| Fotos (ver todos los 73 | slideshow) | Videos (see all 2) |
| Kirk Acevedo | ... | Pvt. Tella | |
| Penelope Allen | ... | Witt's Mother (as Penny Allen) | |
| Benjamin Green | ... | Melanesian Villager (as Benjamin) | |
| Simon Billig | ... | Lt. Col. Billig | |
| Mark Boone Junior | ... | Pvt. Peale | |
| Adrien Brody | ... | Cpl. Fife | |
| Norman Patrick Brown | ... | Pvt. Henry | |
| James Caviezel | ... | Pvt. Witt (as Jim Caviezel) | |
| Ben Chaplin | ... | Pvt. Bell | |
| George Clooney | ... | Capt. Bosche | |
| John Cusack | ... | Capt. Gaff | |
| Jarrod Dean | ... | Cpl. Thorne | |
| Matt Doran | ... | Pvt. Coombs | |
| Travis Fine | ... | Pvt. Weld | |
| Paul Gleeson | ... | 1st Lt. Band | |
| Woody Harrelson | ... | Sgt. Keck | |
| David Harrod | ... | Cpl. Queen | |
| Don Harvey | ... | Sgt. Becker | |
| Kengo Hasuo | ... | Japanese Prisoner | |
| Ben Hines | ... | Assistant Pilot | |
| Danny Hoch | ... | Pvt. Carni | |
| Robert Roy Hofmo | ... | Pvt. Sico | |
| Jack | ... | Melanesian Man Walking | |
| Thomas Jane | ... | Pvt. Ash (as Tom Jane) | |
| Arie Verveen | ... | Pvt. Charlie Dale | |
| Jimmy Xihite | ... | Melanesian Villager (as Jimmy) | |
| Elias Koteas | ... | Capt. Staros | |
| Polyn Leona | ... | Melanesian Woman with Child | |
| Jared Leto | ... | 2nd Lt. Whyte | |
| Simon Lyndon | ... | Medic #2 | |
| Gordon MacDonald | ... | Pfc. Earl | |
| Kazuki Maehara | ... | Japanese Pvt. #1 | |
| Marina Malota | ... | Marina | |
| Michael McGrady | ... | Pvt. Floyd | |
| Dash Mihok | ... | Pfc. Doll | |
| Ken Mitsuishi | ... | Japanese Officer #1 | |
| Ryushi Mizukami | ... | Japanese Pvt. #4 | |
| Tim Blake Nelson | ... | Pvt. Tills | |
| Larry Neuhaus | ... | Crewman | |
| Nick Nolte | ... | Lt. Col. Tall | |
| Taiju Okayasu | ... | Japanese Pvt. #6 | |
| Takamitsu Okubo | ... | Japanese Soldier | |
| Miranda Otto | ... | Marty Bell | |
| Sean Penn | ... | 1st Sgt. Welsh | |
| John C. Reilly | ... | Sgt. Storm | |
| Larry Romano | ... | Pvt. Mazzi | |
| John Savage | ... | Sgt. McCron | |
| Kazuyoshi Sakai | ... | Japanese Prisoner #2 | |
| Masayuki Shida | ... | Japanese Officer #2 | |
| John Dee Smith | ... | Pvt. Train | |
| Stephen Spacek | ... | Cpl. Jenks | |
| Nick Stahl | ... | Pfc - Beade | |
| Hiroya Sugisaki | ... | Japanese Pvt. #7 | |
| Kouji Suzuki | ... | Japanese Pvt. #3 | |
| Tomohiro Tanji | ... | Japanese Pvt. #2 | |
| Minoru Toyoshima | ... | Japanese Sgt. | |
| John Travolta | ... | Brig. Gen. Quintard | |
| Terutake Tsuji | ... | Japanese Pvt. #5 | |
| Steven Vidler | ... | 2nd Lt. Gore | |
| Vincent Wild | ... | Melanesian Guide (as Vincent) | |
| Todd Wallace | ... | Pilot | |
| Will Wallace | ... | Pvt. Hoke | |
| Joe Watanabe | ... | Japanese Officer #3 | |
| Simon Westaway | ... | First Scout | |
| Daniel Wyllie | ... | Medic #1 (as Dan Wyllie) | |
| Yasuomi Yoshino | ... | Young Japanese | |
| John Augwata | ... | Melanesian Extra | |
| Joshua Augwata | ... | Melanesian Extra | |
| John Bakotee | ... | Melanesian Extra | |
| Immanuel Dato | ... | Melanesian Extra | |
| Michael Iha | ... | Melanesian Extra | |
| Emmunual Konai | ... | Melanesian Extra | |
| Stephen Konai | ... | Melanesian Extra | |
| Peter Morosiro | ... | Melanesian Extra | |
| Amos Niuga | ... | Melanesian Extra | |
| Jennifer Siugali | ... | Melanesian Extra | |
| Carlos Tome | ... | Melanesian Extra | |
| Selina Tome | ... | Melanesian Extra | |
| listado alfabético del resto del reparto: | |||
| Kick Gurry | ... | (uncredited) | |
| Randall Duk Kim | ... | Nisei Interpreter (uncredited) | |
| Darrin Klimek | ... | (uncredited) | |
| Donal Logue | ... | Marl (uncredited) | |
| Clark McCutchen | ... | Soldier (uncredited) | |
| David Paschall | ... | General (uncredited) | |
| Jace Phillips | ... | S-1 (uncredited) | |
| Felix Williamson | ... | Private Drake (uncredited) | |
Dirigida por | |||
| Terrence Malick | |||
Créditos del guión(WGA) | ||
| James Jones | (novel) | |
| Terrence Malick | (screenplay) | |
Música original por | |||
| Hans Zimmer | |||
Fotografía por | |||
| John Toll | (director of photography) | ||
Montaje por | |||
| Leslie Jones | |||
| Saar Klein | |||
| Billy Weber | |||
Casting | |||
| Dianne Crittenden | |||
Diseño de producción por | |||
