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Chico (2001)

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4 out of 4 people found the following comment useful :-
Cruel movie about a cruel century, 12 diciembre 2001

Author: henri_aqua de Heidelberg,Germany

*** This comment may contain spoilers ***

***Some Spoilers*** I gave this movie a rather high rating, but one has to be cautious when watching it. I didn't know how to write a review without referring to the story more closely, then the changing history of the 20th century plays an important role.

The main character nicknamed Chico is not exactly an angel. Through his father he is raised as a true communist fighting for the world revolution. Chico is originally born in Bolivia, but is of Jewish-Hungarian-Spanish origin. During his life he acquires maybe a dozen languages and as many nationalities.

It is quite painful to follow this character through many failed revolutions (Bolivia,Chile to name a few) and many failed identities (Secret Agent, Journalist, Mercenary) until he joins the Croatian army during the war against Serbia.

This is the breaking point for the character and the watcher. Where the siege of Vukovar is shown with detailed cruelty.

I like this movie because the main character is searching for a just cause to fight for, realising the more he takes part in the conflicts the more he looses a clear cause. He tries to take refuge in his many identities as a Jew, Christian, Hungarian, Bolivian, Journalist, Soldier but there is no redemption and no escape as to all his fights are vain.

The drawback to this film is that at some points this message doesn't really come clearly out. Chico is very enthusiastic about war, speaking with terrorists like he is speaking to friends. He crosses the line between morality and amorality many times.

The photography is realistic, coarse grained, sometimes a little bit cheesy looking. The scenes in Yugoslavia are nothing but terrifying. Real TV news scenes are interspersed giving the movie an even more realistic touch.

To some persons maybe it seems too superficial to condense all revolutionary conflicts of the second half of the 20th century into one character, but it is well done.

This movie is not for kids. For historic interested people it is a must go. But also the performance of the main character is worth the admission.

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3 out of 3 people found the following comment useful :-
bold blur, 13 febrero 2007

Author: politian de United States

I'm not sure a more challenging film has been made. Fekete, director of Bolshe Vita, itself a complex and difficult undertaking, went beyond what we think of as manageable material with Chico. Blurring fact and fiction, uniting a story told through 25 years in 5 nations, or almost-nations, or nations in the process of becoming, unified by the improbable story of an impossible man whose credibility lies in the fact that he is portraying himself, masterfully, honestly, fragmentarily. This is a film of genius by a filmmaker who is not satisfied unless she is on the trail of something very large, very real -- the only other filmmakers I can think of that approach this are the early Rossellini and the early Cassavetes. I would welcome further information on this director and how she managed to make this film.

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4 out of 5 people found the following comment useful :-
a hard movie for hard times., 6 octubre 2005

Author: aias-1 de Nueva York

Wow, loved it, a celebration of the struggle not the ideology. Wonderfully complex.

Having lived through a dictatorship and having participated in a revolution I appreciate the cold reality and lack of romanticization in the film. Life is hard and definitely not romantic when you are in the trenches fighting a superiour enemy. But life is not miserable, I found the other side of war — the humour, the laughter and the absurdity a bit scarce in this film. Well the absurdity did come through.

I found the film complicated, like life, the way it should be. The film was never preachy, quite a feat considering the intensity with which Chico embraced life according to his principles. I liked Chico even when I didn't agree with him, the depiction of Yugoslavia and the Croatian struggle within it, was moving but very much lacking in perspective; choices are difficult when one's feet are in the fire, and perspective comes with time and distance. Yugoslavia was the real victim, the US and Germany were the real criminals, and the poor Serbians, Croatians and Bosnians were very much the pawns. Pawns that had lived peacefully and admirably until the West engineered the economic collapse of Yugoslavia.

The references to Che Guevara's book "Guerrilla Warfare" which so influenced Chico's character might be completely lost in todays generation and on a North American audience. But it would be great for people to see this film and be exposed to a perspective not doctored by the corporate media and the pentagon, to get a real feeling about the complexities of war. A must see film. A great story.

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2 out of 2 people found the following comment useful :-
Questions and Commitments and Consequences, 4 noviembre 2006

Author: gradyharp de United States

CHICO, a two hour film that is a mixture of documentary footage, biographical exploration of an amazing young man who just happens to be the actor portraying himself, and historical drama creating a film that is as confusing, contradictory, explicitly powerful and ugly as the wars it traverses. Given the fact that the film is shot in multiple locations and in many languages (Spanish, English, Hungarian, Croatian, German, and more), it is extremely demanding of the viewer: not one minute of concentration can be spared to attain the impact of the message writer/director Ibolya Fekete spreads before us.

