Billy Elliot (2000)

Director:

Stephen Daldry

Guionista:

Lee Hall (written by)

Release Date:

29 septiembre 2000 (UK)

Genre:

Comedy | Drama

Frase comercial:

Inside every one of us is a special talent waiting to come out. The trick is finding it.

Plot:

A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family.

Plot Keywords:

Boy Boy Kiss | Poignant | Motivation | Teacher Student Relationship | Inspiration

Awards:

Nominated for 3 Oscars. Another 49 wins & 54 nominations

Comentarios de los usuarios:

Billy Elliot - The Class of 2000

US TV Schedule:

Fri. July 25	5:15 PM	SHOW
Sat. July 26	4:40 AM	SHOW

Cast

Jamie Bell	...	Billy Elliot
Jean Heywood	...	Grandma
Jamie Draven	...	Tony Elliot
Gary Lewis	...	Dad (Jackie Elliot)
Stuart Wells	...	Michael Caffrey
Mike Elliot	...	George Watson
Billy Fane	...	Mr. Braithwaite
Nicola Blackwell	...	Debbie Wilkinson
Julie Walters	...	Mrs. Wilkinson
Carol McGuigan	...	Librarian
Joe Renton	...	Gary Poulson
Colin MacLachlan	...	Mr. Tom Wilkinson (as Colin Maclachlan)
Janine Birkett	...	Billy's Mum
Trevor Fox	...	PC Jeff Peverly
Charlie Hardwick	...	Sheila Briggs

También conocida como:

Dancer (France) (festival title) (UK) (working title)
Billy Elliot (France)
Billy Elliot (Spain) [es]
Billy Elliot: Quiero bailar (Spain) [es]

MPAA:

Rated PG-13 for some thematic material. (edited version)

Duración:

110 min

País:

UK | France

Idioma:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Finland:K-8 | South Korea:12 | USA:R (theatrical release) | USA:PG-13 (cut video version) | Malaysia:U | Argentina:Atp | Australia:M | Canada:PG | Chile:TE | Denmark:7 | France:U | Germany:6 (bw) | Netherlands:AL | New Zealand:M | Norway:11 | Peru:PT | Portugal:M/12 | Spain:T | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:15 | Ireland:15 | Singapore:PG | Hong Kong:IIA | Iceland:L

Filming Locations:

Canary Wharf Underground Station, Canary Wharf, Isle of Dogs, London, England, UK

Company:

Arts Council of England

Trivialidades:

Inspired in part by The Stars Look Down (1940), a film about a community of coal miners on strike in Tynecastle, a fictionalized Newcastle upon Tyne, where Billy Elliot (2000) screenwriter Lee Hall was born.

Goofs:

Continuity: Right after Mrs. Wilkinson slaps Billy on the face, at the locker room, we see her from behind with her hands on her face. In the next shot, her hands are in a totally different position.

Quotes:

Mrs. Wilkinson: So. Do we get the pleasure of your company next week?
Billy: It's just, I feel like a right sissy.
Mrs. Wilkinson: Well don't act like one. 50p please. And if you're not coming again give us your shoes.
Billy: [thinks] No, you're all right.
Mrs. Wilkinson: Right.

Movie Connections:

Referenced in "Movie Connections: Billy Elliot (#1.3)" (2007)

Soundtrack:

I Believe

Billy Elliot - The Class of 2000

To say that Billy Elliot is the best movie of 2000 is to damn it with faint praise, since this year's crop is pretty uninspiring. Better to compare it to movies of the past few years, and even then it would stand out. It is a phenomenally good film, and perhaps even groundbreaking in its own way, since it goes against the trend of quirky, violent, sex-obsessed moviemaking that's become so popular recently. We've finally been given a film with a good, almost mythic story, complicated yet believable characters, a masterful blend of emotional intensity and critical restraint, and a series of dance scenes that are authentic, inspiring and completely integral to the plot.

No wonder critics have been falling over themselves in heaping praise on Billy Elliot. No wonder it's been holding its own in the box office despite being shown in a mere handful of theatres (one-quarter to one- sixth as many as the big Hollywood blockbusters) and despite its receiving hardly any promotion at the moment. Its success is being driven by word of mouth. And what is the word? Here is a movie that appeals to your heart, head, funny bone, eyes and ears, and last but not least your feet, for the music and the movement will have you wanting to get up and dance. And it achieves all of this without insulting the intelligence. I sometimes wonder how the movie would have been done by Hollywood: Billy would have been made a more pathetic figure; the people in his life rendered more black and white; characters would have either remained caricatures, or made to develop in the blink of an eye. All such excesses are avoided in Billy Elliot, where the characters develop in a totally believable way, where Billy invites admiration instead of pity, and where the silences, looks and gestures all leave so much to the imagination. The dictum "Less is more" is clearly the guiding principle behind the film.

The buzz for Billy has been so positive that people sometimes come away disappointed that their lives haven't been changed. So don't go expecting a "knock 'em dead" Hollywood rollercoaster. Billy Elliot is far more subtle, though the emotional moments are all the more powerful because of that. You can however believe everything that has been said of Jamie Bell. He has an outstanding screen presence and carries the movie on his little shoulders with breath-taking naturalism. His dancing is honest and powerful, and very masculine. He makes you forget that all the other actors give the performances of their careers in support. If the Oscar were awarded without consideration for age, career, box office draw or Hollywood clout, Jamie and his movie would win hands down.