InlanDimensions International Arts Festival has established itself as Central Europe's largest multidisciplinary festival, rejecting differentiation between Europe and Asia by building bridges between countries and cultures. It showcases a kaleidoscope of arts ranging from theatre, performance, dance, and cinema, to music, literature, and visual arts, bringing together artists and audiences from all over the world, launching co-productions, and facilitating negotiations between venues and producers through professional language services. Though the central focus of InlanDimensions is on postwar to postmodern art, the festival does not break with tradition, but stresses its transformations and influence on contemporary art. It introduces audiences to the concept of Eurasian theatre and film as a marriage of diverse cultures and genres within a single piece of art. We invite a broad spectrum of artists to create another dimension of this vast intercultural empire that reaches deeper and deeper into the continents.
Projects currently in progress initiated...
Projects currently in progress initiated...
- 9/11/2023
- by Panos Kotzathanasis
- AsianMoviePulse
by Swapnil Dhruv Bose
One of the most striking films to have come out of the Japanese New Wave, “Throw Away Your Books, Rally in the Streets” is avant-garde writer turned filmmaker Shūji Terayama’s debut feature and is based on his eponymous book. Although he went on to make other masterpieces like “Pastoral: To Die in the Country” (1974) and “Glass Labyrinth” (1979), this brilliant work of experimental anarchy remains the apotheosis of Terayama’s unapologetically original artistic vision.
Following in the footsteps of Jean-Luc Godard and anticipating the non-linear surrealness of directors like David Lynch, Terayama constructs unforgettable vignettes which blind the viewer with their pathos. It is almost pointless to talk about the film’s plot because time and causality are rendered insignificant when confronted with the underlying spiritual anguish. The protagonist introduces himself to us in a spectacular opening monologue where he stares straight into...
One of the most striking films to have come out of the Japanese New Wave, “Throw Away Your Books, Rally in the Streets” is avant-garde writer turned filmmaker Shūji Terayama’s debut feature and is based on his eponymous book. Although he went on to make other masterpieces like “Pastoral: To Die in the Country” (1974) and “Glass Labyrinth” (1979), this brilliant work of experimental anarchy remains the apotheosis of Terayama’s unapologetically original artistic vision.
Following in the footsteps of Jean-Luc Godard and anticipating the non-linear surrealness of directors like David Lynch, Terayama constructs unforgettable vignettes which blind the viewer with their pathos. It is almost pointless to talk about the film’s plot because time and causality are rendered insignificant when confronted with the underlying spiritual anguish. The protagonist introduces himself to us in a spectacular opening monologue where he stares straight into...
- 1/27/2021
- by Guest Writer
- AsianMoviePulse
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