19 out of 20 people found the following comment useful :- A point of view new to my eyes., 24 julio 1999
Author:
Amidala-9 de London, England
Yes, I know everyone is sick of the typical
sick-dying-person-of-the-week
drama, but somehow this movie was drastically different from other movies
based on physically challenged people.
The driving force in the movie is no doubt Jane, a young woman who
faces
the fact that she shall die soon. (Bonham Carter) I am a veteran of
pictures
which feature a dying character with a physical disability. But those
films
somehow never got the character to seem like a person. After a while, Jane
isn't a "sick cripple", she is a human, just a human in a wheelchair. That
is all the viewer will see from Bonham Carter's
portrayal. Another beautiful quality of the film is Jane refuses to be
mushy
and over-emotional. It is what she refuses to show that really hits
home.
Branagh's character Richard should not be overlooked. It's his story
more or less. Jane brought Richard's redemption. He is the cripple of the
story, he is the one who is dying.
"Taking flight has more than one meaning"..Jane utters to Richard.
"The
Theory of Flight" is an original movie which I recommend to anyone looking
for a fresh look on a dying person, whether you see the dying person as
Jane
or Richard.
18 out of 19 people found the following comment useful :- Love Takes Flight, 21 julio 2005
Author:
TemporaryOne-1 de Orlando, Florida, USA
The Theory Of Flight is an engaging character study of an artist
(Branagh) yearning to break free of boredom and mediocrity, and a
terminally ill patient (Bonham-Carter) in the last stages of ASL,
confined to a wheelchair, who desires to make love to a man before
dying.
Helena Bonham-Carter exudes wit, defiance, and independence as an ASL
patient who is virtually dependent upon people around her to take care
of her.
Kenneth Branagh, sentenced through community service to take part in
caring for her, complements Helena's charm with woeful melancholy,
creating a sentimental, compelling love story in which two people try
to help each other find the road to happiness, before time runs out.
13 out of 16 people found the following comment useful :- Just watch this one, I'm saying nothing...., 4 octubre 2004
Author:
Keith G de Cambridgeshire, UK
Not wishing to give *anything* away here, I would just say this
technically excellent, flawlessly acted and uplifting little flic will
reward the viewer with an excellent hour and a half's entertainment: It
will amuse, surprise, possibly embarrass occasionally and almost
certainly tug at the heartstrings from time to time, as it approaches
the inevitable, but not obvious, ending without becoming clichéd or
predictable in any way. Most definitely recommended.
A previous User's Comment gives 8 out of 10 for the film and 10 out of
10 for both Branagh and Bonham-Carter's outstanding performances - I
agree entirely....
9 out of 11 people found the following comment useful :- Pretty decent stuff, actually, 3 octubre 1999
Author:
Stephen-12 de London, England
Despite its low-key release in this country, and its apparent disregard in
other countries (the 'R' rating in the States can't have helped - honestly,
just because HBC uses the C-word!), this is actually a fine piece of work.
The sentimentality does occasionally threaten to choke it, but it's overcome
by the playing of the two leads.
It's easy to win plaudits just because you're playing a physical or mental
cripple (Daniel Day-Lewis, Geoffrey Rush, Dustin Hoffman, etc.), and Helena
Bonham-Carter may not quite capture the physical degradation of MND, but her
vocal stretching and ruthless emotional drive compensate entirely. In fact,
almost all her performance is conducted through her eyes (and what eyes!).
This is an intelligent turn from an actress who is rapidly undoing her
English Rose reputation, and emerging as a figure of some stature. Awards
must surely follow, though not, alas, for this fine performance.
Branagh, one feels, has never quite given his best on film (except possibly
'Hamlet', and there his playing was diluted by the large cast). Here,
though, he tops his other appearances, playing to the hilt a self-loathing,
unstable, ultimately lovable guy with a subtlety he hasn't always displayed,
and exhibiting both intelligence and depth. In short, we believe him, just
as much as we could NOT believe him as Frankenstein, as the priest in 'The
Proposition', as the lawyer in 'The Gingerbread Man', even as Andrew in
'Peter's Friends'. This is surely his finest performance yet - so why could
he not produce the goods much earlier?
As a film, it looks more like a television offering, and without its stars
it probably wouldn't amount to very much. But it's been a pleasure to see
this pair perform their socks off like this, and I eagerly await more from
them (though not 'Love's Labour's Lost'...). 8 out of 10, but Branagh and
HBC get 10 out of 10.
5 out of 6 people found the following comment useful :- Refreshing alternative to Hollywood formula movies, 17 octubre 1999
Author:
Sky Lamothe de Toronto, Canada
Loved this film. Real people, great acting, humour, unpredictable. The
characters were believable and you really connected with them. If you're
looking for a film about slightly offbeat characters outside the mainstream
of society and how they help each other, this would be a good
choice.
8 out of 12 people found the following comment useful :- Intelligent melodrama, 21 enero 2000
Author:
Mario Bergeron de Cap-de-la-Madeleine, Canada
At the start, this one is from England, so, of course, I
had
98 % chances that it will be intelligent and very good
cinema.
I never heard of this film before. From the minute I saw
Helena Bonham-Carter, I said to myself : Oh! Here's comes
the
feminine version of My Left Foot. I was right, but I was
also wrong. Wrong because the two movies are very differents.
My Left Foot was a John Ford alike movie and this one is
a Chaplin alike movie (not because this is funny, but Chaplin
at that great sense of melodrama that brings tears to your
eyes.) I was right because in 1990 handsome Daniel Day-Lewis
turn a little bit ugly by playing an crippled person and
he
did it with a great sense of reality. Here, very beautiful
Bonham-Carter did exactly the same thing, but with very
feminine emotions. The story is well written and it's very
intelligent. For me, miss Bonham-Carter gives one of the
greatest woman's part of the 1990's, with Emily Lloyd in
Breaking The Waves. Gee! And look at her eyes! She had
the
most beautiful eyes of cinema since Jobyna Ralston, Louise
Brooks, Michele Morgan and Ava Gardner! She's also a true
talent, as seen on many other movies. See this one, you
won't
regret it! And a very fine job by Branagh too!
3 out of 3 people found the following comment useful :- Worth watching, 31 agosto 2005
