La ciudad de los prodigios (1999)

Calificación de los usuarios:

6.0/10   

Director:

Mario Camus

Escritores:

Mario Camus (writer)
Esther Cases (writer)

Fecha de Lanzamiento:

28 mayo 1999 (Spain)

Género:

Drama

Frase comercial:

Ambición, poder... una turbulenta historia de amor.

Plot:

A time and place described through the life of Onofre Bouvila, this film is based on a famous novel...

Plot Keywords:

Anarchist | Ambition | Barcelona Spain | Based On Novel

Premios:

2 nominations

Comentarios de los usuarios:

The big city

Reparto

Olivier Martinez	...	Onofre Bouvila
Emma Suárez	...	Delfina
François Marthouret	...	Braulio
Loquillo	...	Efrén Castells
Tony Isbert	...	Odón Mostaza
Joaquín Díaz	...	Humbert Figa
Francesc Garrido	...	Joan Sicart
Ramón Langa	...	Marqués de Ut
Diogo Dória	...	Santiago Beltall
Montserrat Carulla	...	Micaela Castro
Lluís Homar	...	Padre Onofre
Héctor Colomé	...	Alexandre Canals
Isabel Rocatti	...	Madre Onofre
Boris Ruiz	...	Puncella
Marián Aguilera	...	Margarita Figa

También conocida como:

La ciutat dels prodigis (Spain: Catalan title)
La ville des prodiges (France)

Duración:

France:120 min | Spain:156 min

País:

Spain | France | Portugal

Idioma:

Español

Clasificación:

France:U | Spain:T

Compañía:

France 3 Cinéma

The big city

A young man, who was abandoned by a father that went to Cuba to make his fortune, decides to go to Barcelona, a city where the famous World Fair of 1888 is going to take place. Onofre, who has lived in poverty and wants to escape his lot, is immediately attracted to Delfina, a young woman who is an anarchist. Delfina, who couldn't care less about riches, has decided to enlist Onofre in the cause she champions.

Onofre, is torn between the passion he feels for the beautiful woman and what he came to the big city for. He gets caught in the web of intrigue that surrounds his new activities. Barcelona was overrun by the criminal gangs that were trying to take advantage of the climate of the time. After a violent confrontation with the police Onofre decides to put his priorities in order.

Mario Camus, a director we had admired before, tries to make sense of the Eduardo Mendoza novel, no doubt. Since we are not familiar with the book, it's hard to compare the action in the film with what Mr. Mendoza was trying to tell in his novel.

There are some good moments in the film, but like other Spanish directors, Mr. Camus, heaps a lot of Spanish politics into the background. Unfortunately, the film is not easily grasped for persons that have no background in this story.