Chico (Eduardo Rózsa Flores on whose life this film is based and who stuns with his acting skills) begins the film as a young boy living in Chile, the son of a Bolivian Catholic mother and a Hungarian Jewish father, and is caught up in the revolutions of the 1960s very much under the influence of Che Guevara's teachings. He family is Communist but Catholic (!), forced to flee Pinochet's Chile and the turnover with Allende, and though not speaking any language but Spanish, Chico goes to Europe as a young man whose goal is journalism but whose convictions embrace revolution as the means to alter the future. In his confusing role of journalist/freedom fighter he becomes intimately involved with the revolutions in Hungary, Albania, Israel, Croatia and the Balkan War with the Yugoslavian decimation of the 1990s.

Throughout his travels from revolution to revolution, first as a reporter, but always ending up as a freedom fighter, we meet a huge cast of characters, a cast representing both sides of each revolution, and the lines between identities become blurred to the extent that it is impossible to identify the two sides at odds. It is here that Fekete makes his strongest statement: war is atrocious, cruel, meaningless, destructive, brutal and foolish. Chico sees it all yet continues to actively participate in the killing and the mayhem, all the while feeling the pull of his Catholicism and even his Jewish heritage bifurcating his emotional commitment.

The huge cast passes in front of our eyes so quickly that few are present long enough to evaluate as actors. One exception stands out: Richie Varga plays Jimmie, a American from Chicago who steps into the final battle of the film and leaves an indelible impression with his good looks and his sensitive portrayal of a soul searching for meaning in the mess of war. Easily the star of the film is the Chico of Eduardo Rózsa Flores, a man who made it through all the changes and chances of the story and maintains the ability to transmit his puzzling life to us in a verismo manner. This is a film that is very difficult to follow, just as are the various revolutions and wars in countries that are forever changing boundaries and names. But in the end it teaches us a lot about the concept of 'why revolution' and even more about the absurdity of war. Burningly alive cinema, this film is recommended for those who need to understand our global condition from the 1960s to the present. Grady Harp

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1 out of 1 people found the following comment useful :-
"You could see only in the field who was right and when.", 16 junio 2007

Author: furgerokalabak de Germany / Hungary / Serbia

Some hints how to prepare for this film:

To fully understand and to _really_ absorb something of "Chico" you must have as much historical, geopolitical and ideological background-knowledge as you can. Especially about Chile, South America, Allende, Pinochet, communism, fascism, Hungary before and after the '90s, ex-Yogoslavia and the liaison of it's nations, Serbs, Croats, Chetniks, Ustashas, minorities, Albania, Jerusalem etc., just to name some of the most important keywords. (If these terms are not so familiar for you and you haven't seen the film but you want, then I recommend looking after them for a while. Believe me. It will increase your satisfaction!)

To make this mess more "confusing" Chico (Eduardo Rózsa Flores) speaks Spanish(Castilian), Hungarian, English, Italian, Croatian and a little bit of Russian as the story moves along. Because of that, there are almost no people who could fully understand everything without subtitles. This is very interesting and challenging.

See it!

If you liked "Chico", you should also check out: Machuca (2004), Rane (1998), Before the Rain (1994). These films will also improve your understanding of "Chico" and vice versa.

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Disappointing, 11 diciembre 2007

Author: Gordon-11 de Hong Kong

This is a semi fictional memoir of an "international man" who have witnessed various political upheavals in recent 30 years.

I was hoping that this film would offer unique insight into politics and war. I was also hoping that it would be touching and affecting. However, I was disappointed by this film. "Chico" seemed fragmentary, with the main character, Ricardo, staying in one country for 10 to 20 minutes. As could be expected, no detailed storyline could be elaborated in such time frame. The excuses of him moving to another place were often perfunctorily explained. The result was a disappointing collection of fragmented clips shot in various countries.

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3 out of 6 people found the following comment useful :-
A confrontational movie that should be seen by a larger audience., 27 diciembre 2005

Author: frankie-47 de Paddington, Brisbane, Australia

At the outset I'll say I love films with some basis in historical events. The problem is of course that the more a film commits itself to historical events the more a review tends to refer to those events rather than the film.