| Jack Fisk | |||
Dirección artística | |||
| Ian Gracie | |||
Decorados | |||
| Richard Hobbs | |||
| Suza Maybury | |||
Diseño de vestuario por | |||
| Margot Wilson | |||
Departamento de maquillaje | |||
| John Bird | .... | hair assistant: Los Angeles post production unit | |
| John Bird | .... | makeup assistant: Los Angeles post production unit | |
| Michèle Burke | .... | additional hair stylist: Los Angeles post production unit (as Michelle Burke-Winter) | |
| Michèle Burke | .... | additional makeup artist: Los Angeles post production unit (as Michelle Burke-Winter) | |
| Angela Conte | .... | hair stylist | |
| Angela Conte | .... | makeup artist | |
| Toni French | .... | hair stylist | |
| Toni French | .... | makeup artist | |
| Tracey Garner | .... | additional hair stylist | |
| Tracey Garner | .... | additional makeup artist | |
| Susan V. Kalinowski | .... | additional hair stylist: Los Angeles post production unit (as Sue Kalinowski) | |
| Susan V. Kalinowski | .... | additional makeup artist: Los Angeles post production unit (as Sue Kalinowski) | |
| Deborah Lester | .... | stand-by hair stylist: second unit (as Deb Lester) | |
| Deborah Lester | .... | stand-by makeup artist: second unit (as Deb Lester) | |
| Vivien Mepham | .... | hair designer (as Viv Mepham) | |
| Vivien Mepham | .... | makeup designer (as Viv Mepham) | |
| Joan Petch | .... | hair stylist | |
| Joan Petch | .... | makeup artist | |
| Rebecca Smith | .... | additional hair stylist | |
| Rebecca Smith | .... | additional makeup artist | |
| Chiara Tripodi | .... | hair stylist | |
| Chiara Tripodi | .... | makeup artist | |
| Sarah Urquhart | .... | additional hair stylist | |
| Sarah Urquhart | .... | additional makeup artist | |
| Erica Wells | .... | assistant hair stylist | |
| Erica Wells | .... | assistant makeup artist | |
Departamento de Arte | |||
| Sean Ahern | .... | carpenter | |
| Shane Bennett | .... | stand-by greens | |
| Peter Besi | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Rosemary Brandenburg | .... | set decorator: Los Angeles post production unit | |
| Mark Lambert Bristol | .... | storyboard artist | |
| Alan Brown | .... | set finisher | |
| Nicholas Brunner | .... | assistant art director: Solomon Islands | |
| Peter Collias | .... | scenic artist | |
| James Cox | .... | stand-by property master: second unit | |
| Steve Davey | .... | art department assistant | |
| Ron Dean | .... | construction assistant | |
| Kelly Deco | .... | painter: Los Angeles post production unit | |
| Richie Dehne | .... | property master | |
| Scott Dietz | .... | painter: Los Angeles post production unit (as Scott B. Dietz) | |
| Beverley Dunn | .... | set dresser (as Bev Dunn) | |
| Peter Exton | .... | steelworker | |
| Ben Foley | .... | trade assistant | |
| Michael R. Gannon | .... | assistant property master: Los Angeles post production unit | |
| Jay Gibson | .... | storyboard artist: Los Angeles post production unit | |
| Tony Giltrap | .... | carpenter (as Anthony Giltrap) | |
| Bill Goodes | .... | construction runner | |
| Gary Grimes | .... | set finisher | |
| Greg Hajdu | .... | construction manager | |
| Guido Helmstetter | .... | sculptor (as Guideo Helmstetter) | |
| Michael Hunt | .... | art department runner | |
| Peter Johnston | .... | greensman | |
| Mark Jones | .... | construction foreman | |
| Matt Jordin | .... | greensman | |
| Christopher Kennedy | .... | swing gang: Los Angeles post production unit (as Chris Kennedy) | |
| Christian Klump | .... | painter: Los Angeles post production unit | |
| Peter Kobicek | .... | assistant stand-by props (as Peter Kodicek) | |
| Mark Laity | .... | carpenter | |
| Eugene Land | .... | leading hand | |
| Steve Leslie | .... | carpenter | |
| Stewart Lewis | .... | steel worker | |
| Ron Martin | .... | carpenter | |
| Robert Moxham | .... | stand-by props | |
| Patrick Moyles | .... | art department assistant | |
| Rodney Nash | .... | steel worker (as Rod Nash) | |
| Glenn 'Buddy' Neal | .... | brush hand (as Glenn Neal) | |
| Jenny O'Connell | .... | art department coordinator | |
| Flemming Olsson | .... | construction assistant | |
| Mick Owen | .... | trade assistant | |