Author:
arthurj2 de Canada
This film does a superb job of depicting the plight of an ALS (Lou
Gehrig's Disease)sufferer. The subject is done with compassion as well
as humor. Helena Bonham Carter is so convincing as a person with ALS
that I found it hard to believe that she was only acting. Kenneth
Branagh, a superb actor, lives up to expectations as the quirky artist
who misbehaves and is forced to provide companionship to Helena's
character as part of his "community service", an alternative to prison
time. Watching the development of the relationship between these two is
a treat from beginning to end. Tha fact that it is a fairy tale does
not detract from the fabulous performances. One comes to care deeply
for the two of them.
6 out of 9 people found the following comment useful :- unequaled, 8 febrero 2005
Author:
joeestlinbm de United States
Shamefully, before I saw this film, I was unfamiliar with Helena Bonham
Carter.
I had to do some research, in order to assure myself she wasn't
actually afflicted, as was her character, with (well?), what she was
afflicted with. I was in absolute awe of this beautiful lady. She
pulled it of flawlessly.
Who would have thought that sexually explicit circumstances involving
the final wants, and needs, of a unique young lady, could be
interpreted as tender, and romantic? Well, they can be, when the right
performers present them in the proper manner, as they did in this
wonderful movie. I forgot to mention how dynamically beautiful Miss
Carter looked in this movie. I have often said she was the most
beautiful creature to have ever graced the face of our earth, but she
seemed to have out done herself in this particular movie.
I hope any of you who watch this movie enjoy it as much as I did. Thank
you for letting me express my opinion.
2 out of 2 people found the following comment useful :- How nice, but couldn't it be better?, 2 diciembre 1999
Author:
Hakan Elverdi (helverdi@anet.net.tr) de Istanbul, Turkey
Sometimes, when you grow weary of all the glamorous! American style
movies,
you look forward to seeing one from Europe that does not deal much with
the
art's technological aspects but the story and the feelings
alone.
I have thought that "The Theory of Flight" was a film of emotions and
atmosphere. Honestly, I think it was planned to be that way.
Unfortunately,
the result was not satisfactory. K.B. and H.B.C. are great, I can't ignore
their invaluable contributions to the movie. But I feel something was
lacking. The characters were not deeply analysed maybe, or the situation
of
being "cripped" was mentioned better in other films (remember "My Left
Foot").
In the 15. minute of the movie, we have learned that Jane was desiring to
lose her virginity like normal people. And the story finished! Nothing
else.
The remaining portion just concentrated on this matter. How about
Richard's
own problems, Anne's point of view on having a daughter like Jane? In
fact,
we don't understand Jane's feelings, too. We just make guesses depending
on
our knowledge of other movie characters.
I finally must say that seeing K.B. and H.B.C. together in a movie was
nice.
They play their roles very well. But as a whole, "The Theory of Flight" is
a
shallow movie. It should have been better with these players and this
interesting story.
1 out of 1 people found the following comment useful :- award brown-nosing tearjerker...or is it?, 29 septiembre 2006
Author:
Pike Bishop de Finland
i just happened to stumble on this film channel surfing. my first
reaction was, 'oh god not again!'. it's so hip to play a retard these
days it has become pretentious and frankly despicable. for some reason,
though, i stayed and watched it 'til the end. maybe it was my faith in
the actors, hoping they'd give me something to cheer about.
and surely, ken and helena can act. also, the movie progresses into
something better towards the end and actually does make a point.
helena bonham carter also surprised me with her character. jane has a
mean side that she uses to keep distance and repel pity. then again she
has a soft side that's just looking for love. the only thing that
surprised me even more was branagh's character...this was a triumph of
acting, the movie itself is nothing unique.
see if you are an acting student...if you're looking for pure
entertainment you can skip this one. it's sean penn serious! oh my,
that was a bit harsh it does feature a couple jokes...not for escapists
though.
Quicklinks
Top Links
trailers and videosreparto y equipo completostrivialidadesofficial sitesfrases célebresOverview
información principalinformación combinadareparto y equipo completoscréditos de compañíastv schedulePremios y críticas
comentarios de los usuarioscríticas externascríticas de grupos de usuariosawardsCalificacionesparents guiderecomendacionesmessage boardArgumento y citas
argumentoplot synopsispalabras clave del argumentosinopsis Amazon.comfrases célebresCosas divertidas
trivialidadespifiastemas musicalescréditos extravagantesotras versionesenlaces entre películaspreguntas frecuentesOtro tipo de información
enlaces a productosbox office/businessfechas de estrenolugares de rodajeespecificaciones técnicasLaserdiscDVDlecturas relacionadasNewsDeskMaterial promocional
frases comerciales trailers and videos carteles y enlaces photo galleryEnlaces externos
enlaces a cinesofficial sitesmisceláneosfotografíassound clipsvideo clipsIMDb user comments for
The Theory of Flight (1998)
19 out of 20 people found the following comment useful :-
A point of view new to my eyes., 24 julio 1999
Author: Amidala-9 de London, England
Yes, I know everyone is sick of the typical sick-dying-person-of-the-week drama, but somehow this movie was drastically different from other movies based on physically challenged people. The driving force in the movie is no doubt Jane, a young woman who faces the fact that she shall die soon. (Bonham Carter) I am a veteran of pictures which feature a dying character with a physical disability. But those films somehow never got the character to seem like a person. After a while, Jane isn't a "sick cripple", she is a human, just a human in a wheelchair. That is all the viewer will see from Bonham Carter's portrayal. Another beautiful quality of the film is Jane refuses to be mushy and over-emotional. It is what she refuses to show that really hits home. Branagh's character Richard should not be overlooked. It's his story more or less. Jane brought Richard's redemption. He is the cripple of the story, he is the one who is dying. "Taking flight has more than one meaning"..Jane utters to Richard. "The Theory of Flight" is an original movie which I recommend to anyone looking for a fresh look on a dying person, whether you see the dying person as Jane or Richard.
18 out of 19 people found the following comment useful :-

