The Luzhin Defence (2000)

Calificación de los usuarios:

6.9/10   

Director:

Marleen Gorris

Escritores:

Vladimir Nabokov (novel)
Peter Berry (screenplay)

Fecha de Lanzamiento:

8 septiembre 2000 (UK)

Género:

Drama | Romance

Plot:

Two worlds collide when an eccentric genius falls in love with a strong-willed society beauty.

Plot Keywords:

Chess | Genius | Lake | 1920s | Obsession

Premios:

3 wins & 2 nominations

Comentarios de los usuarios:

Probably not a buy, but a worthy rental for an evening at home.

Reparto

John Turturro	...	Aleksandr Ivanovich 'Sascha' Luzhin
Emily Watson	...	Natalia Katkov
Geraldine James	...	Vera, Natalia's Mother
Stuart Wilson	...	Leo Valentinov
Christopher Thompson	...	Jean de Stassard
Fabio Sartor	...	Dottore Salvatore Turati
Peter Blythe	...	Ilya
Orla Brady	...	Aunt Anna
Mark Tandy	...	Luzhin's Father
Kelly Hunter	...	Luzhin's Mother
Alexander Hunting	...	Young Aleksandr Luzhin
Alfredo Pea	...	1st Official
Fabio Pasquini	...	2nd Official
Luigi Petrucci	...	Santucci
Carlo Greco	...	Hotel Manager

También conocida como:

La défense Loujine (France)
The Luzhin Defense (USA) (cable TV title)
Alexander y Natalia (Argentina) [es]
La defensa Luzhin (Spain) [es]
La estrategia de Luzhin (Chile) [es]

MPAA:

Rated PG-13 for some sensuality and thematic elements.

Duración:

109 min

País:

UK | France

Idioma:

Inglés | Italiano

Color:

Color (Technicolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Iceland:L | Argentina:Atp | Australia:M | Finland:K-11 | France:U | Germany:12 | Netherlands:AL | Spain:13 | UK:12 | USA:PG-13

Locaciones de Filmación:

Bergamo, Lombardia, Italy

Compañía:

C.R.G. International

Errores:

Errores Reales: In his game as white against an unnamed opponent before the final, Luzhin is shown supposedly checkmating with Rd1-d8, which is an illegal move because his rook at d1 is pinned against his king on h1 by black's rook at c1.

Citas:

Aleksandr Ivanovich Luzhin: There's a pattern emerging, a definite pattern. Not Turati. I repeat that game. I've beaten him. And his moves are repeated, repeated, repeated moves. I must keep track... of every second. Every second I must keep track of, every second.
Natalia Katkov: It sounds like such a lonely battle.

Banda de Sonido:

Waltz 2

Probably not a buy, but a worthy rental for an evening at home.

John Turturro, Emily Watson, Geraldine James, Stuart Wilson; directed by Marleen Gorris, loosely based on the novel by Vladimir Nabokov The Luzhin Defence is set in nineteen-twenties Italy's lake district where the world championships of Chess are being staged. Our hero Luzhin (Turturro) is a main contender for the title and recognized as one of the greatest chess minds of the era. He is utterly consumed by game, and has utterly devoted his life to the contest since a young age. It has been both obsession and addiction for the man, as it is both all he knows and what gives his life meaning. While competing in the championships, he meets Natalia (Watson), a wealthy socialite. Showing his peculiarity, he immediately asks her to marry him, sight unseen. Intrigued by his straight forward manner, she does not immediately dismiss him.

This is due to the fact that she is here for her mother to choose a suitor for her, and Luzhin's eccentricity is seen by her as a welcome change. Her mother (James) is completely taken aback by such an idea, and wants her daughter to marry someone of similar prestige and means. All of this transpires while his old chess teacher (Wilson) tutors his chief rival, wanting nothing more than to see Luzhin humiliated.

Being a chess movie, it could immediately be set aside as dull and unwatchable, being as Chess is not exactly a spectator sport.

However, this movie is much less about chess and much more about the people surrounding the game; making it a piece about the interactions of personalities and not pieces. The movie does find a parallel however, as it is shown like a chess match between two sides, the present and the past (shown through flashbacks), with one side prevailing at the end. This storytelling choice works surprisingly well, as we gain much insight as to why Luzhin is the way he is, and how he views the world.

The movie begins with a telling piece of cinematography, as the audience is given the perspective of a train conductor emerging from a tunnel. This is especially significant when viewed in the sense of Luzhin's later mental breakdown, and can be seen as meaning the same thing. This scene is then segued into the first flashback, giving us a pattern that can be seen in the rest of the film. Other notable scenes include the meeting of Natlalia and Alexander at a tennis court, and later when he is thinking to himself in their bedroom, "There is a pattern emerging!" cries the eccentric chess genius Alexander Luzhin. "I must keep track--every second!" To which Natalia, whom he loves can only reply, "It sounds like such a lonely battle.' This all encompassing effect of chess on him can also be seen earlier in the film, as he is being driven by one of his old chess teachers chauffeurs into the middle of the countryside, is dropped off there, and does not notice. The end adds character to the film without being overly dramatic, but is a departure from the finish of the novel, however it is believable and adds to the sense that Luzhin does not really control himself, or know how.

Overall an enjoying piece of film, more about camera angles and people then chess. After the first half, the films pace drastically speeds up, and the plot becomes much more intriguing. Can best be compared to other independent films of its ilk, yet also suffices quite well as a period piece. Probably not a buy, but a worthy rental for an evening at home.