Shadow of the Vampire (2000)
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- R
- 1h 32min
- Drama, Horror
- 26 Jan 2001 (USA)
- Movie
The filming of Nosferatu (1922) is hampered by the fact that its star Max Schreck is taking the role of a vampire far more seriously than seems humanly possible.
Director:
Writer:
Stars:
Awards:
- Nominated for 2 Oscars. Another 16 wins & 28 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| John Malkovich | ... |
Friedrich Wilhelm Murnau
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| Willem Dafoe | ... |
Max Schreck
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| Udo Kier | ... |
Albin Grau
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| Cary Elwes | ... |
Fritz Arno Wagner
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| Catherine McCormack | ... |
Greta Schröder
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| Eddie Izzard | ... |
Gustav von Wangenheim
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| Aden Gillett | ... |
Henrik Galeen
(as John Aden Gillet)
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Nicholas Elliott | ... |
Paul - Camera Assistant
(as Nicholas Elliot)
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| Ronan Vibert | ... |
Wolfgang Muller
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Sophie Langevin | ... |
Elke - Makeup Assistant
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Myriam Muller | ... |
Maria - Script Assistant
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Milos Hlavac | ... |
Innkeeper
(as Milos Hlavak)
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Marja-Leena Junker | ... |
Innkeeper's Wife
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| Derek Kueter | ... |
Reporter 1
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| Norman Golightly | ... |
Reporter 2
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| Patrick Hastert | ... |
Reporter 3
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Sascha Ley | ... |
Drunken Woman
(as Sacha Ley)
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Marie-Paule von Roesgen | ... |
Old Woman
(as Marie Paule Van Roesgen)
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Jean-Claude Croes | ... |
Murnau's Crew
(as Jean Claude Croes)
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Christophe Chrompin | ... |
Murnau's Crew
(as Christophe Crompin)
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Graham Johnston | ... |
Murnau's Crew
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| Orian Williams | ... |
Murnau's Crew
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| Rest of cast listed alphabetically: | |||
| Ingeborga Dapkunaite | ... |
Micheline (uncredited)
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Radica Vujicin | ... |
Murnau's Crew (uncredited)
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Directed by
| E. Elias Merhige | ||
Written by
| Steven Katz | ... | (written by) |
Produced by
| Paul Brooks | ... | executive producer |
| Nicolas Cage | ... | producer |
| Jimmy de Brabant | ... | co-producer (as Jimmy De Brabant) |
| Norman Golightly | ... | associate producer (as Norm Golightly) |
| Alan Howden | ... | executive producer |
| Richard Johns | ... | co-producer |
| Jeff Levine | ... | producer |
| Jean-Claude Schlim | ... | line producer (as Jean Claude Schlim) |
| Orian Williams | ... | associate producer |
Music by
| Dan Jones | ||
Cinematography by
| Lou Bogue | ... | director of photography |
Editing by
| Chris Wyatt | ||
Editorial Department
| Milfid Ellis | ... | associate editor (as Milly Ellis) |
| John Heath | ... | grader: Deluxe Film Laboratories |
| David Trezise | ... | laboratory liaison: Deluxe Film Laboratories (as David Tresize) |
| George Koran | ... | telecine colorist (uncredited) |
Casting By
| Carl Proctor | ||
Production Design by
| Assheton Gorton | ||
Art Direction by
| Chris Bradley | ... | (as Christopher Bradley) |
Costume Design by
| Caroline de Vivaise | ... | (as Caroline De Vivaise) |
Makeup Department