Love Takes Flight, 21 julio 2005
Author: TemporaryOne-1 de Orlando, Florida, USA
The Theory Of Flight is an engaging character study of an artist (Branagh) yearning to break free of boredom and mediocrity, and a terminally ill patient (Bonham-Carter) in the last stages of ASL, confined to a wheelchair, who desires to make love to a man before dying.
Helena Bonham-Carter exudes wit, defiance, and independence as an ASL patient who is virtually dependent upon people around her to take care of her.
Kenneth Branagh, sentenced through community service to take part in caring for her, complements Helena's charm with woeful melancholy, creating a sentimental, compelling love story in which two people try to help each other find the road to happiness, before time runs out.
13 out of 16 people found the following comment useful :-

Just watch this one, I'm saying nothing...., 4 octubre 2004
Author: Keith G de Cambridgeshire, UK
Not wishing to give *anything* away here, I would just say this technically excellent, flawlessly acted and uplifting little flic will reward the viewer with an excellent hour and a half's entertainment: It will amuse, surprise, possibly embarrass occasionally and almost certainly tug at the heartstrings from time to time, as it approaches the inevitable, but not obvious, ending without becoming clichéd or predictable in any way. Most definitely recommended.
A previous User's Comment gives 8 out of 10 for the film and 10 out of 10 for both Branagh and Bonham-Carter's outstanding performances - I agree entirely....
9 out of 11 people found the following comment useful :-

