Night of the Ghouls (1959)

Calificación de los usuarios:

2.7/10   

Director:

Edward D. Wood Jr.

Escritores:

Edward D. Wood Jr. (novel)
Edward D. Wood Jr. (screenplay)

Género:

Horror

Plot:

Phony spiritualist raises the dead.

Plot Keywords:

Cult Favorite | Sequel | Based On Novel

Comentarios de los usuarios:

Night of the Ghouls

Reparto

Kenne Duncan	...	Karl / Dr. Acula
Duke Moore	...	Lt. Daniel Bradford (as 'Duke' Moore)
Tor Johnson	...	Lobo
Valda Hansen	...	Sheila, the White Ghost
Johnny Carpenter	...	Capt. Robbins (as John Carpenter)
Paul Marco	...	Patrolman Paul Kelton
Don Nagel	...	Sgt. Crandel
Bud Osborne	...	Mr. Darmoor
Jeannie Stevens	...	The Black Ghost / Mannequin
Harvey B. Dunn	...	Henry
Margaret Mason	...	Martha
Clay Stone	...	Gigolo
Marcelle Hemphill	...	Mrs. Maude Wingate Yates Foster
Tom Mason	...	Wingate Foster's Ghost
James La Maida	...	Patrolman Hall

También conocida como:

Dr. Acula (USA) (original script title)
Revenge of the Dead

Duración:

69 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Spain:T | USA:Approved (Certificate # 19275) | UK:PG | USA:Unrated | Italy:T | Finland:K-18 (2004)

Trivialidades:

The single photo on the police station wall is that of Edward D. Wood Jr..

Citas:

Henry: Oh, it was a nightmare of horror!

Conexiones de Película:

Referenced in "Scrubs: My Missed Perception (#5.6)" (2006)

Night of the Ghouls

'Night' meets the high standards Edward D. Wood, Jr. It's a minor classic, albeit a crucial one, commensurate with the 1953 psychodrama, "Glen or Glenda", termed by scurrilous wags 'Bargain Basement Equus'.

Previously unaware of 'Night's' existence, I enjoyed it on Elvira's L.A. TV show. I was living in Palm Springs pursuing film work. I therefore appreciated those who bravely film the unfilmable. 'Night' is just that - unfilmable.

'Dr. Acula' is a pun so moronic it would shame a five year old. It defines the film. Clueless starlets wander groggily. A bumbling - and badly overacting cop - quakes before them. Dr. Acula scams the rich.

Sound familiar? You bet. Sham-psychics scamming wealthy swells were featured in Raymond Chandler's Phillip Marlowe novels. Albeit with one trifling distinction. Chandler could write. Ed Wood, well....

'Night' is not without merit. Paul Marco's overblown 'Kelton' could be sold as 'Do This on Your First Audition & It Will be Your Last'. There are good performances. There are bad. There are a precious few which embarrass viewers. Thespian Marco strives for that mark - and hits it.

Cheesy sets used with shameless repetition abound. Watch for the pine-panel door. It's in the police station. It's in 'Dr. Acula's' home. It's all over. Like dog doot. And, please, would some kind soul explain why in all Wood films, walls are hung with heavy drapes? Spaceships, police stations, doctor's offices, the drapes..the drapes... What is the hidden meaning?

As with audition techniques, never do what Wood's cops and robbers do. Why do they flick a gun when pulling its trigger? Cryptic symbolism? Artifice, a cinematic trick to direct your eyes to it? Underscore emotionality behind the shot? One thing it's not is good shooting. Flicking guns won't make bullets go faster. It simply makes them go where they shouldn't.

The camera always tells the truth. Watch the eyes and faces of those gathered round Dr. Acula. Curiosity and awe in a twinkling turn to 'what on earth am I doing here?' You may ask yourself as much as the film slogs to its boring conclusion. Still, you'll appreciate why it takes more than being Tor Johnson to play Calliban. You'll know why Criswell's narration is no substitute for that of Orson Welles. Then again, Orson Welles couldn't produce Night of the Ghouls.

Paul Vincent Zecchino

Manasoviet Key, FL

30 January, 2006