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Pi (1998)
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Overview
Frase comercial:
faith in chaos másPlot:
A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature. full summary | full synopsis (warning! may contain spoilers)Awards:
9 wins & 7 nominations másComentarios de los usuarios:
Cohesive, stylish and innovative másCast
(Cast overview, first billed only)| Sean Gullette | ... | Maximillian Cohen | |
| Mark Margolis | ... | Sol Robeson | |
| Ben Shenkman | ... | Lenny Meyer | |
| Pamela Hart | ... | Marcy Dawson | |
| Stephen Pearlman | ... | Rabbi Cohen | |
| Samia Shoaib | ... | Devi | |
| Ajay Naidu | ... | Farroukh | |
| Kristyn Mae-Anne Lao | ... | Jenna | |
| Espher Lao Nieves | ... | Jenna's Mom | |
| Joanne Gordon | ... | Mrs. Ovadia | |
| Lauren Fox | ... | Jenny Robeson | |
| Stanley Herman | ... | Moustacheless Man | |
| Clint Mansell | ... | Photographer | |
| Tom Tumminello | ... | Ephraim | |
| Ari Handel | ... | Kabbala Scholar |
Additional Details
También conocida como:
3,14159265358 (USA) (working title)Pi (Argentina) [es]
Pi, fe en el caos (Spain) [es]
más
MPAA:
Rated R for language and some disturbing images.Parents Guide:
View content advisory for parentsDuración:
84 minPaís:
USAColor:
Black and WhiteAspect Ratio:
1.66 : 1 másSonido:
DolbyClasificación:
Hungary:16 | Iceland:12 | Netherlands:12 | Finland:K-12 | Brazil:14 | Argentina:13 | Australia:M | Chile:14 | France:U | Germany:12 | New Zealand:R13 | Norway:15 | Singapore:PG | South Korea:15 | Spain:13 | UK:15 | USA:RMOVIEmeter: 
Cosas divertidas
Trivialidades:
The photographer who is pursued by Max in the subway, is played by Clint Mansell. He is the composer of the films soundtrack. másGoofs:
Factual errors: Max suggests that the Kabbalists have already tried all possible 216-digit numbers. That is 10 to the power of 216 - if they had been doing a quadrillion a day since the destruction of the Temple, they would barely have begun. másQuotes:
Lenny Meyer: The Torah is just a long string of numbers. Some say that it's a code sent to us from God. másSoundtrack:
Kalpol Intro. máspreguntas frecuentes
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The predecessor to Requiem for a Dream, this is arguably more stylish and engaging. This is helped largely by the simply outstanding soundtrack. Aranovsky's use of a haunting yet modern score binds the movie together perfectly, aided by some fantastic cinematic techniques that disorientate the audience in time with the music. The character narration is also a great cohesive tool, with the deadpan delivery more than matching the tone of the piece. This film is not as beautiful as Requiem, nor does it have quite the same gutwrenching effect, but nonetheless, this is still some film. If you like your movies very hollywood then this is not for you; but if you like stylised innovation, then you have to watch this.