Memento (2000)

Calificación de los usuarios:

8.6/10   

Director:

Christopher Nolan

Escritores:

Jonathan Nolan (short story "Memento Mori")
Christopher Nolan (screenplay)

Fecha de Lanzamiento:

11 octubre 2000 (France)

Género:

Misterio | Suspenso

Frase comercial:

Some memories are best forgotten

Plot:

A man, suffering from short-term memory loss, uses notes and tattoos to hunt for the man he thinks killed his wife.

Plot Keywords:

Memory | Murder | Short Term Memory | Short Term Memory Loss | Polaroid

Premios:

Nominated for 2 Oscars. Another 42 wins & 32 nominations

Comentarios de los usuarios:

Not to be missed if you are looking for something clever and original. ***1/2 (out of four)

Reparto

Guy Pearce	...	Leonard
Carrie-Anne Moss	...	Natalie
Joe Pantoliano	...	Teddy Gammell
Mark Boone Junior	...	Burt
Russ Fega	...	Waiter
Jorja Fox	...	Leonard's Wife
Stephen Tobolowsky	...	Sammy
Harriet Sansom Harris	...	Mrs. Jankis
Thomas Lennon	...	Doctor
Callum Keith Rennie	...	Dodd
Kimberly Campbell	...	Blonde
Marianne Muellerleile	...	Tattooist
Larry Holden	...	Jimmy

También conocida como:

Memento, recuerdos de un crimen (Argentina) (Uruguay) [es]
Amnesia (Mexico) [es]
Memento (Spain) [es]

MPAA:

Rated R for violence, language and some drug content.

Duración:

113 min | Turkey:107 min (TV version)

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco | Color

Relación de Aspecto:

2.35 : 1

Sonido:

Dolby Digital

Clasificación:

USA:R (certificate #37211) | Iceland:14 | Portugal:M/12 | Netherlands:16 | Argentina:13 | Australia:MA | Brazil:16 | Canada:14A | Chile:14 | Finland:K-15 | France:U | Germany:16 | Hong Kong:IIB | Ireland:15 (re-rating) | Ireland:18 (original rating) | Japan:PG-12 | Mexico:B | New Zealand:R16 | Norway:15 | Singapore:PG (censored version) | South Korea:15 | Spain:13 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | Singapore:NC-16

Locaciones de Filmación:

Burbank, California, USA

Compañía:

Newmarket Capital Group

Trivialidades:

Chronology: When numbering the scenes chronologically, then sorting them how they appear in the film, the pattern becomes more clear. The letters A-V will represent the color scenes (with A happening chronologically first, and V chronologically last), and the numbers 1-22 represent the black and white scenes chronologically. The scenes appear in the film like this: 1, V, 2, U, 3, T, 4, S, 5, R, 6, Q...20, C, 21, B, 22/A[1] The two types of scenes alternate. The black and white scenes (numbers) start from the very beginning soon after the injury, and work forward to the climax at 22/A, while the color scenes (letters) work backward from the climax at 22/A. The climax scene (22/A) changes to color halfway through, showing the convergence of the two story lines.

Errores:

Continuidad: As Leonard stands at Dodd's door preparing to enter, there isn't a window on his left side. Once Leonard breaks into Dodd's room, a window appears to his left.

Citas:

[first lines]
Leonard Shelby: [voiceover] So where are you? You're in some motel room. You just - you just wake up and you're in - in a motel room. There's the key. It feels like maybe it's just the first time you've been there, but perhaps you've been there for a week, three months. It's - it's kind of hard to say. I don't - I don't know. It's just an anonymous room.

Conexiones de Película:

Referenced in Proinhibition (2004)

Banda de Sonido:

Motherlode

Not to be missed if you are looking for something clever and original. ***1/2 (out of four)

MEMENTO / (2001) ***1/2 (out of four)

By Blake French:

How is this for a scenario? A man breaks into your house in the middle of the night. He kills your wife and leaves you with brain injuries. Furious, you pledge your life to track down and kill whoever is responsible. There is just one problem: after the head injury, you are no longer capable of creating new memories; everything before the accident is crystal clear, but now you cannot remember anything past several minutes.

Now chew on this: what happens to guilt if you cannot remember what you did? How can a person have emotions if he does not know where they came from? How can we learn from our experiences if we cannot remember them. What is the purpose of revenge if someone cannot recollect or prosper from it?

"Memento" wins this year's prize for inducing the most audience participation. Not only is the film thought-provoking and unusually absorbing, but it also places us in the main character's shoes. How can we be in the same mental status with the main character when he cannot remember anything? Writer/director Christopher Nolan has that answer: he tells the story backwards. We begin at the end and work our way towards the beginning. However, each individual scene plays running forward, often overlapping, providing us with clear, constructive transitions. The main character, Leonard, is confused in prospects of time and experience, and so are we.

Other characters include Natalie (Carrie-Anne Moss, from "The Matrix"), who also lost someone close and can help Leonard, and Teddy (Joe Pantoliano, also from "The Matrix"), whose identity often shifts mysteriously. Then there is the series of flashbacks of Leonard's experiences while working as an insurance agent. The situation involves an individual named Sammy, who has a memory disorder similar to Leonard's. His diabetic spouse is not sure whether her husband is faking his condition or not. To prove it to herself she arranges a test I dare not reveal. Leonard is more intricately involved in this story than he even believes.

"Memento" is smart and imaginative. It doesn't pass up little details of the characters. Leonard is constantly jotting himself notes and taking Polaroid pictures so his life can make some sense. He even gets permanent tattoos all over his body so he does not lose or forget some of the most important information.

In a movie like this, it would be almost impossible to make without leaving some information out; even some of the film's actors were confused and requested a script told in sequence order. But these filmmakers have constructed a movie with a plot hole big enough to drive a semi through: If Leonard cannot remember anything after the accident, then how can he remember that he has a memory condition? There are no tattoos or notes to remind him, and whenever he meets someone he explains his condition thoroughly. This is necessary information he reveals, but there are better ways to do so. We could be there when his doctor explains the condition to him, or see his friends talking about it. The sky is the limit in a movie like this. It was not essential to leave such a massive, obvious hole in the plot.

"Memento" is still a unique mystery thriller. It is a tantalizing experience we do not often come across at the movies. For audiences who like to sit back and relax, this film is a waste of time. It requires us to follow along, participate, fit puzzle pieces together-"Memento" doesn't provide any easy or obvious answers. All but the most intelligent and thoughtful kids will not be able to follow this film; it is intended for adult audiences. "Memento" is one of the year's most challenging movies, not to be missed if you are looking for something clever and original.