| Gregg Pallini | .... | storyboard artist: Los Angeles post production unit | |
| Michael Parent | .... | paint foreman: Los Angeles post production unit | |
| Tony Peters | .... | carpenter | |
| Victor Petrotta III | .... | assistant property master: Los Angeles post production unit | |
| Vic Petrotta Jr. | .... | property master: Los Angeles post production unit (as Victor Petrotta Jr.) | |
| William A. Petrotta | .... | property master: Los Angeles post production unit (as Bill Petrotta) | |
| Rolland Pike | .... | set dresser | |
| Michael Plummer | .... | assistant to art department coordinator (as Mick Plummer) | |
| Daryl Porter | .... | set dresser | |
| Wayne Porter | .... | leading hand | |
| Mark Powell | .... | model maker | |
| Andrew Robillard | .... | art department runner: Sydney (as Andy Robillard) | |
| Andy Robinson | .... | set painter | |
| Joanna Robinson | .... | art department runner | |
| Dave Rogers | .... | carpenter | |
| David Russell | .... | storyboard artist | |
| Kevin Ryan | .... | trade assistant | |
| Michael Selea | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Katie Sharrock | .... | assistant stand-by props | |
| Gary Sherline | .... | model maker | |
| Trevor Smith | .... | model maker | |
| Brock Sykes | .... | set dresser | |
| Sophie Tarney | .... | set dresser | |
| Gregg Thomas | .... | greens supervisor | |
| Barry Thompson | .... | art department assistant | |
| Jeffrey Thorp | .... | assistant art director (as Jeff Thorp) | |
| Thomas Traugott | .... | swing gang: Los Angeles post production unit (as Tom Traugott) | |
| Beato Varahana | .... | art department assistant: Solomon Islands/Guadalcanal | |
| Nicholas Walker | .... | set painter | |
| Ron Wallekers | .... | greensman | |
| Samantha Ward | .... | art department assistant | |
| Dick Weight | .... | lead propmaker | |
| Mandy Willaton | .... | graphic artist | |
| Matthew Willaton | .... | assistant graphic artist | |
| Trent Williamson | .... | greensman | |
| Dallas Wilson | .... | model maker | |
| Nikki DiFalco | .... | model maker (uncredited) | |
| Marta McElroy | .... | buyer (uncredited) | |
| Peter 'Babylon' Owens | .... | model maker (uncredited) | |
Efectos especiales | |||
| Patrick Carmiggelt | .... | special effects technician | |
| Brian Cox | .... | special effects coordinator | |
| Katherine Gamble | .... | special effects assistant | |
| Paul Gorrie | .... | special effects technician | |
| Pauline Grebert | .... | special effects technician | |
| David Hardie | .... | senior special effects technician | |
| John Neal | .... | special effects technician | |
| Peter Parry | .... | special effects technician | |
| Albert Payne | .... | special effects technician | |
| Pieter Ploody | .... | special effects technician (as Pieter Plooy) | |
| Walter Van Veenendaal | .... | special effects technician | |
Visual Effects | |||
| John Breslin | .... | senior digital compositor | |
| Justin Bromley | .... | senior digital compositor | |
| Ian Brown | .... | 3D animator | |
| Robin Cave | .... | digital compositor | |
| Fiona Chilton | .... | visual effects producer | |
| Patricia Doyle | .... | opticals: Pacific Title/Mirage (as Pat Doyle) | |
| Grant Everett | .... | pre-visualization compositor | |
| Chris Godfrey | .... | visual effects supervisor | |
| Kirsty Millar | .... | senior digital compositor | |
| Glen Sharah | .... | systems administrator | |
| Simon Whitley | .... | visual effects designer (as Simon Whiteley) | |
| Robert Yamamoto | .... | consultant: titles and opticals (as Rob Yamamoto) | |
| Carole Cowley | .... | digital effects producer: Cinesite (uncredited) | |
| Erin M. Cullen | .... | roto artist (uncredited) | |
| Charles Darby | .... | visual effects designer (uncredited) | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Karen Klein | .... | rotoscope supervisor (uncredited) | |
| Vincent Lavares | .... | technical assistant supervisor: Cinesite (uncredited) | |
| Janet Quen | .... | digital effects artist (uncredited) | |
| Tiffany Smith | .... | visual effects production coordinator: Cinesite (uncredited) | |
| Tristan Tom | .... | technical support: Cinesite (uncredited) | |
Departamento de reparto | |||
| Jo Edna Boldin | .... | regional casting agent | |
