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The Cell
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The Cell (2000) -- A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.

Revisión

Calificación de los usuarios:
6.2/10   32,823 votos
MOVIEmeter: ?
Down 28% in popularity this week. See rank & trends on IMDbPro.
Director:
Tarsem Singh
Guionista (WGA):
Mark Protosevich (written by)
Contact:
View company contact information for The Cell on IMDbPro.
Fecha de Lanzamiento:
18 agosto 2000 (USA) más
Frase comercial:
This Summer... Enter The Mind Of A Killer más
Plot:
A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim. full summary | add synopsis
Premios:
Nominated for Oscar. Another 4 wins & 18 nominations más
Comentarios de los usuarios:
The Cell: whoa... eww... whoa... más

Reparto

  (Descripción general del reparto)

Jennifer Lopez ... Catherine Deane

Colton James ... Edward Baines

Dylan Baker ... Henry West
Marianne Jean-Baptiste ... Dr. Miriam Kent

Gerry Becker ... Dr. Barry Cooperman

Musetta Vander ... Ella Baines

Patrick Bauchau ... Lucien Baines

Vincent D'Onofrio ... Carl Stargher
Catherine Sutherland ... Anne Marie Vicksey

Vince Vaughn ... Peter Novak

James Gammon ... Teddy Lee

Jake Weber ... Gordon Ramsey

Dean Norris ... Cole

Tara Subkoff ... Julia Hickson

Lauri Johnson ... Mrs. Hickson
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Create a character page for: ?

Más detalles

También conocida como:
La célula (Venezuela) [es]
La celda (Spain) [es]
The cell: La celda (Argentina) [es]
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MPAA:
Rated R for bizarre violence and sexual images, nudity and language.
Duración:
107 min | Germany:109 min (director's cut)
País:
USA | Alemania
Idioma:
Inglés
Color:
Color
Relación de Aspecto:
2.35 : 1 más
Clasificación:
Iceland:16 | Brazil:16 | Malaysia:18PL (uncut version) | Malaysia:U (cut version) | Argentina:18 | Australia:MA (original rating) | Australia:R (director's cut) | Canada:14 (Nova Scotia) | Canada:16+ (Québec) | Canada:18A (Alberta/British Columbia) | Canada:R (Manitoba/Ontario) | Chile:18 | Denmark:15 | Finland:K-18 | France:-12 | Germany:18 | Hong Kong:IIB | Hungary:18 | Japan:R-15 | Netherlands:16 | New Zealand:R16 (video rating) | New Zealand:R18 (director's cut) | Norway:18 | Peru:18 | Portugal:M/16 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R (certificate #37605) | Philippines:PG-13 | Singapore:M18 (DVD rating) | Singapore:R(A)
Locaciones de Filmación:
Bakersfield, California, USA más
Compañía:
Avery Pix más

Cosas divertidas

Trivialidades:
In the scene where Catherine talks with Carl while he is "cleaning" his first victim, the scenery resembles the music video "Losing My Religion" by R.E.M.; that video was directed by this film's director, Tarsem Singh. más
Errores:
Incorrectamente calificados como errores: When Julia gets into her car in the parking garage, she backs up and is tricked by Valentine's ploy to lure her out of the car. She has to back up, because there is a barrier in front of her car. más
Citas:
Carl Stargher: And what world do you live in? más
Conexiones de Película:
References Bloodlust! (1961) más
Banda de Sonido:
O SCIORE CCHIU FELICE más

preguntas frecuentes

This FAQ is empty. Add the first question.
75 out of 87 people found the following comment useful:-
The Cell: whoa... eww... whoa..., 11 September 2000
Author: kitsenugari de Los Angeles, CA

The last time I reviewed a film helmed by a music video director, I was very angry at what I'd seen (`Mystery Men'), but Tarsem Singh spares us the fish-eye lenses and commercial overindulgences and decides to concentrate on presenting an astonishing visual and audible journey into the mind of a serial killer in `The Cell'.

Carl Stargher (Vincent D'Onofrio) kills women by drowning them in glass cells, all the while videotaping the event. Afterwards, he disfigures the bodies to resemble dolls and then tosses the finished `products' off highways into ditches and streams. Nice guy. He also likes to suspend himself on chains attached to hooks inserted directly into his back. Lovely.

Meanwhile, FBI agent Peter Novak (Vince Vaughn) is hot on the killer's trail, and although Carl's started to get sloppy, he's just kidnapped another girl and she has 40 hours before her cell fills with water. Carl is soon apprehended, but only because he enters into a schizophrenic seizure and falls into a coma on his kitchen floor. A coma? But how are they going to find out where the last victim is? Oh, if only they could TRAVEL INSIDE HIS MIND. Hey, what a coincidence! Catherine Deane (Jennifer Lopez) is a child psychologist involved in an experimental project that allows her to TRAVEL INSIDE THE MIND of coma victims.

And so begins a strange array of visuals and sounds, blended together so unusually that you honestly feel like you're experiencing a dream… a not so pleasant dream. Not only is Carl's mind slightly twisted, it's violent, disturbingly sexual, and very graphic. But, it's also like a train wreck; you can't help but look. Oddly enough, Mr. Singh clearly had the resources to make his special effects scream out at you with bright color and absurd lavishness, but he chose instead to simplify, placing the terror in the scale and content of the visuals. I can't even use an example. All I can say is think about a dream you've had that you couldn't describe to someone, and that's what watching this movie is like. The photography is so stunning that it virtually eliminates the need for dialogue (only about half the film has discourse), and coupled with the horrifically spooky and scathing soundtrack, the film literally takes on a life of its own.

My only objection is that when all is said and done, the only character we really understand is the serial killer. Several clues about the other characters' pasts led me to believe that their lives would come into play and that their own memories would be tested and confronted. To me, this would have taken this story to yet another psychological level, but perhaps it would have been too much for viewers.

Despite this shortcoming, `The Cell' stills provides a myriad of images that will make you want to watch a lot of cute cartoons before turning in for the night. Still, I don't know what was more disturbing: the movie, or the parents in the next row over who brought their two small kids to watch it.

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