| Ann Buchanan | ... | hair designer / makeup designer |
| Pauline Fowler | ... | prosthetics maker/supervisor / special makeup designer |
| Emma Ginnett | ... | additional hair stylist / additional makeup artist |
| Marliess Hupperts | ... | additional hair stylist (as Marlyss Huppertz) / additional makeup artist (as Marlyss Huppertz) |
| Giacomo Iovino | ... | chief mold maker (as Jamie Iovino) |
| Marie-Claire Junker | ... | additional hair stylist / additional makeup artist |
| Julian Murray | ... | prosthetics designer/sculptor / special makeup designer |
| Peter Owen | ... | wigmaker: Mr. Malkovich |
| Katja Reinert-Alexis | ... | hair stylist (as Katja Alexis) / makeup artist (as Katja Alexis) |
| Amber Sibley | ... | prosthetics applier |
| David Stoneman | ... | foam technician |
| Alexandra Stumm | ... | prosthetics assistant |
| Leendert Van Nimwegen | ... | hair stylist / makeup artist |
| Sophie van der Windt | ... | makeup artist (uncredited) |
Production Management
| Stephen Barker | ... | post-production supervisor |
| Jean-Claude Schlim | ... | production manager |
Second Unit Director or Assistant Director
| Edward Brett | ... | first assistant director |
| Emilie Cherpitel | ... | trainee third assistant director |
| Jamie Christopher | ... | second assistant director |
| Lee Cleary | ... | first assistant director: first week |
| Laurence Rexter-Baker | ... | third assistant director |
| Dominique Westaway | ... | trainee third assistant director |
Art Department
| Mattieu Andre | ... | additional carpenter |
| Shino Arihara | ... | storyboard artist |
| Özkan Arslan | ... | dressing prop trainee (as Özkam Arslan) |
| Marce Barros | ... | construction crew (as Marcel Barros) |
| Pat Berrend | ... | art department runner/trainee (as Pia Berrend) |
| Paul Biwer | ... | special propmaker |
| Stephanie Blondel | ... | assistant painter |
| Isabelle Brosius | ... | assistant painter |
| Hughes de Maere | ... | construction crew (as Hughes De Maere) |
| Nicolas de Maere | ... | construction manager (as Nicholas De Maere) |
| Dermot Donegan | ... | assistant carpenter |
| Betty Durst | ... | props buyer |
| Bernard Ferrandis | ... | construction crew |
| Kirsten Garbade | ... | assistant art director |
| Colin Gilder | ... | art department assistant |
| Annabelle Giorgetti | ... | art department runner/trainee |
| Gus Gouldsbrough | ... | additional art department assistant (as Anthony Goulsbrough) |
| Thierry Gratien | ... | construction crew |
| Rosie Hardwick | ... | assistant art director |
| Neil Hearfield | ... | assistant painter |
| W.D. Hogan | ... | storyboard artist (as David Hogan) |
| Jill Robertson Kibbey | ... | props buyer (as Jill Robertson) |
| Claude Lambert | ... | assistant carpenter |
| David Lambert | ... | additional carpenter |
| Allan Lane | ... | storyboard artist |
| Claude Lickes | ... | additional carpenter |
| Oliver Möller | ... | dressing prop trainee (as Oliver Moller) |
| Edouard Pallardy | ... | Head painter: credit / scenic painter |
| Paddy Patterson | ... | construction crew |
| Caryne Portevin | ... | construction coordinator |
| Olivier Printz | ... | additional carpenter |
| Tiffany Rodenfels | ... | dressing props |
| Alex Ruetten | ... | graphic design assistant |
| Christina Schaffer | ... | art department assistant |
| Vincent Schilder | ... | dressing props |
| Jean-Marc Scholloert | ... | assistant carpenter |
| Laurent Schuster | ... | assistant painter |
| Pascale Smidt | ... | assistant carpenter |
| Véronique Souques | ... | set dresser |
| Fabrice Spelta | ... | art department trainee |
| Otfried Suppin | ... | buyer / props consultant |
| Goran Tulac | ... | additional art department assistant |
| Dan Urbin | ... | dressing props |
| Nicholas Wagner | ... | construction stand-by |
| Olivia Wood | ... | graphic design assistant |
| Buchy Armand | ... | trainee set decorator (uncredited) |
| Christophe Thiry | ... | trainee set decorator (uncredited) |
Sound Department
| Michael Carter | ... | re-recording mixer (as Michael A Carter) |