| Barbara Collins | .... | casting associate | |
| Judith Cruden | .... | extras casting agent: Australia | |
| Jo Doster | .... | regional casting agent | |
| Louise Mitchell | .... | extras casting: Solomon Islands/Guadalcanal unit | |
Departamento de vestuario | |||
| Ken Barnett | .... | props costumer | |
| Julie Barton | .... | key stand-by costumer | |
| Nanrose Buchman | .... | costumer liaison: Los Angeles | |
| Clare Budd | .... | costume assistant: military webbing | |
| Jeffrey Buhler | .... | costume assistant: Los Angeles post-production | |
| David Cartmill | .... | costume assistant: military webbing | |
| Sandi Cichello | .... | costumer construction | |
| Lisa Collins | .... | costume assistant | |
| Chantal Cordy | .... | props costumer (as Chantelle Cordey) | |
| Harold Crawford | .... | costumer: Los Angeles post-production unit | |
| James P. Cullen | .... | costumer: Los Angeles post-production unit (as Jimmy Cullen) | |
| Mary Lou Da Roza | .... | stand-by costumer: second unit (as Mary-Lou Da Roza) | |
| Michael Davies | .... | stand-by costumer | |
| Kate Green | .... | stand-by costumer | |
| Talia Jones | .... | costume assistant: Los Angeles post-production | |
| Matthew Kinman | .... | stand-by costumer: military webbing | |
| Mitch Morris | .... | costume assistant: military webbing | |
| Peter O'Halloran | .... | stand-by costumer | |
| Wongwatawat 'Goy' Siriporn | .... | costume assistant (as Goy Siriporn Wongwatawat) | |
| Kerry Thompson | .... | costume supervisor | |
| Cheryl Tootell | .... | costume assistant | |
| Angi Velickovic | .... | stand-by costumer: military webbing | |
| Tarni Wilkie-Smith | .... | costume assistant (as Tarnie Wilkie Smith) | |
| Sally Wilson | .... | costume assistant: military webbing | |
Departamento de Edición | |||
| Laura Behary | .... | assistant editor | |
| Charles Bunn | .... | assistant editor | |
| Mark Ellis | .... | assistant editor | |
| Tim Floreen | .... | post-production assistant | |
| Alicia Gleeson | .... | assistant editor | |
| Jenny Hicks | .... | assistant editor | |
| Derek McCants | .... | assistant editor: avid | |
| David Orr | .... | color timer | |
| Nick Phillips | .... | head technician: Libra, Los Angeles post-production unit | |
| Clarinda Wong | .... | film editor | |
| Hunter Shepherd | .... | additional post-production assistant (uncredited) | |
| Rebecca Weigold | .... | assistant editor (uncredited) | |
Departamento de Música | |||
| Klaus Badelt | .... | additional music arranger | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Bruce Fowler | .... | orchestrator | |
| Gavin Greenaway | .... | conductor | |
| Tommy Johnson | .... | musician: tuba | |
| David Low | .... | music contractor | |
| Francisco Lupica | .... | composer: additional music | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator | |
| Moanike'ala Nakamoto | .... | composer wrangler | |
| John Powell | .... | composer: additional music | |
| John Rodd | .... | orchestral scoring recordist | |
| Maggie Rodford | .... | music coordinator: Air-Edel | |
| Scott Rouse | .... | assistant music editor | |
| Dennis Sager | .... | scoring stage crew | |
| Lee Scott | .... | music editor | |
| Adam Milo Smalley | .... | music editor (as Adam Smalley) | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring stage crew | |
| Marc Streitenfeld | .... | technical score advisor | |
| Rosanna Sun | .... | music supervisor | |
| Damon Tedesco | .... | scoring stage crew | |
| Ryeland Allison | .... | musician: percussion (uncredited) | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Mark Graham | .... | music librarian (uncredited) | |
| Jo Ann Kane | .... | music copyist (uncredited) | |
| Claude Letessier | .... | ethnomusicologist (uncredited) | |
| Malcolm Luker | .... | scoring mixer: special effects music (uncredited) | |
| Bruno Roussel | .... | musician: percussion (uncredited) | |
Otros miembros del equipo | |||
| Simon Ambrose | .... | scaffolder | |
| Debbie Atkins | .... | assistant production coordinator | |
| Brendon Atong | .... | unit assistant: Solomon Islands/Guadalcanal unit | |
| Irene Augerinos | .... | catering assistant | |
| Daniel Bailey | .... | boat captain: Los Angeles post-production unit | |
