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Dirigida por | |||
| Stanley Kubrick | |||
Créditos del guión | ||
| Arthur Schnitzler | (novel "Traumnovelle") | |
| Stanley Kubrick | (screenplay) and | |
| Frederic Raphael | (screenplay) | |
Producida por | |||
| Brian W. Cook | .... | co-producer | |
| Jan Harlan | .... | executive producer | |
| Stanley Kubrick | .... | producer | |
Música original por | |||
| Jocelyn Pook | |||
Fotografía por | |||
| Larry Smith | (lighting cameraman) | ||
Montaje por | |||
| Nigel Galt | |||
Casting | |||
| Denise Chamian | |||
| Leon Vitali | |||
Diseño de producción por | |||
| Leslie Tomkins | (as Les Tomkins) | ||
| Roy Walker | |||
Dirección artística | |||
| John Fenner | |||
| Kevin Phipps | (supervising art director) | ||
Decorados | |||
| Lisa Leone | |||
| Terry Wells | (as Terry Wells Snr) | ||
Diseño de vestuario por | |||
| Marit Allen | |||
Departamento de maquillaje | |||
| Robert McCann | .... | makeup artist | |
| Kerry Warn | .... | hair stylist | |
Dirección de producción | |||
| Margaret Adams | .... | production manager | |
| Lisa Leone | .... | production manager: second unit | |
Ayudante de dirección | |||
| Brian W. Cook | .... | first assistant director | |
| Rhun Francis | .... | third assistant director | |
| Becky Hunt | .... | third assistant director | |
| Adrian Toynton | .... | second assistant director | |
| Michael Neumann | .... | second assistant director (uncredited) | |
| Ian Stone | .... | third assistant director (uncredited) | |
Art Department | |||
| Ken Bacon | .... | property storeman | |
| Sophie Batsford | .... | production buyer | |
| Jon Billington | .... | draughtsperson | |
| Steve Clarke | .... | stand-by painter (as Steve Clark) | |
| Stephen Dobric | .... | draughtsperson | |
| Roy Hansford | .... | stand-by carpenter | |
| Samantha Jones | .... | art department assistant | |
| Michael King | .... | production buyer | |
| Christiane Kubrick | .... | original paintings | |
| Katharina Kubrick | .... | original paintings (as Katharina Hobbs) | |
| John Maher | .... | construction manager | |
| Desmond O'Boy | .... | stand-by stagehand | |
| John O'Connell | .... | stand-by propman | |
| Gerald O'Connor | .... | dressing propman | |
| Kira-Anne Pelican | .... | art department assistant | |
| Todd Quattromini | .... | dressing propman | |
| Pippa Rawlinson | .... | assistant draughtsperson | |
| Jeanne Vertigan | .... | production buyer | |
| Jake Wells | .... | chargehand stand-by props | |
| Terry Wells Jr. | .... | property master (as Terry Wells Jnr.) | |
| Graham Caulfield | .... | drapesmaster (uncredited) | |
| Robin Heinson | .... | painter (uncredited) | |
| James Hunt | .... | scenic artist (uncredited) | |
| Tony Marks | .... | carpenter (uncredited) | |
| Tom Still | .... | set designer (uncredited) | |
| Thomas R. Wagner | .... | property assistant (uncredited) | |
Departamento de sonido | |||
| Tony Bell | .... | sound maintenance | |
| Michael A. Carter | .... | sound re-recording mixer | |
| Anthony Cleal | .... | sound re-recording mixer | |
| Paul Conway | .... | supervising sound editor | |
| Iain Eyre | .... | assistant sound editor | |
| Nigel Galt | .... | sound re-recording mixer | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| Becki Ponting | .... | foley editor | |
| Edward Tise | .... | sound recordist | |
| Sandy Buchanan | .... | adr mixer (uncredited) | |
| Mark Sheffield | .... | mix recordist (uncredited) | |
| Ruth Sullivan | .... | foley artist (uncredited) | |
Efectos especiales | |||
| Charles Staffell | .... | back projection supervisor | |
Visual Effects | |||
| Paddy Eason | .... | supervising digital compositor: CFC (uncredited) | |
| Sally Goldberg | .... | visual effects (uncredited) | |
| Matt Kasmir | .... | digital effects artist (uncredited) | |
| Chris Monks | .... | digital modeller (uncredited) | |
| Steve Tizzard | .... | digital film scanning (uncredited) | |
Costume and Wardrobe Department | |||
| Jacqueline Durran | .... | wardrobe mistress | |
| Nancy Thompson | .... | costume supervisor | |
| Melissa Layton | .... | additional costume assistant (uncredited) | |
Editorial Department | |||
| Trevor Collins | .... | negative cutter | |
| Claire Ferguson | .... | assistant editor | |
| Melanie Viner-Cuneo | .... | first assistant editor (as Melanie Viner Cuneo) | |
| Claus Wehlisch | .... | assistant editor: avid | |
Music Department | |||