| Anthony Cleal | ... | re-recording mixer |
| James Feltham | ... | adr editor / dialogue editor |
| Michael Fentum | ... | assistant sound editor |
| Stan Fiferman | ... | foley artist |
| Arthur Graley | ... | foley editor (as Arthur Holland Graley) |
| Diane Greaves | ... | foley artist (as Dianne Greaves) |
| Nigel Heath | ... | re-recording mixer / supervising sound editor |
| Scott Jones | ... | adr recordist |
| Philippe Kohn | ... | sound trainee |
| Leon Minas | ... | adr recordist (as Leon Minaff) |
| Lionel Selwyn | ... | foley artist |
| Julian Slater | ... | sound effects editor |
| Ken Somerville | ... | foley recordist |
| Olivier Struye | ... | boom operator |
| Jason Swanscott | ... | foley artist |
| Oliver Tarney | ... | foley recordist |
| Carlo Thoss | ... | production sound recordist |
| James Seddon | ... | dolby consultant (uncredited) |
| Mark Sheffield | ... | mix recordist (uncredited) |
Special Effects by
| Philippe Lebreton | ... | special effects assistant / special effects stand-by |
| Patrick Rappard | ... | special effects assistant |
| Edward Wiessenhaan | ... | special effects assistant |
| Harry Wiessenhaan | ... | special effects assistant |
| Rick Wiessenhaan | ... | special effects coordinator (as Ricky Wiessenhaan) |
| Jim Davey | ... | digital colour timing, scanning and recording (uncredited) |
Visual Effects by
| Steve Boag | ... | visual effects supervisor: Cine Image |
| Mike Bond | ... | technical manager: General Screen Enterprises |
| Martin Bullard | ... | visual effects supervisor: Cine Image |
| Craig Chandler | ... | visual effects supervisor: General Screen Enterprises |
| John Goodinson | ... | digital effects: Cine Image |
| Charles Green | ... | visual effects supervisor: Cine Image |
| Matthew Symonds | ... | main title typographer: Cine Image |
Stunts
| Laurence Bastien | ... | stunt performer: Catherine MC Cormack |
| Nicolas de Pruyssenaere | ... | stunt double (as Nicolas De Puyssenaere) |
| Rick Wiessenhaan | ... | stunt coordinator (as Ricky Wiessenhaan) |
| Samir Bezzah | ... | stunts (uncredited) |
Camera and Electrical Department
| Helmut R. Ammon | ... | advisor: historical camera equipment / supplier: historical camera equipment, Historical Cinematographical Museum |
| Buchy Armand | ... | additional assistant electrician (as Armand Buchy) |
| Richard Bevan | ... | focus puller: second camera |
| Philippe Bigret | ... | additional assistant electrician |
| Bernard Brégier | ... | key grip (as Bernard Bregier) |
| Gérard Buffard | ... | assistant grip |
| Guillaume De Esteban | ... | assistant electrician |
| Marco Decker | ... | additional assistant electrician |
| Marco Del Zotto | ... | assistant grip (as Marco Pierre Del Zotto) |
| Pascal Delaunay | ... | assistant grip |
| Pierre Dermience | ... | electrician |
| Kenneth C. Dodds | ... | director of photography: pick-up shots |
| Antoine Ducep | ... | assistant electrician |
| Jorg Fassl | ... | additional electrician (as Jörg Fasi) |
| Mike Fox | ... | camera work |
| Emmanuel Frideritzi | ... | best boy electric: second unit / electrician |
| Ernst Holtsch | ... | additional electrician |
| Max Jacoby | ... | additional assistant electrician |
| Graham Johnston | ... | clapper loader |
| Jean-Paul Kieffer | ... | still photographer (as John-Paul Kieffer) |
| Richard Lawson | ... | focus puller: pick-up shots |
| Hans Lehner | ... | crane supervisor |
| Glen Parsons | ... | gaffer |
| Alan Ramsay | ... | electrician: pick-up shots (as Alan Ramsey) |
| Marion Ray | ... | focus puller: second unit |
| Jako Raybaut | ... | director of photography: second unit |
| Carlos Ruiz | ... | grip trainee |
| Olivier Servais | ... | focus puller: second unit |
| Mark Stibbs | ... | best boy electric |
| Théodore Theodorides | ... | video operator (as Theo Theodorides) |
| David Tondeur | ... | focus puller |
| Laurent Wallerang | ... | additional grip helper |
| Jack White | ... | gaffer / generator operator |
Casting Department
