SHOP YARDS, THE
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The Yards (2000)
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Overview
Release Date:
27 abril 2000 (Singapore) másFrase comercial:
There's nothing more dangerous than an innocent man.Plot:
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative... más | add synopsisAwards:
2 wins & 1 nomination másComentarios de los usuarios:
Terrifically Evocative Capturing of Urban Corruption másCast
(Cast overview, first billed only)| Mark Wahlberg | ... | Leo Handler | |
| Joaquin Phoenix | ... | Willie Gutierrez | |
| Charlize Theron | ... | Erica Stoltz | |
| James Caan | ... | Frank Olchin | |
| Ellen Burstyn | ... | Val Handler | |
| Faye Dunaway | ... | Kitty Olchin | |
| Steve Lawrence | ... | Arthur Mydanick | |
| Andy Davoli | ... | Raymond Price (as Andrew Davoli) | |
| Tony Musante | ... | Seymour Korman | |
| Victor Argo | ... | Paul Lazarides | |
| Tomas Milian | ... | Manuel Sequiera | |
| Robert Montano | ... | Hector Gallardo | |
| Victor Arnold | ... | Albert Granada | |
| Chad Aaron | ... | Bernard Stoltz | |
| Louis Guss | ... | Nathan Grodner |
Additional Details
MPAA:
Rated R for language, violence and a scene of sexuality.Parents Guide:
Add content advisory for parentsDuración:
115 minPaís:
USAColor:
ColorAspect Ratio:
2.35 : 1 másClasificación:
Singapore:NC-16 | USA:Unrated (2005 DVD Directors Cut) | Iceland:16 | Argentina:13 | Australia:M | Chile:14 | Denmark:15 | France:U | Germany:12 | Netherlands:12 | Norway:15 | Peru:14 | South Korea:15 | Spain:13 | UK:15 | USA:R | Finland:K-15MOVIEmeter: 
Cosas divertidas
Trivialidades:
The newscasters on the news that Leo watches are actual newscasters from the New York area. másGoofs:
Factual errors: The cars in the "subway yard" are not actually subway cars; they are circa-1963 suburban commuter coaches for the Metro-North & Long Island Railroads. másSoundtrack:
Happy Shoppers máspreguntas frecuentes
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While director James Gray's "Little Odessa" focused on ethnic crime in Brooklyn (specifically Russians in Brighton Beach, for Tim Roth's best performance 'til that time), "The Yards" is Queens par excellence.
While the lack of NYC accents causes a bit of suspended belief, the strong acting and devastating screenplay by Gray and Matt Reeves more than compensate.
The depiction of NYC corruption is heads and tails above Sidney Lumet's "City Hall," here with demonstrations of how family and ethnicity get very intermingled in NYC politics. Nepotism is the ultimate explanation.
More, the screenplay is cinematically presented -- the points are made visually and through body language and situation, not banged over our heads with explication.
In my past, I worked both for the Queens Borough President (the one whose name is actually mentioned in the movie and no one west of the Hudson let alone younger will have the slightest idea what the reference means) and for the MTA, where we were constantly stunned by what went on in the bowels of the Transit Authority, while my husband has supervised City contractors for ethics violations, so I was amazed how mostly accurate the movie was--including a cameo by Councilman Peter Vallone as a councilman. (Just a small quibble that this movie would have been more accurate if it had been set in a time period before the Board of Estimate was declared unconstitutional and contracting procedures were changed.)
While Cherlize Theron is somewhat miscast and mis-dressed, Joaquin Phoenix blows the screen away. He steals every scene from Mark Wahlberg, who is supposed to be the moral center of the movie, and his last scenes alone are explosive.
The older male actors are as impeccably cast as "The Sopranos," though the ethnicity of the characters vs. the actors is a bit confusing. James Caan is more comfortable in this patriarchal role than he was in "The Way of the Gun;" he clearly felt at home in Astoria. Steve Lawrence (yeah, THAT Steve Lawrence) doesn't have Donald Manes's charisma as Borough President, though he actually does look a bit like him. Faye Dunaway is surprisingly spot-on; I've been to many of those Queens political dinners and saw wives dressed and acting like her. Ellen Burstyn, in the third bridge-and-tunnel-mom role I've seen her in this month, got to have her hair combed this time.
There is a surprising lack of pop songs on the soundtrack, as so many would have been appropriate, instead it's mostly Howard Shore's score. I kept thinking of Bruce Springsteen singing "Nothing feels better than blood on blood. . ."
There's wonderful views and uses of the Queens landscape throughout this movie. This fully realizes an outer borough. If Gray is on his way to do a pentateuch on crime in NYC, I'll go to the ones on each borough.
There was a guy in the audience who had been an extra or a one-liner or something in the movie, but who didn't provide additional insight as he mostly talked to his friend about his upcoming auditions than the making of this movie.
(originally written 10/29/2000)