| Meghan Bailey | .... | camp manager | |
| Warren Barnhart | .... | avid technical support | |
| Alex Barnoya | .... | first aid nurse: Los Angeles post-production unit (as Alex Barynoya) | |
| Julian Barton | .... | marine boat captain | |
| Rhodes Barton | .... | marine boat captain | |
| Brett Bastow | .... | marine boat captain | |
| Martin Belson | .... | extras coordinator: Japan | |
| Matt Bilski | .... | assistant: Mr. Hill | |
| Matt Bilski | .... | liaison: Los Angeles | |
| Sandra Bostock | .... | unit assistant (as Sandra Bostok) | |
| Guy Bourke | .... | pilot | |
| John Bowring | .... | key armorer | |
| Murray Boyd | .... | location manager | |
| Fred Braat | .... | unit assistant | |
| Brian Bradeley | .... | marine boat captain (as Brian Bradley) | |
| Hannah Browne | .... | set production assistant | |
| Kayce Brown | .... | production assistant: Los Angeles post-production unit | |
| Jeffrey Buhler | .... | webbing assistant: Los Angeles post-production unit | |
| Justin Caine Burnett | .... | assistant: Hans Zimmer (as Justin Burnett) | |
| Ranjini Busch | .... | assistant extras coordinator (as Ranjini Rusch) | |
| Mark Buttsworth | .... | assistant: armoury workshop | |
| Ron Byrd | .... | boat captain: Los Angeles post-production unit | |
| Mick Casey | .... | scaffolder assistant | |
| Douglas Chottu | .... | production runner: Solomon Islands/Guadalcanal unit | |
| James Chottu | .... | production runner: Solomon Islands/Guadalcanal unit | |
| Sophia Chottu | .... | production office assistant: Solomon Islands/Guadalcanal unit | |
| David Clark | .... | freight assistant | |
| Robin Clifton | .... | location manager: Solomon Islands/Guadalcanal unit | |
| Peter Cogar | .... | armorer | |
| Barry Collins | .... | marine boat captain | |
| Rob Collins | .... | marine boat captain | |
| Tim Cousins | .... | head technician: Libra | |
| Camilla Crossing | .... | unit assistant | |
| John Curtis | .... | pilot | |
| Danny Dade | .... | marine engineer | |
| Michael Dalmas | .... | catering assistant | |
| Jim Dedman | .... | military webbing advisor | |
| Joe Donaldson | .... | marine engineer | |
| Mike Douglas | .... | boat winchman: Los Angeles post-production unit | |
| Evelyn Driver | .... | unit nurse: second unit | |
| Dale Dye | .... | assistant military advisor | |
| Phil Eagles | .... | military webbing supervisor | |
| Joel Elliott | .... | production assistant: Los Angeles post-production unit | |
| Brian Ellison | .... | safety officer: second unit | |
| Pablo Espinosa | .... | assistant military advisor | |
| Michael Estrella | .... | production assistant: Los Angeles post-production unit (as Mike Estrella) | |
| Peter Evangelatos | .... | catering: Los Angeles post-production unit | |
| Peter Evangelatos | .... | craft service: Los Angeles post-production | |
| Todd Fellman | .... | location manager: second unit | |
| L. Douglas Fenton | .... | medical coordinator: Los Angeles post-production unit | |
| L. Douglas Fenton | .... | medical officer: Solomon Islands/Guadalcanal unit | |
| Kerry Fetzer | .... | caterer | |
| Guy Firth | .... | catering assistant | |
| Gloria M. Fujita | .... | first aid nurse: Los Angeles post-production unit (as Gloria Fujita) | |
| Serena Gattuso | .... | production coordinator | |
| Michael George | .... | dock master: Los Angeles post-production unit (as Mike George) | |
| Eugene L. Geyl | .... | marine boat captain | |
| Kim Gladman | .... | unit assistant | |
| Jeff Gribble | .... | armorer assistant (as Jeffrey Gribble) | |
| Ken Haber | .... | location manager: Los Angeles post-production unit | |
| Mike Harper | .... | freight coordinator | |
| Daniel Hart | .... | deckhand: Los Angeles post-production unit | |
| Daniel Hart | .... | safety diver: Los Angeles post-production unit | |
| Sandy Hastings | .... | assistant: Terrence Malick | |
| Steve Hawker | .... | unit assistant | |
| Doug Haywood | .... | pilot | |
| Col Heidke | .... | production runner (as Colin Heidke) | |
| Jeffrey Heidke | .... | production runner | |
| Chris Herron | .... | catering assistant | |
| Jim Hewitson | .... | unit assistant | |
| Jody Hewitson | .... | unit assistant | |