| Carrie O'Brien | ... | casting supervisor: Luxembourg |
| Valérie Schiel | ... | extras casting coordinator |
| Radica Vujicin | ... | casting assistant |
Costume and Wardrobe Department
| Christine Archer | ... | additional daily wardrobe |
| Isabelle Constantini | ... | additional costume assistant |
| Virginie Gutmann | ... | additional daily wardrobe (as Virginie Guttmann) |
| Françoise Meyer | ... | wardrobe assistant (as Francoise Meyer) |
| Nicole Meyrat | ... | additional daily wardrobe |
| Audrey Poisson | ... | laundry |
| Nella Poisson | ... | laundry |
| Christopher Prins | ... | costume tailor |
| Patricia Saalburg | ... | associate costume designer |
| Ayman Shehata | ... | costume runner |
| Aleksandra Valozic | ... | wardrobe assistant |
| Stephanie Zawadzki | ... | additional costume assistant |
| Fa Zorgui | ... | additional daily wardrobe |
Location Management
| Olivier Auclair | ... | additional location assistant |
| David Brudermann | ... | additional location assistant |
| Pascal Charlier | ... | additional location assistant |
| Richard Durand | ... | additional location assistant |
| Sébastien Fernandes Tasch | ... | location trainee |
| Abel Galiano | ... | location security |
| Robert Grond | ... | additional location assistant |
| Guillaume Huin | ... | location trainee |
| André Kamorovski | ... | additional location assistant |
| Claude Ludovicy | ... | location manager |
| Damien Magin | ... | location security |
| Christophe Marson | ... | location security |
| Franco Mottola | ... | location security |
| Beatrice Pettovich | ... | location assistant (as Béatrice Pettovich) |
| Frederic Roeser | ... | location assistant (as Fredo Roeser) |
| Ahmed Shouman | ... | location security |
| Gilles Soeder | ... | location security |
| Harold Tembrink | ... | additional location assistant |
| Diana Stiegler | ... | location cook (uncredited) |
Music Department
| Martin Astle | ... | music mixer / music recordist |
| Christopher Austin | ... | conductor: The BBC National Orchestra of Wales / orchestration |
| Dan Jones | ... | music mixer / orchestration |
| Elizabeth Purnell | ... | orchestration |
| Jon Trotter | ... | music recording assistant |
| Nicholas Whiting | ... | leader: The BBC National Orchestra of Wales |
Script and Continuity Department
| Danuta Skarszewska | ... | script supervisor |
Transportation Department
| Nicola Altamura | ... | unit driver |
| Olivier Auclair | ... | additional driver |
| David Baretti | ... | unit driver |
| David Brudermann | ... | additional driver |
| Pascal Charlier | ... | additional driver |
| Isabelle Constantini | ... | additional driver: costume |
| Réne Depienne | ... | additional unit base driver |
| Richard Durand | ... | additional driver |
| Jeff Edwards | ... | facility driver: unit base stand-by |
| Bob Feltgen | ... | unit driver |
| Christophe Galeota | ... | transport captain |
| Robert Grond | ... | additional driver |
| Kári Gylfason | ... | unit driver |
| André Kamorovski | ... | additional driver |
| Christian Kirchberger | ... | driver: Arri |
| Jeremy Kleinberg | ... | unit driver |
| Carlo Novak | ... | facility driver: stand-by (as Carlo Nowak) |
| Ayman Shehata | ... | driver: costume |
| Harold Tembrink | ... | additional driver |
| Manu Ventillard | ... | additional unit base driver |
| Alphonse Weibel | ... | additional unit base driver |
| Stephanie Zawadzki | ... | additional driver: costume |
Additional Crew
| Nicola Altamura | ... | production assistant |
| David Baretti | ... | production assistant |
| Laurence Bastien | ... | stand-in: female |
| Laurence Benmakrelouf | ... | stand-in: male |
| Luciano Berriatúa | ... | consultant: Murnau |
| Patrick Blocman | ... | production runner |
| Martyn Blossom | ... | studio manager: Delux |
| Stephen Bures | ... | assistant: Mr. Cage |
| Tony Coroon | ... | production accountant |
| Robert Cross | ... | stand-in: Mr. Malkovich |
| Pete Daly | ... | unit publicist: DDA |
| Dennis Davidson | ... | unit publicist (as DDA) |
| Kevin Donnelly | ... | arm model: pick-up shots |
