Entre las piernas (1999)

Calificación de los usuarios:

6.4/10   

Director:

Manuel Gómez Pereira

Escritores:

Joaquín Oristrell (novel)
Joaquín Oristrell (screenplay) ...

Fecha de Lanzamiento:

22 enero 1999 (Spain)

Género:

Drama | Misterio | Romance | Suspenso

Plot:

Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl...

Plot Keywords:

Sex | Dog | Radio | Murder | Cemetery

Premios:

1 win & 1 nomination

Comentarios de los usuarios:

An overlong draggy film lacking excitement

Reparto

Victoria Abril	...	Miranda
Javier Bardem	...	Javier
Carmelo Gómez	...	Félix
Juan Diego	...	Jareño
Sergi López	...	Claudio
Javier Albalá	...	Juancar
María Adánez	...	Juani
Carmen Balagué	...	Begoña
Manuel Manquiña	...	Manuel
Víctor Rueda	...	Azucena / Jacinto
Salvador Madrid	...	Inspector jefe
Roberto Álvarez	...	Anastasio
Alberto San Juan	...	Rojas
Charo Zapardiel	...	Marina Salinas
Àngels Bassas	...	Lola

También conocida como:

Between Your Legs (USA)
Entre les jambes (France)

Duración:

Argentina:120 min | France:115 min | Spain:115 min | Germany:113 min (TV version) | USA:115 min

País:

Spain | France

Idioma:

Español

Color:

Color

Relación de Aspecto:

2.35 : 1

Clasificación:

Singapore:R21 (re-rating) | Argentina:18 | Chile:18 | Finland:K-16 | France:-12 | Singapore:R(A) | South Korea:18 | Spain:13 | Iceland:16

Compañía:

Bocaboca Producciones

Conexiones de Película:

Referenced in Sal de Prata (2005)

An overlong draggy film lacking excitement

The point that sex can become a dangerous addiction is not made in a very convincing manner in this film. After starting with a session of a class for curing sexual addiction, the movie focuses on a variety of problems faced by most of the characters, none of whom are very interesting people. At two hours or more the film drags along. Attempts at injecting suspense are pitifully weak. The viewer does think of what Hitchcock would have done with this material, beginning with a clean straight story line, but in the end all one can think is "I saw Hitchcock suspense films and this has no Hitchcock suspense, only clumsy attempts at imitation." A final question: when the leading lady boards the plane holding her little dog is that a suggestion that she will continue taking the dog out when she seeks another man? That everything will continue in much the same way?