl | ... |
Roseanna
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Polly Walker | ... |
Cecilia
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Mark Frankel | ... |
Antonio
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Luigi Diberti | ... |
Capestro
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Roberto Della Casa | ... |
Rossi
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Giovanni Pallavicino | ... |
Enzo
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Jorge Krimer | ... |
Salvatore
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Romano Ghini | ... |
Umberto
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Giuseppe Cederna | ... |
Father Bramilla
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Daniele Ferretti | ... |
Nunzio
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Renato Scarpa | ... |
Doctor
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Trevor Peacock | ... |
Iaccoponi
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George Rossi | ... |
Sgt. Baggio
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Paul Muller | ... |
Pavone
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Lucia Guzzardi | ... |
Gianna
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Lidia Biondi | ... |
Signora Aprea
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Anna Mazzotti | ... |
Claudia
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Fay Ripley | ... |
Francesca
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Giuseppe Papalia | ... |
Dino
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Luis C. García | ... |
Pasquale
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Mario Donatone | ... |
Old Guard
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Peter Gunn | ... |
Cop 1
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Pietro Bontempo | ... |
Cop 2
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Alfredo Varelli | ... |
Shoe Shop Owner
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Gisella Mathews | ... |
Sister
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Franco Odoardi | ... |
Patient
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Julia Hine | ... |
Secretary
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Lucianna De Falco | ... |
Gigi
(as Luciana De Falco)
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Stefania Stella | ... |
Hooker
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Francesco Gabriele | ... |
Magistrate
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Zita Perczel | ... |
Old Woman In Court
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Directed by
Paul Weiland |
Written by
Saul Turteltaub | ... | (written by) |
Produced by
Miles Donnelly | ... | executive producer |
Mark Ordesky | ... | executive producer |
Alison Owen | ... | producer |
Dario Poloni | ... | producer |
Chris Thompson | ... | line producer |
Paul Trijbits | ... | producer |
Ruth Vitale | ... | executive producer |
Jonathan Weisgal | ... | executive producer |
Music by
Trevor Jones |
Cinematography by
Henry Braham | ... | director of photography |
Editing by
Martin Walsh |
Editorial Department
Steve Maguire | ... | assistant editor |
Julian Pryce | ... | second assistant editor |
Mike Sowa | ... | digital color timer (uncredited) |
Casting By
Nina Gold |
Production Design by
Rod McLean |
Art Direction by
Livia Borgognoni |
Set Decoration by
Judy Farr |
Costume Design by
Annie Hardinge |
Makeup Department
Daniel Phillips | ... | makeup artist (as Darren Philips) |
Jan Sewell | ... | hair designer / makeup designer |
Jenny Shircore | ... | key hair stylist / key makeup artist |
Production Management
Tania Blunden | ... | post-production supervisor (as Tania Windsor) |
Gianluca Leurini | ... | production manager |
Manuel Spatafora | ... | production supervisor (as Emanuele Spatafora) |
Second Unit Director or Assistant Director
Clare Awdry | ... | third assistant director |
Jonathan Benson | ... | first assistant director |
Antony Ford | ... | second assistant director |
Luca Lachin | ... | second assistant director |
Art Department
Graham Blinco | ... | stand-by stagehand |
Sabato Borreca | ... | carpenter |
Remo Colace | ... | head carpenter |
Bob Eames | ... | stand-by carpenter |
Cosimo Forina | ... | carpenter |
Antonio Fraulo | ... | stand-by props |
Enrico Giannini | ... | metal worker |
Barry Gibbs | ... | property master |
Mario Grilli | ... | head painter |
Bill Hargreaves | ... | stand-by props |
Loreto Marra | ... | carpenter |
Antonio Murer | ... | dressing props |
Sebastiano Murer | ... | dressing props |
Darryl Paterson | ... | dressing props |
Antonio Pelliccioni | ... | painter |
Claudio Pelliccioni | ... | painter |
Massimo Petrolini | ... | construction manager |
Stefano Pica | ... | assistant art director |
Vito Reina | ... | carpenter |
Vitantonio Russo | ... | carpenter |
Ida Sagnotti | ... | assistant art director |
Silvano Scasseddu | ... | metal worker |
Paul Wiltshire | ... | stand-by painter |
Bill Stallion | ... | storyboard artist (uncredited) |
Sound Department
Roy Baker | ... | footsteps artist |
Peter Baldock | ... | sound |
Anthony Cleal | ... | assistant dubbing mixer (as Tony Cleal) |
Liz Cox | ... | assistant sound engineer |
Gillian Dodders | ... | assistant sound editor |
Andrew Dudman | ... | assistant sound engineer |
Steve Finn | ... | boom operator |
Glenn Freemantle | ... | supervising sound editor |
Diane Greaves | ... | footsteps artist (as Dianne Greaves) |
John Hayward | ... | re-recording mixer |
Peter Lindsay | ... | sound mixer |
Julian Pinn | ... | sound consultant: Dolby |