| Liz Douglas | ... | auditor: Ivan Sopher & Co. |
| Claire P.N. Ducos | ... | bookkeeper: Delux (as Claire PN Ducos) |
| Patricia Eser | ... | assistant: Mr. Malkovich |
| Bob Feltgen | ... | production assistant |
| Sébastien Fernandes Tasch | ... | production trainee |
| Teresa Finlay | ... | catering supervisor |
| Hether Flanigan | ... | assistant: Mr. Golightly |
| Peta Foley | ... | catering assistant |
| Serge Franzen | ... | catering chef: studio (as Serge Frantzen) |
| Bernard Gonzalez | ... | studio security |
| Lydia Gonzalez | ... | production coordinator |
| John Goodinson | ... | main title design illustrations |
| Michèle Grignon | ... | completion guarantor: Film Finances Inc. (as Michele Grignon) |
| Kári Gylfason | ... | production assistant |
| Jacqueline Hernandez | ... | caretaker: studio |
| Sharon Howat | ... | assistant: Mr. Johns |
| Elizabeth Hurley | ... | assistant accountant |
| Valentina Katina-Chistova | ... | stand-in: female |
| Jeremy Kleinberg | ... | production assistant |
| Daniel Koblet | ... | assistant: Albatros |
| Patricia Kretschmer | ... | assistant: Mr. De Brabant |
| Thomas Kuhnen | ... | double: Mr. Kier |
| Adrien Kuntz | ... | doctor (as Dr. Adrien Kuntz) |
| Ragna Arny Larusdottir | ... | production office assistant (as Ragna Ámy Lárusdóttir) |
| Colleen Leader | ... | assistant: production lawyer |
| Antonio Lima | ... | stand-in: male |
| Willy Loedts | ... | animal wrangler |
| Robert Longobardi | ... | production accountant (as Roberto Longobardi) |
| Reba Merrill | ... | documentary team |
| Neil Mockler | ... | sales contact: features, Deluxe Film Laboratories |
| Richard Moxon | ... | production lawyer |
| Luc Nguyen-Trong | ... | doctor (as Dr. Luc Nguyen-Trong) |
| Carlo Novak | ... | medical stand-by (as Carlo Nowak) |
| Ryan Orme | ... | production trainee |
| George Perez | ... | assistant: Albatros |
| Audrey Poisson | ... | caretaker: apartment |
| Nella Poisson | ... | caretaker: apartment |
| Carole Reding | ... | catering manager: studio |
| Jean Salis | ... | pilot: Albatros |
| John Sanders | ... | catering assistant |
| James Shirras | ... | completion guarantor: Film Finances Inc. |
| Christophe Thiry | ... | stand-in: Mr. Dafoe |
| Katina Valentina | ... | stand-in: female |
| Francoise Van Den Bruck | ... | choreographer |
| Sophie Van Nest | ... | production secretary (as Sophie Van Neste) |
| David Wilder | ... | completion guarantor: Film Finances Inc. |
| Jan Wlodariewiez | ... | documentary team |
| Warren Yeager | ... | documentary team |
Thanks
| Jacob A. Bloom | ... | thanks: Bloom, Mercott, Cook, Diemer & Klein LLP (as Jake Bloom) |
| Nancy Caldwell | ... | thanks |
| Georges Calteux | ... | thanks (as Monsieur Georges Calteux) |
| Guy Daleiden | ... | thanks (as Monsieur Guy Daleiden) |
| Joseph Drake | ... | thanks (as Joe Drake) |
| Claude Dufays | ... | thanks (as Monsieur Claude Dufays) |
| René Faber | ... | thanks (as Monsieur René Faser) |
| Madame Frantzen | ... | thanks |
| Morris Garner | ... | thanks |
| Tracy Garrett | ... | thanks |
| Larry Greaves | ... | thanks: Bloom, Mercott, Cook, Diemer & Klein LLP |
| Lew Horwitz | ... | thanks |
| Malcolm Howat | ... | thanks |
| Margaret Howat | ... | thanks |
| David Hutkin | ... | thanks |
| Brent Jack | ... | thanks |
| Christian Leboutin | ... | thanks (as Monsieur Christian Leboutin) |
| Jonathan Levin | ... | thanks |
| Randy Manis | ... | thanks |
| Glen Meredith | ... | thanks |
| Tom Ortenberg | ... | thanks |
| Marie-Claude Poulin | ... | thanks |
| Maurice Pujol | ... | thanks (as Monsieur Maurice Pujol) |
| Jeff Sackman | ... | thanks |
| Michael Schenkman | ... | thanks: Bloom, Mercott, Cook, Diemer & Klein LLP |
| Monsieur Schub | ... | thanks |
| Howard E. Smith | ... | thanks (as Howard Smith) |
| Art Stribley | ... | thanks |
| Jean-Marie Thill | ... | thanks (as Monsieur Jean-Marie Thill) |
| Mark Urman | ... | thanks |
Production Companies
- CEA Studios
- Saturn Films (presents)
- Long Shot Pictures (producer)