Pretty decent stuff, actually, 3 octubre 1999
Author: Stephen-12 de London, England
Despite its low-key release in this country, and its apparent disregard in other countries (the 'R' rating in the States can't have helped - honestly, just because HBC uses the C-word!), this is actually a fine piece of work. The sentimentality does occasionally threaten to choke it, but it's overcome by the playing of the two leads.
It's easy to win plaudits just because you're playing a physical or mental cripple (Daniel Day-Lewis, Geoffrey Rush, Dustin Hoffman, etc.), and Helena Bonham-Carter may not quite capture the physical degradation of MND, but her vocal stretching and ruthless emotional drive compensate entirely. In fact, almost all her performance is conducted through her eyes (and what eyes!). This is an intelligent turn from an actress who is rapidly undoing her English Rose reputation, and emerging as a figure of some stature. Awards must surely follow, though not, alas, for this fine performance.
Branagh, one feels, has never quite given his best on film (except possibly 'Hamlet', and there his playing was diluted by the large cast). Here, though, he tops his other appearances, playing to the hilt a self-loathing, unstable, ultimately lovable guy with a subtlety he hasn't always displayed, and exhibiting both intelligence and depth. In short, we believe him, just as much as we could NOT believe him as Frankenstein, as the priest in 'The Proposition', as the lawyer in 'The Gingerbread Man', even as Andrew in 'Peter's Friends'. This is surely his finest performance yet - so why could he not produce the goods much earlier?
As a film, it looks more like a television offering, and without its stars it probably wouldn't amount to very much. But it's been a pleasure to see this pair perform their socks off like this, and I eagerly await more from them (though not 'Love's Labour's Lost'...). 8 out of 10, but Branagh and HBC get 10 out of 10.
5 out of 6 people found the following comment useful :-

Refreshing alternative to Hollywood formula movies, 17 octubre 1999
Author: Sky Lamothe de Toronto, Canada
Loved this film. Real people, great acting, humour, unpredictable. The characters were believable and you really connected with them. If you're looking for a film about slightly offbeat characters outside the mainstream of society and how they help each other, this would be a good choice.
8 out of 12 people found the following comment useful :-

Intelligent melodrama, 21 enero 2000
Author: Mario Bergeron de Cap-de-la-Madeleine, Canada
At the start, this one is from England, so, of course, I had 98 % chances that it will be intelligent and very good cinema. I never heard of this film before. From the minute I saw Helena Bonham-Carter, I said to myself : Oh! Here's comes the feminine version of My Left Foot. I was right, but I was also wrong. Wrong because the two movies are very differents. My Left Foot was a John Ford alike movie and this one is a Chaplin alike movie (not because this is funny, but Chaplin at that great sense of melodrama that brings tears to your eyes.) I was right because in 1990 handsome Daniel Day-Lewis turn a little bit ugly by playing an crippled person and he did it with a great sense of reality. Here, very beautiful Bonham-Carter did exactly the same thing, but with very feminine emotions. The story is well written and it's very intelligent. For me, miss Bonham-Carter gives one of the greatest woman's part of the 1990's, with Emily Lloyd in Breaking The Waves. Gee! And look at her eyes! She had the most beautiful eyes of cinema since Jobyna Ralston, Louise Brooks, Michele Morgan and Ava Gardner! She's also a true talent, as seen on many other movies. See this one, you won't regret it! And a very fine job by Branagh too!
3 out of 3 people found the following comment useful :-