Firstly, what I like about this film is that it doesn't try to appease any group or be politically correct. It doesn't go for the soft option as many other recent movies about recent wars do,ie: there is no good or bad, both side commit atrocities. Such liberal soppiness is misleading and directly opposed to historical fact and common sense. There are aggressors and there are victims, even though the lines of demarcation are occasionally blurred. This film in a way refers back to the films of commitment made in the 1930s in Hollywood or Latin America in the 1960s.

Similarly, people usually re-write history to suit their worldview. I note that another reviewer blamed the Yugoslav War on US and German imperialism and that the "poor" Serbians, Croatians and Bosnians were their pawns that had lived "peacefully and admirably until the West engineered the collapse of Yugoslavia". What planet did that come from? The Croatians and the Serbians have not got on in since the turn of the 20th century (as World War 1 and 2 show). Yugoslavia ( both pure and post WW2) was very much held together by force and intimidation. That's a historical fact. If the various ethnic groupings had "got on" the force of violence that erupted in the Yugoslavian War would not have occurred. That's common sense. I assume such views are based on ones internal beliefs. In this case its standard old style claptrap leftism (which unfortunately gives leftism a bad name).

History is written by the victors and in Yugoslavia after 1944 the Serbians (once again) took control of the country. Their history, which was passed out as historical fact for the next 50 years, was, they were leftists and the Croatians were all fascists, therefore you should support us in this war. The reality of course is that the Yugoslav army and irregulars in the recent war were dominated by Serbian nationalists seeking a greater Serbia and using ethnic cleansing and murder as a means to achieve this, not to mention the fact that during World War 2 (up to 1944 in any event) most of the Communist Partizans were in fact Croatian.

The beauty of course is the film is attempting to overcome the conventionally held history. It doesn't deal with past history though, but rather with what is happening now. By dealing with "history now" the film sheds light on some of the lies that have been passed out as historical fact.

The central character Chico is a man of contradictions. A child of a Hungarian Jewish father and a Spanish Catholic mother he is a child of the 1960s Latin revolutions and raised in a leftist family. So he is a Communist but a practicing Catholic, he goes to a Catholic priest for confession but prays at the weeping wall, he is a humanist but advocates war.

These supposed contradictions always existed within people. People are molded from many historical events and social forces surrounding them. The only place pure ideologies exist are in philosophical arguments between half smart raconteurs or in undergrad university assignments …. ie: you cant believe in that if you believe in that etc. This film never backs away from commitment but it does subtlety (and sometimes not so subtlety) suggest that there is another side. Accordingly, you don't get the feeling you are being preached at (whereas you might from this review).

The film takes you on Chico's journey through causes around the world like a frenzied 20th century Don Quixote looking for meaning. Chico's humanity ultimately leads him to Yugoslavia and the Croatian Homeland War in the 1990s. And even though it is not a ideologically correct war (as his father tells him) he knows within himself that he must side with the oppressed.

Chico searches and is redeemed but is he content, or is he saddened and scarred? At times it seems that Chico, like a Zelig, was at all the important late 20th century events, and the film seems to make comment on them. On that level the film is not always successful (its hard enough commenting on one situation). The film is more successful as a personal odyssey through tumultuous events.

There are some standard Hollywood war movie clichés, ie: the outnumbered and besieged forces, the sing a long etc but, but they are downplayed, and I sometimes wonder if clichés became clichés because they actually occurred in times of war. What underpins the whole film though is the upfront, "in your face" reality of it all ... like Sam Fuller with a hand-held camera. The photography is not pretty, which suits the picture perfectly although I wouldn't have minded a few more scene setting shots. The docu-drama works well at drawing you into the story whilst distracting you from the budgetary limitations of the film. The "docu" is the newsreel footage of the war whilst the "drama" is Chico's journey (both physically and spiritually) and people he meets on the way. This is a war film that deals with people rather than action … there is little action and when it does come it is over quickly.

The acting is fine, and Eduardo Rozsa Flores plays Chico effortlessly, not surprisingly as Chico is based on Flores own life in part! Flores fought, globe trotted and eventually found a cause in the Croatian Homeland War. The direction ( by Ibolya Fekete) is handled nicely and the action is gritty. The real stand out though is the directors juxtaposition (you have to love that word even if it is overused) of live action with news footage.

If you want to be confronted and challenged ... watch this.

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