- BBC Film (in association with)
- Delux Productions (in association with)
- Luxembourg Film Fund (produced in association with)
- Pilgrim Films Ltd. (produced in association with)
Distributors
- Lionsgate Films (2003) (World-wide) (theatrical) (world sales)
- Metrodome Distribution (2000) (United Kingdom) (theatrical)
- Bac Films (2000) (France) (theatrical)
- Egmont Entertainment (2000) (Finland) (VHS)
- Columbia TriStar Films AB (2001) (Sweden) (theatrical)
- Egmont Entertainment (2001) (Sweden) (theatrical)
- Filmax Home Video (2001) (Spain) (DVD)
- Eurocine (2001) (Argentina) (theatrical)
- Argentina Video Home (2001) (Argentina) (VHS)
- Independent Films (2001) (Netherlands) (theatrical)
- Madman Entertainment (2001) (Australia) (DVD)
- Nordisk Film (2001) (Sweden) (DVD)
- Universal Studios Home Video (2001) (United States) (DVD)
- Universal Pictures Video (2001) (Netherlands) (DVD) (VHS)
- Columbia TriStar Nordisk Film Distributors A/S (2001) (Norway) (theatrical)
- Splendid Film (2002) (Germany) (DVD)
- Yorin (2003) (Netherlands) (tv)
- Lions Gate Films Home Entertainment (2003) (United States) (DVD)
- StudioCanal (2006) (France) (DVD)
- GoldMax (2007) (Turkey) (tv) (Cable)
- Metrodome Distribution (2007) (United Kingdom) (DVD)
- SBP (2009) (Argentina) (DVD)
- Divisa Home Video (2018) (Spain) (DVD)
- Columbia TriStar Home Entertainment (2001) (Canada) (DVD) (VHS)
- Lions Gate Films Home Entertainment (2001) (Canada) (DVD) (VHS)
Special Effects
- Cine Image Film Opticals (optical and digital effects)
- General Screen Enterprises (optical and digital effects)
- Animated Extras (prosthetics)
Other Companies
- ARRI München (cameras and lenses by)
- ARRI Rental (grip equipment: Munich)
- Angels & Bermans (costumes supplied by: London)
- Angels & Bermans, Paris (costumes supplied by)
- Antiquités Michele Miltgen (hair and makeup)
- Antiquités Mike Decker (hair and makeup)
- Anvil Post Production (foley recording)
- Apartment Funkenhaus (hotel)
- Athenaeum Hotel (thanks)
- Avid Audio Visions (AVID equipment)
- BBC Broadcasting House, Cardiff (original music recorded at)
- BBC National Orchestra of Wales (original music performed by)
- Banque Generale du Luxembourg (film banking)
- Batichimie (construction)
- Batisele (construction)
- Bregier (construction)
- British Society of Cinematographers (BSC) (thanks)
- Budget Rent-a-Car Ltd. (car and truck rentals)
- CBC Computer Business Centre (official sponsor)
- CODECA (technical equipment)
- Carlo Apel (official sponsor)
- Carpetland (construction)
- Central London Apartments (thanks)
- Champagne Veuve Clicquot (official sponsor)
- Chapier (office supplies)
- China Connection (hair and makeup)
- Cine Image Film Opticals (main title design)
- Cinémathéque Municipale de Luxembourg (rushes screening)
- Cinésyl (grip equipment)
- Comat (unit base supplied by)
- Cosprop (costume supplier)
- Coutts & CO (film banking)
- DDA Public Relations (unit publicist)
- Defrise (hair and makeup)
- Demy Cars (official sponsor)
- Ditta Pompei (costume supplier)
- Eicher Frères (office supplies)
- Elsen Transports (express delivery)
- Energus (unit base supplied by)
- Euromotor (official sponsor)
- FedEx (express delivery)
- Film Finances (completion guarantee)
- Flash Photo (photo development)
- Hackenbacker Sound (sound editing facilities)
- Hein (construction)
- Hein (unit base supplied by)
- Hippert (unit base supplied by)
- Historical Cinematographical Museum (historical camera equipment)
- Hoffmann-Schwall (construction supplier)
- Hornbach (construction)
- Hotel Albert 1er (hotel)
- Hotel Domus (hotel)
- Hotel Europe (hotel)
- Hotel Heinz (hotel)
- Hotel Inside (hotel)
- Hotel Les Cascades (hotel)
- Hotel Oranienburg (hotel)
- Hotel Piedmont (hotel)
- Hotel Ponte Vecchio (hotel)
- Intralux (hire cars & trucks)
- Ivan Sopher & Co. (auditor)
- Jerome Lighting (lighting equipment)
- L.C.A. Freight Forwarders Ltd. (cargo shipping)
- Lamesch (unit base supplied by)
- Leonard Hotel, London (thanks)
- London Film Commission (thanks)