Sandy Buchanan | ... | post-production sound assistant (uncredited) |
Richard Pryke | ... | assistant re-recording mixer (uncredited) |
Special Effects by
Massimo Cristofanelli | ... | special effects |
Visual Effects by
Craig Chandler | ... | optical effects (uncredited) |
Stunts
Angelo Ragusa | ... | stunt coordinator |
Camera and Electrical Department
Mik Allen | ... | clapper loader: aerial unit (as Mik Allan) |
Gary Cross | ... | electrician |
Chris Dowling | ... | electrician |
Pat Hagerty | ... | stand-by rigger |
Brian Kemp | ... | best boy |
Steve Langley | ... | electrician |
Emilio Lari | ... | still photographer |
Brad Larner | ... | focus puller: second unit |
Emanuele Leurini | ... | video assist operator |
Patrizio Marra | ... | grip |
David Morgan | ... | camera operator: second unit (as Dave Morgan) / focus puller (as Dave Morgan) |
Miles Proudfoot | ... | clapper loader: second unit |
Larry Randall | ... | gaffer |
Kate Robinson | ... | camera operator |
Tony Turner | ... | grip |
Al Watson | ... | generator operator |
Simon Werry | ... | camera operator: aerial unit |
Shawn White | ... | electrician |
Casting Department
Rita Forzano | ... | casting: Italy |
Sasha Robertson | ... | casting assistant |
Shaila Rubin | ... | casting: Italy |
Costume and Wardrobe Department
Angela Beale | ... | seamstress (as Angie Beale) |
Antonella Camponeschi | ... | costume assistant |
Lynn Horrie | ... | assistant costume designer |
Location Management
Sean Guest | ... | location manager |
Alan Pinniger | ... | location finder |
Roberto Todeschi | ... | location manager |
Music Department
Geoff Alexander | ... | orchestrator |
Nick Ingman | ... | orchestrator |
Trevor Jones | ... | music arranger: songs / orchestrator |
Julian Kershaw | ... | orchestrator |
London Symphony Orchestra | ... | music performed by |
Simon Rhodes | ... | music scoring mixer |
Victoria Seale | ... | music coordinator: CMMP |
Tony Stanton | ... | copyist |
Kirsty Whalley | ... | synthesizer programmer |
Script and Continuity Department
Susan Roberson | ... | script supervisor |
Transportation Department
Roberto Leone | ... | transportation coordinator |
Additional Crew
Paola Barbaglia | ... | electronic press kit |
Mirko Camarda | ... | assistant accountant: Italy |
Gianni Carpentieri | ... | production accountant: Italy (as Giovambattista Carpentieri) |
Francesca Castellano | ... | production secretary |
Maurizio Cusano | ... | production assistant |
John Groves | ... | production accountant |
Rhian Harvey | ... | assistant to director |
Sarah Hinch | ... | contact: London (as Sarah Hornbuckle) |
Andrew Jack | ... | dialect coach |
Julia Jones | ... | unit publicist |
Felice Lattes | ... | crowd marshall |
Valeria Licurgo | ... | production coordinator |
Mark R. Lindsay | ... | sales representative (as Mark Lindsay) |
Filippo Lovatelli | ... | production assistant |
Paolo Merosi | ... | crowd marshall |
Eileen Morosi | ... | stand-in |
Vincent R. Nebrida | ... | director of marketing |
Tori Parry | ... | production coordinator |
Rino Piccolo | ... | film commissioner |
Libby Shearon | ... | unit publicist |
Trevor Stanley | ... | post-production accountant |
Cameron Watson | ... | dialogue coach |
Thanks
Mark Frankel | ... | dedicatee |
Production Companies
- Spelling Films International (presents)
- Fine Line Features (in association with)
- Hungry Eye Trijbits
- Worrell
- Remote
Distributors
- Fine Line Features (1997) (United States) (theatrical)
- Polygram Filmed Entertainment (1997) (United Kingdom) (theatrical)
- PolyGram Film Distribution (1997) (France) (theatrical)
- Concorde Film (1997) (Netherlands) (theatrical)
- Edko Films (Hong Kong) (theatrical)
- Filmes Lusomundo (1997) (Portugal) (theatrical)
- SF Studio (1997) (Norway) (theatrical)
- Sogepaq Distribución (1997) (Spain) (theatrical)
- TOBIS Film (1997) (Germany) (theatrical)
- Arcade Movie Company (1998) (Netherlands) (VHS)
- New Line Home Video (1998) (United States) (VHS)
- Lider Films (1999) (Argentina) (theatrical)
- Gativideo (1999) (Argentina) (VHS)
- Bridge Entertainment Group (2001) (Netherlands) (DVD)
- Universum Film (UFA) (2002) (Germany) (DVD)
- New Line Home Video (2005) (United States) (DVD)
- Paris Vídeo (Brazil) (VHS)
Special Effects
Other Companies
- Abbey Road Studios (music recorded at)
- Angels & Bermans (costumes)
- Film Finances (completion guarantor)
- General Screen Enterprises (titles and opticals)
- Goldcrest Post Production London (post-production facilities)
- Lee Lighting (grip and lighting equipment)
- Pinewood Studios (sound re-recorded at)
- Reelsound (sound post-production)
- Salon Productions (editing equipment)
- Salon (editing equipment)
- Sapex Scripts (post-production script services)
- Sapex Scripts (post-production scripts)
- Sylvia Wheeler Film Services (negative cutting)
Storyline
Plot Summary |
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man who owns the land next to the cemetery, won't sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello's future.
Written by Robert Krzanowski |
Plot Keywords | |
Taglines | A romantic comedy about the things we do for love. See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Game of Thrones star, Peter Dinklage is shown briefly in the opening scene, the burial of a circus performer. He is in make up and a member of the circus. See more » |
Movie Connections | Featured in Batman & Robin/Hercules/My Best Friend's Wedding/For Roseanna/Ponette (1997). See more » |
Quotes |
Marcello:
It has too much garlic... Roseanna: There is no such things as too much garlic! See more » |