Worth watching, 31 agosto 2005
Author: arthurj2 de Canada
This film does a superb job of depicting the plight of an ALS (Lou Gehrig's Disease)sufferer. The subject is done with compassion as well as humor. Helena Bonham Carter is so convincing as a person with ALS that I found it hard to believe that she was only acting. Kenneth Branagh, a superb actor, lives up to expectations as the quirky artist who misbehaves and is forced to provide companionship to Helena's character as part of his "community service", an alternative to prison time. Watching the development of the relationship between these two is a treat from beginning to end. Tha fact that it is a fairy tale does not detract from the fabulous performances. One comes to care deeply for the two of them.
6 out of 9 people found the following comment useful :-

unequaled, 8 febrero 2005
Author: joeestlinbm de United States
Shamefully, before I saw this film, I was unfamiliar with Helena Bonham Carter.
I had to do some research, in order to assure myself she wasn't actually afflicted, as was her character, with (well?), what she was afflicted with. I was in absolute awe of this beautiful lady. She pulled it of flawlessly.
Who would have thought that sexually explicit circumstances involving the final wants, and needs, of a unique young lady, could be interpreted as tender, and romantic? Well, they can be, when the right performers present them in the proper manner, as they did in this wonderful movie. I forgot to mention how dynamically beautiful Miss Carter looked in this movie. I have often said she was the most beautiful creature to have ever graced the face of our earth, but she seemed to have out done herself in this particular movie.
I hope any of you who watch this movie enjoy it as much as I did. Thank you for letting me express my opinion.
2 out of 2 people found the following comment useful :-

How nice, but couldn't it be better?, 2 diciembre 1999
Author: Hakan Elverdi (helverdi@anet.net.tr) de Istanbul, Turkey
Sometimes, when you grow weary of all the glamorous! American style movies, you look forward to seeing one from Europe that does not deal much with the art's technological aspects but the story and the feelings alone. I have thought that "The Theory of Flight" was a film of emotions and atmosphere. Honestly, I think it was planned to be that way. Unfortunately, the result was not satisfactory. K.B. and H.B.C. are great, I can't ignore their invaluable contributions to the movie. But I feel something was lacking. The characters were not deeply analysed maybe, or the situation of being "cripped" was mentioned better in other films (remember "My Left Foot"). In the 15. minute of the movie, we have learned that Jane was desiring to lose her virginity like normal people. And the story finished! Nothing else. The remaining portion just concentrated on this matter. How about Richard's own problems, Anne's point of view on having a daughter like Jane? In fact, we don't understand Jane's feelings, too. We just make guesses depending on our knowledge of other movie characters. I finally must say that seeing K.B. and H.B.C. together in a movie was nice. They play their roles very well. But as a whole, "The Theory of Flight" is a shallow movie. It should have been better with these players and this interesting story.
1 out of 1 people found the following comment useful :-

award brown-nosing tearjerker...or is it?, 29 septiembre 2006
Author: Pike Bishop de Finland
i just happened to stumble on this film channel surfing. my first reaction was, 'oh god not again!'. it's so hip to play a retard these days it has become pretentious and frankly despicable. for some reason, though, i stayed and watched it 'til the end. maybe it was my faith in the actors, hoping they'd give me something to cheer about.
and surely, ken and helena can act. also, the movie progresses into something better towards the end and actually does make a point.
helena bonham carter also surprised me with her character. jane has a mean side that she uses to keep distance and repel pity. then again she has a soft side that's just looking for love. the only thing that surprised me even more was branagh's character...this was a triumph of acting, the movie itself is nothing unique.
see if you are an acting student...if you're looking for pure entertainment you can skip this one. it's sean penn serious! oh my, that was a bit harsh it does feature a couple jokes...not for escapists though.
Add another comment
Related Links