- Mako (unit base supplied by)
- Mateco Location de Nacelles (lifts and cranes)
- Mayfair Laundry (costumes supplied by)
- Media Assurances (film insurance)
- Mr. Copy (office supplies)
- Muller & Wegener (office supplies)
- Music Room, Bristol (music mixing)
- National Film Trustee Company (world revenues collected and distributed by)
- OCS (express delivery)
- Olympia (office supplies)
- P.T.A. (hair and makeup)
- PC Specialist (office supplies)
- Philips Luxembourg S.A. (official sponsor)
- Photolab Schleich (photo development)
- Pinewood Studios (sound re-recorded at)
- Pol Clausse (hair and makeup)
- Printz (construction)
- Reprotec - Lassans (office supplies)
- Restaurant Club Siggi (official sponsor)
- Rover (official sponsor)
- Salis Aviation (Albatros airplane provided by)
- Sapex Scripts (post-production script services)
- Shockmes (unit base supplied by)
- Sogequip (construction)
- Soho Images (16 mm film transfer: London)
- Soluyer (construction)
- Steinhauser (construction)
- TDK Recording Media (official sponsor)
- Tango (official sponsor)
- Telephone (office supplies)
- The Lewis Horwitz Organization (banking finance provided by)
- The New Act Travel (travel agency)
- Travel Pro (travel agency: Luxembourg)
- Trmax (mobile homes)
- Tru-Cut (negative cutting)
- Utopolis (rushes screening)
- Villeroy & Boch (official sponsor)
- Visual Icon (exclusive clip and still licensing)
- Warner Bros. De Lane Lea (cutting rooms)
- What Services Ltd. (makeup and costume buses)
- Wohnwagen Peters (mobile homes)
- Woodhall Catering (catering: Lodnon)
- Wuerth (construction)
Storyline
| Plot Summary |
Shadow of the Vampire is a film about the making of a German all time classic silent horror-movie from 1922 called Nosferatu-Eine Symphonie des Grauens (Nosferatu-a Symphony of Horror). The production of Nosferatu had to deal with a lot of strange things (some crew members disappeared, some died). This movie focuses on the difficult relationship between Murnau, the director, and Schreck, the lead actor. Written by Anonymous |
| Plot Keywords | |
| Taglines | An Unspeakable Horror. A Creative Genius. Captured For Eternity. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $8,000,000 (estimated) |
| Opening Weekend United Kingdom | GBP42,539, 04 Feb 2001 |
| Cumulative Worldwide Gross | $11,155,214 |
Did You Know?
| Trivia | Based in part upon a legend that Max Schreck was in reality a vampire which is why he played the role of Orlok/Dracula so well. Some variations of the legend suggest that Nosferatu (1922) was the only film Schreck made, though in reality he was already a stage and screen veteran by the time Nosferatu was shot, and would appear in many non-vampiric roles before his death in 1936. See more » |
| Goofs | It was utterly impossible to film at night in 1922, so all night-time scenes were actually filmed in broad daylight. Originally, these scenes were tinted blue in order to differentiate them from those that were supposed to take place by day. See more » |
| Movie Connections | Edited from Nosferatu (1922). See more » |
| Soundtracks | The Flying Dutchman Overture See more » |
| Crazy Credits | Credits end with the sounds of the camera filming and of the phonograph which set the mood for the actors. See more » |
| Quotes |
[Asked what he thought of the book, Dracula]
Max Schreck: It made me sad. Albin: Why sad? Max Schreck: Because Dracula had no servants. Albin: I think you missed the point of the book, Count Orlock. Max Schreck: Dracula hasn't had servants in 400 years and then a man comes to his ancestral home, and he must convince him that he... that he is like the man. He has to feed him, when he himself hasn't eaten food in centuries. Can he even remember how to buy bread? How to select cheese and wine? And then he remembers the rest of it. How to prepare a meal, how to make a bed. He remembers his first glory, his armies, his retainers, and what he is reduced to. The loneliest part of the book comes... when the man accidentally sees Dracula setting his table. See more » |