| Karl Hewitson | .... | unit assistant | |
| Rick Hicks | .... | boat winchman: Los Angeles post-production unit | |
| Daniel Keith Hobbs | .... | marine boat captain | |
| Mark Hornton | .... | boat captain: Los Angeles post-production unit | |
| Ron Houghton | .... | medical staff | |
| Simon Houma | .... | local police: Solomon Islands/Guadalcanal unit | |
| Simon Houma | .... | security: Solomon Islands/Guadalcanal unit | |
| Ian Hunter | .... | catering assistant | |
| Miles Jackson | .... | armorer assistant | |
| Toshi Jackson | .... | unit assistant: second unit (as Toshi) | |
| Gert Jacoby | .... | marine engineer | |
| Christobel Jefferies | .... | catering assistant | |
| Rudy Joffroy | .... | set production assistant: second unit | |
| Karen Jones | .... | location scout | |
| Talia Jones | .... | webbing assistant: Los Angeles post-production unit | |
| Christine Jourdan | .... | anthropologist: Solomon Islands | |
| Lance Julian | .... | marine coordinator | |
| Harry L. Julian Sr. | .... | assistant marine coordinator (as Harry L.H. Julian Sr.) | |
| Dave Kasubowski | .... | catering: Los Angeles post-production unit (as David Kasubowski) | |
| Dave Kasubowski | .... | craft service: Los Angeles post-production (as David Kasubowski) | |
| Angela Kenny | .... | first assistant accountant | |
| Pat Kingsley | .... | publicist: USA | |
| Amanda Kirby | .... | armorer | |
| Moses Lakwolly | .... | local police: Solomon Islands/Guadalcanal unit | |
| Moses Lakwolly | .... | security: Solomon Islands/Guadalcanal unit | |
| Brandon Lambdin | .... | production assistant: Los Angeles post-production unit | |
| Claude Lambert | .... | safety officer | |
| Fiona Landreth | .... | second assistant accountant | |
| Melaini Lewis | .... | accommodation coordinator | |
| Paul Littleton | .... | production runner: Los Angeles | |
| Dan Mailley | .... | production assistant: Los Angeles post-production unit | |
| Alexandra W.B. Malick | .... | continuity: Solomon Islands/Guadalcanal unit | |
| Lilene Mansell | .... | dialect coach | |
| Dottie McCarthy | .... | assistant: Mr. Stevens | |
| Richard McCarthy | .... | freight runner | |
| Richard Miller | .... | unit assistant | |
| Katrina Mills | .... | unit assistant | |
| Chris Mitchell | .... | assistant safety officer | |
| Tomo Miyaguchi | .... | Japanese advisor | |
| Reza Mokhtar | .... | catering assistant | |
| Victor Roger Monk | .... | dailies projectionist | |
| Allan Mowbray | .... | armorer | |
| Kerry Mulgrew | .... | production secretary | |
| Claudia Myers | .... | assistant: Geisler & Roberdeau | |
| Joanne Newell | .... | extras payroll accountant | |
| Gregory Scott Newman | .... | assistant: Hans Zimmer | |
| Aimee Nicholson | .... | assistant: Terrence Malick | |
| Donovan Norguard | .... | assistant: armoury workshop | |
| Jenny Norman | .... | production assistant | |
| Chris O'Connell | .... | script supervisor (as Chrissy O'Connell) | |
| Garry O'Conner | .... | unit assistant | |
| Owen O'Malley | .... | pilot | |
| Johnny Pacialeo | .... | set production assistant (as Giovanni Pacialeo) | |
| Bob Parsons | .... | armorer | |
| Royce Perkins | .... | assistant military advisor | |
| Al Perry | .... | boat captain: Los Angeles post-production unit | |
| Tim Pickering | .... | production assistant: Los Angeles post-production unit | |
| Kevin Plummer | .... | production accountant: Solomon Islands/Guadalcanal unit | |
| Simon Primrose | .... | marine boat captain | |
| Fleur Quinn | .... | marine boat captain | |
| Carl Raab | .... | shipwright | |
| Kim M. Rabsatt | .... | assistant: Geisler & Roberdeau | |
| John Rayner | .... | pilot | |
| Anne Renehan | .... | continuity assistant (as Annie Renehan) | |
| Jacquie Robertson | .... | medical staff | |
| Vicki Dee Rock | .... | production executive | |
| Ruben Romo | .... | assistant military advisor (as Reuben Romo) | |
| Emily Saunders | .... | script coordinator | |
| Fiona Searson | .... | unit publicist | |
| Ray Seaver | .... | pilot | |
| Jason Shearer | .... | marine boat captain | |
| Kent Sherlock | .... | production runner | |
| Bruce Simpson | .... | aircraft coordinator | |
| Ralph Simpson | .... | pilot | |
| Julie Sims | .... | second unit coordinator | |