| Riccardo Chailly | .... | conductor: "Jazz Suite, No 2" | |
| Didier de Cottigniers | .... | music consultant | |
| Roy Gerson | .... | musician: "If I Had You" | |
| Uwe Gronostay | .... | conductor: "Requiem K626, Rex Tremendae" | |
| Dominic Harlan | .... | musician: piano, "Musica Ricercata II: Mesto, Rigido e Cerimonale" | |
| Peter Hughes | .... | music contractor | |
| Peter Hughes | .... | musician: "Strangers in the Night" | |
| Brad Mehldau | .... | musician: "Blame It on My Youth" | |
| Jocelyn Pook | .... | musician: "Naval Officer", "Masked Ball", "Migrations" and "The Dream" | |
| Tommy Sanderson | .... | musician: "It Had to Be You" | |
| The Sandman | .... | musician: "It Had to Be You" | |
| Manickam Yogeswaran | .... | musician: "Migrations" | |
Transportation Department | |||
| Martin Ward | .... | action vehicle coordinator | |
| Tom Watson | .... | mechanic: action vehicle | |
Otros miembros del equipo | |||
| Larry Celona | .... | journalistic advisor | |
| Tracey Crawley | .... | production assistant | |
| Emilio D'Alessandro | .... | assistant: Mr. Kubrick | |
| Matt Dalton | .... | accounting assistant (as Matthew Dalton) | |
| Kerry David | .... | assistant: Ms. Kidman | |
| Barbara Del Greco | .... | researcher: Venetian masks | |
| Andrea Doven | .... | assistant: Ms. Kidman | |
| Michael Doven | .... | production associate | |
| Chester Eyre | .... | laboratory consultant | |
| Anthony Frewin | .... | assistant: Stanley Kubrick | |
| Nick Frewin | .... | computer assistant | |
| Kate Garbett | .... | production coordinator | |
| Andrew Haddock | .... | video coordinator | |
| Manuel Harlan | .... | location researcher | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Kidman | |
| Tobin Hughes | .... | location assistant | |
| Rachel Hunt | .... | secretary | |
| David Jones | .... | facilities supervisor | |
| Claire Litchfield | .... | unit nurse | |
| Simon McNair Scott | .... | location manager | |
| Angus More Gordon | .... | location manager | |
| Nelson Peña | .... | production assistant: second unit | |
| Alan Reid | .... | security officer | |
| Ian Robinson | .... | laboratory contact | |
| Lara Sargent | .... | assistant accountant | |
| C.J. Scheiner | .... | medical advisor (as Dr. C.J. Scheiner MD PhD) | |
| Ann Simpson | .... | script supervisor | |
| Yolande Snaith | .... | choreographer | |
| John Trehy | .... | production accountant | |
| Leon Vitali | .... | assistant to director | |
| Stella Wycherley | .... | accounting assistant | |
| Matthew Alexander | .... | computer playback supervisor (uncredited) | |
| Sue Field | .... | additional script supervisor (uncredited) | |
| Richard Gold | .... | stand-in (uncredited) | |
| Stephen L'Heureux | .... | assistant to director (uncredited) | |
| Douglas Milsome | .... | focus advisor (uncredited) | |
| Rebecca Peters | .... | video coordinator (uncredited) | |
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There is no denying that Stanley Kubrick is one of the greatest filmmakers to ever live. He may not have made many films, but every single one of them is a masterpiece. That is not something that can be said about many other directors. He is a true artist. And it is because of that word, "art", that his work is often misunderstood. Rather than create films which reveal everything that the audience needs to know through the dialogue or the action, Kubrick layers his films with meaning. He does this through all aspects of the film.. the music, the images, the dialogue, and expressions. And by the end of the film, nothing is left clear, because he wants you to think about what you have seen, and come up with your own meaning for the film. The problem with this is that most people don't go to see films to think, they just want to see the next "Armageddon" or "Waterboy". So, if "Eyes Wide Shut" fails at the box-office, or is badly criticized by movie-goers, it has nothing to do with the film itself, but is more reflective of the movie-goers, and their inability to see further than what is presented to them on the screen. Life experience and a philosophical mind is also required to fully understand and enjoy this film. If you have ever thought of what role sex plays in your relationship, and what love and commitment really mean, you will understand this film. If you have ever considered what the difference between love and sex is, you will understand this film. If you have ever truly felt lust, you will understand this film. Be prepared to think.