La stanza del figlio (2001)

Calificación de los usuarios:

7.4/10   

Director:

Nanni Moretti

Escritores:

Nanni Moretti (story)
Nanni Moretti (screenplay) ...

Fecha de Lanzamiento:

9 marzo 2001 (Italy)

Género:

Drama

Plot:

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Plot Keywords:

Psychoanalyst | Diving | Scuba Diving | Funeral | Family Relationships

Premios:

9 wins & 24 nominations

Comentarios de los usuarios:

True, real emotion

Reparto

Nanni Moretti	...	Giovanni
Laura Morante	...	Paola
Jasmine Trinca	...	Irene
Giuseppe Sanfelice	...	Andrea
Sofia Vigliar	...	Arianna
Renato Scarpa	...	Headmaster
Roberto Nobile	...	Priest
Paolo De Vita	...	Luciano's Father
Roberto De Francesco	...	Record Store Clerk
Claudio Santamaria	...	Dive Shop Clerk
Antonio Petrocelli	...	Enrico
Lorenzo Alessandri	...	Filippo's Father
Alessandro Infusini	...	Matteo
Silvia Bonucci	...	Carla
Marcello Bernacchini	...	Luciano

También conocida como:

Giovanni (Italy) (working title)
La chambre du fils (France)
The Son's Room (International: English title)
La habitación del hijo (Argentina) (Peru) (Spain) [es]

MPAA:

Rated R for language and some sexuality.

Duración:

99 min

País:

Italy | France

Idioma:

Italiano | Latin

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Portugal:M/12 | Italy:T | Argentina:13 | Australia:M | Chile:TE | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Japan:PG-12 | Netherlands:AL | Norway:11 | Peru:PT | Singapore:NC-16 | South Korea:12 | Spain:13 | Sweden:7 | Switzerland:0 (canton of the Grisons) | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Locaciones de Filmación:

Ancona, Marche, Italy

Compañía:

Rai Cinemafiction

Trivialidades:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#09)

Conexiones de Película:

Referenced in Film Geek (2005)

Banda de Sonido:

Insieme a te non ci sto più

True, real emotion

Nanni Moretti's deserved winner of the Palme D'Or was a controversial choice, if only because it is a film grounded in reality and truth. We know these characters for a change, they are the neighbours whom we fear approach because of their loss and raw pain.

Moretti, in his subtle yet magnificent performance and in his deft, assured direction, has crafted a film which transcends cliche and sentimentality in spite of its well trodden subject matter. As in his earlier effort, 'Caro Diario' the viewer is held transfixed by his languid cinematic storytelling, which is nonetheless riveting.

Without resorting to pat endings or easy solutions to the characters' individual suffering (beautifully rendered by each of the performers, whose roles portray distinct yet relevant facets of grief) the film manages a redemption in unexpected, yet highly satisfying, fashion. I left the screening at the Toronto International Film Festival feeling completely exhilarated and grateful to this natural filmmaker.

A beautiful portrait of true, real emotion.