| Joanie Spates | .... | post-production accountant (as Joanie Wooten-Spates-Ahuna) | |
| Nick Spetsiotis | .... | assistant marine coordinator | |
| Mike Stokey | .... | key military advisor | |
| Leoni Strickland | .... | assistant: Mr Hill, Australia | |
| Susan Such | .... | assistant: Mr. Travolta, Los Angeles post-production unit | |
| Greg Tash | .... | deckhand: Los Angeles post-production unit | |
| Greg Tash | .... | safety diver: Los Angeles post-production unit | |
| Robert Threadgold | .... | production accountant | |
| Andrew Toritarau | .... | local police: Solomon Islands/Guadalcanal unit | |
| Andrew Toritarau | .... | security: Solomon Islands/Guadalcanal unit | |
| Victor Totu | .... | local liaison: Solomon Islands/Guadalcanal unit | |
| Danny Trefts | .... | boat captain: Los Angeles post-production unit | |
| Rachel Vogelpoel | .... | medical staff | |
| Toddy Walters | .... | production assistant: Los Angeles post-production unit | |
| Scott Warwick | .... | armorer | |
| Shin Watarai | .... | Japanese advisor | |
| Richard Wicklund | .... | teacher: Los Angeles post-production unit (as L. Richard Wickland) | |
| Tony Wilcox | .... | caterer: Solomon Islands/Guadalcanal unit | |
| Kylie Wilkie-Smith | .... | payroll accountant | |
| Pamela Willis | .... | script supervisor: second unit (as Pam Willis) | |
| Jenny Wilson | .... | catering assistant | |
| Raliegh Wilson | .... | assistant military advisor (as Raleigh Wilson) | |
| Rob Wong | .... | boat captain: Los Angeles post-production unit | |
| Thomas Wyatt | .... | deckhand: Los Angeles post-production unit | |
| Thomas Wyatt | .... | safety diver: Los Angeles post-production unit | |
| Ron Wyndham | .... | unit assistant | |
| Phillip Young | .... | armorer assistant | |
| Kenny Chaplin | .... | set production assistant (uncredited) | |
| Troy Hartman | .... | stand-in: George Clooney (uncredited) | |
| Dawn Higginbotham | .... | production assistant (uncredited) | |
| Tom Lent | .... | adr voice (uncredited) | |
| Chris Miller | .... | technical consultant (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
Gracias | |||
| Penelope Allen | .... | thanks (as Penny Allen) | |
| Daniel Aukin | .... | thanks | |
| Henry Bamberger | .... | thanks | |
| Walter H. Bradford | .... | thanks | |
| Ray Elliott | .... | thanks | |
| Lukas Haas | .... | thanks | |
| Eryna Heisler | .... | thanks | |
| Kevin Heisler | .... | thanks | |
| Gloria Jones | .... | thanks | |
| Jamie Jones | .... | thanks | |
| Kaylie Jones | .... | thanks | |
| Randall Duk Kim | .... | thanks | |
| Darrell Kirkland | .... | thanks | |
| Harold Lee | .... | thanks | |
| Donal Logue | .... | thanks | |
| Francine Maisler | .... | thanks | |
| Jack McNees | .... | thanks | |
| Barry McPaul | .... | thanks | |
| Robert Miranda | .... | thanks | |
| Viggo Mortensen | .... | thanks | |
| Amanda Nelligan | .... | thanks | |
| Lindy Neuhaus | .... | thanks | |
| David Paschall | .... | thanks | |
| Barry Paterson | .... | thanks | |
| Jason Patric | .... | thanks | |
| Carey Phillips | .... | thanks | |
| Jace Phillips | .... | thanks | |
| David Pratt | .... | thanks | |
| John Price | .... | thanks | |
| Bill Pullman | .... | thanks | |
| Jason Rabe | .... | thanks | |
| Jeff Rona | .... | acknowledgment: beam supplemented by | |
| Robert L. Rosen | .... | thanks | |
| Mickey Rourke | .... | thanks | |
| Martin Sheen | .... | thanks | |
| Thomas Sumners | .... | thanks | |
| Billy Bob Thornton | .... | thanks | |
| Harley Williams | .... | thanks | |
| John Womack Jr. | .... | thanks | |
| Brother Zephaniah | .... | thanks | |
| Tim Zinnemann | .... | thanks (as Tim Zinneman) | |
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| Cross of Iron | From Here to Eternity | Saving Private Ryan | Full Metal Jacket | All Quiet on the Western Front |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Acción section | IMDb USA section | Add this title to MyMovies |
Having taken the time to read scores of reviews for TTRL (including IMDb ones here), I'm reminded of the movie subscript for this most controversial film: "Every man fights his own war." What a polarization exists amongst its viewers, and a lot of emotion both ways.
