Directed by
Martin Guigui |
Writing Credits (in alphabetical order)
Martin Guigui | ... | (writer) |
Cast (in credits order)
Produced by
Franny Baldwin | ... | line producer |
Steve Bartlett | ... | post-production producer |
Jerry Bowers | ... | associate producer |
Julia Coppola | ... | executive producer |
Ed Dooley | ... | co-producer |
Martin Guigui | ... | executive producer |
Bill Henne | ... | producer |
Jack Honig | ... | co-executive producer |
Robin Forest Littlefield | ... | executive producer (as Robin Littlefield) |
Chris Matonti | ... | executive producer |
J.D. Matonti | ... | executive producer |
Julie W. Noll | ... | associate producer (as Julie Noll) |
Brian Ross | ... | co-producer |
Brook Wetzel | ... | associate producer (as Brooke Wetzel) |
Music by
Ivan Koutikov | ||
Charlie Midnight |
Cinematography by
Massimo Zeri |
Editing by
John Axelrad | ||
James Gavin Bedford | ||
Marc Grossman |
Production Design by
Rick Butler |
Art Direction by
Walter Ulasinski |
Costume Design by
Alysia Raycraft |
Makeup Department
Diana Jones | ... | key hair / key makeup |
Production Management
Franny Baldwin | ... | production manager (as Frannie Baldwin) |
Steve Bartlett | ... | executive in charge of production |
Second Unit Director or Assistant Director
Brian Bentham | ... | second assistant director |
Enrico Mastracchi Manes | ... | first assistant director |
Julie W. Noll | ... | first assistant director |
Art Department
Joe Amaral | ... | set dresser |
Kika Bronger | ... | assistant art director |
Mickey Carter | ... | leadperson / property master |
Keith Lemay | ... | set dresser |
Joshua J. Masters | ... | set dresser |
Kevin Ryan | ... | storyboard artist |
Sound Department
Marc Brown | ... | soundtrack creator |
Thomas Baraka DiCandia | ... | post-production sound mixer (as Baraka) |
Stephen M. Galvin | ... | dialogue editor |
Patrick M. Griffith | ... | supervising sound editor |
J. Stanley Johnston | ... | re-recording mixer |
Marty Kasparian | ... | sound mixer |
Stanley Kastner | ... | re-recording mixer |
Jason Lorenz | ... | boom operator (as Jason Lorentz) |
Elmo Ponsdomenech | ... | re-recording mixer |
Michael Wallace | ... | sound editor |
Camera and Electrical Department
Michael Bonfigli | ... | still photographer |
Bill Bonn | ... | best boy electric |
Matthew Brewer | ... | assistant camera (as Matt Brewer) |
Malcolm Occhetto | ... | first assistant camera |
Lucio Olivieri | ... | camera operator |
Jim Reynolds | ... | dolly grip |
Marty Svoboda | ... | gaffer |
Ari Vuotila | ... | key grip |
Editorial Department
Chuck S. Diehl | ... | additional editor (as Chuck Diehl) |
Matthew Michael Ross | ... | additional editor (as Matthew Ross) |
Dahlia Waingort Guigui | ... | supervising editor (as Dahlia Waingort) |
Jim J. Williams | ... | color timer (as Jim Williams) |
Music Department
Rudy De Luca | ... | Theme Song Vocalist |
Stephen M. Galvin | ... | music editor |
Martin Guigui | ... | composer: additional music |
Script and Continuity Department
Nadine Bass | ... | script supervisor |
Additional Crew
Billy Hahn | ... | production coordinator |
Jamie Haraway | ... | production assistant |
Winona Lyons | ... | production assistant |
Kevin Ryan | ... | assistant to director |
Glenn Welch | ... | assistant to director / production assistant |
Thanks
Mel Brooks | ... | Very Special Thanks |