I was stunned, moved, transfixed and totally absorbed by this film, even more so on subsequent viewings. I was one of the considerable number of people who, as the credits appear, sit quietly till one has to leave -- still stuck in the film's experience. I'm not angry at others who merely fell asleep. It's odd how some of the film's harsher critics seem compelled to vent their anger in disparaging comments against those who loved it -- most of those who liked the film were gentler in commenting on its critics.
In contrast to what some have written, "The thin red line" has nothing to do with the British infantry in its imperial past. Jones referred to two related quotes in his excellent book, both having to do with a thin line between sanity and insanity. Whether "justified" or not, necessary or not, there is a lot of insanity in the war experience by anyone's definition of insanity.
War exists and seems to recreate itself -- I never got the idea from Malick's film that he was preaching that we should just stop having wars. On the contrary, he takes war as a given in the human part of nature, and shows how individual human beings variously adapted (or mal-adapted!) in order to be able to keep eating, breathing and, yes, killing. The war experience is not primarily about shooting and blowing things up -- as Jones described from his own experience, it's largely about what happens between skirmishes -- strife and comradeship, fear and bravado, homesickness and freedom from past constraints, and waiting to die or to see a buddy die. People came, died, and were replaced -- much as portrayed by the cameo appearances in the film that confused or upset some viewers. Veterans always talk about how hard it is when you have to rely on your buddies (and feel for them) even though odds are most of them will die.
What is most important to me (and it doesn't have to be for anyone else, I know that) is how the eternal themes of humanity are affected and expressed in such circumstances. All great works of art have something to do with the themes of beauty, pain, triumph, despair, good and evil. There's nothing wrong with entertainment as a diversion (The Matrix was fine fun); there's room both for film for fun and for film as art. Saving Ryan's Privates was mostly good entertainment (although I found it terribly manipulative and jingoistic), while TTRL explores the themes I mentioned above, never with easy answers. If you found the voice-overs heavy-handed, maybe it's because you're used to Hollywood telling us what to think and feel and thought Malick was doing the same. Watch again and see if he's not just giving us access to various individuals' often conflicting perspectives.
As for those who think the film portrays "our soldiers" in a bad light, my family members who fought in WWII described their experiences and their reactions much as those shown in TTRL -- they were ordinary men, decent enough people, not heroes though sometimes unpredictably capable of the heroic, and devastated by their experiences. I'm proud of them for having done all they could to do what they felt was their responsibility, and to keep some humanity intact in spite of the horror. None of them told me they felt "ennobled" by war; they endured it and were badly hurt by it but didn't feel sorry for themselves, either.
In TTRL I got to see this portrayed with such compassion I wept. Even the guy (Dale) who ripped gold teeth out of the mouths of dying Japanese soldiers was no stereotypical villain -- he has his moment of grace as do they all. No one's defenses are portrayed as impregnable, not even Witt's. No stereotype himself, we see him kill over a dozen soldiers in battle, while still trying to see God in the midst of the chaos. And what a powerful scene at his life's end, fulfilling his own striving for self-sacrifice, and recognizing in a moment of epiphany where his own immortality lie. Those who couldn't find a plot line in the film must have missed the first ten minutes...
Maybe it's because of my own experience in life that I respond to this film so strongly. I endured and survived ten years of intense, inescapable unrelenting abuse as a child. I remember even as a small child trying to make sense of it all -- looking for the good, the reasons, God's plan, my purpose. Others who've survived trauma (in the Holocaust camps, on the cancer wards) often describe how such experiences focussed their attention on things that matter, beyond the physical realities they could not control. Ever since my childhood I've moved through life with a second awareness -- that examination and self-examination while "real time" goes on.
That's what Malick portrayed, for me, in this film. Maybe you think that's "sophomoric" or "pretentious". It may not seem so when you're in the midst of a struggle, or on your death bed...
DGH
P. S. I organized a special screening of this film locally for a few friends -- 400 others paid to come, by word of mouth. Over a hundred sat spell-bound as the credits scrolled by -- hushed and not wanting to leave. Fellow wounded souls, some of them, I'll bet.