
Sex and Lucía (2001)
Lucía y el sexo (original title)Reference View | Change View
- R
- 2h 8min
- Drama, Romance
- 24 Aug 2001 (Australia)
- Movie
- 11 wins & 18 nominations.
- See more »
Photos and Videos
Cast verified as complete
Paz Vega | ... |
Lucía
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Tristán Ulloa | ... |
Lorenzo
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Najwa Nimri | ... |
Elena
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Daniel Freire | ... |
Carlos / Antonio
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Elena Anaya | ... |
Belén
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Silvia Llanos | ... |
Luna
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Diana Suárez | ... |
Madre de Belén
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Javier Cámara | ... |
Pepe
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Juan Fernández | ... |
Jefe
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Charo Zapardiel | ... |
Comadrona
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María Álvarez | ... |
Enfermera
(as María Alvarez)
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Javier Coromina | ... |
Camarero Chiringuito
(as Javier Corominas)
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Arsenio León | ... |
Futbolista
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Alesandra Álvarez | ... |
Luna 1 año
(as Alesandra Alvarez)
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David Bulnes | ... |
Actor porno
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Rest of cast listed alphabetically: | |||
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José Ferreira | ... |
Emplastro (uncredited)
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Directed by
Julio Medem |
Written by
Julio Medem | ... | () |
Produced by
Fernando Bovaira | ... | producer |
Anna Cassina | ... | executive producer |
Enrique López Lavigne | ... | producer |
Luis María Reyes | ... | executive producer |
Music by
Alberto Iglesias |
Cinematography by
Kiko de la Rica |
Editing by
Iván Aledo |
Editorial Department
Iván Aledo | ... | assistant editor |
Felisa Catalinas | ... | negative cutter |
Pepe Cruz | ... | color timer |
Enrique Domínguez | ... | assistant editor |
Manuela Díaz | ... | post-production: Sogecine |
Eladio Fernández | ... | post-production: Sogecine |
Carmen Mesa | ... | negative cutter |
Casting By
Sara Bilbatua | ... | (as Sara Bilbatúa) |
Art Direction by
James David Goldmark | ||
Montse Sanz |
Set Decoration by
Víctor Molero |
Costume Design by
Estíbaliz Markiegi | ... | (as Estibaliz Markiegui) |
Makeup Department
Arturo Balseiro | ... | special makeup effects technician (as Arturo Balseiros) |
Antoñita viuda de Ruiz | ... | wig maker |
David Martí | ... | special effects makeup supervisor |
Montse Ribé | ... | special effects makeup supervisor |
Gregorio Ros | ... | makeup artist |
Juan Valverde | ... | hair stylist (as Juan Rodríguez Valverde) |
Adolfo Vila | ... | special makeup effects assistant |
Production Management
Anna Cassina | ... | production manager |
Teresa Cepeda | ... | production manager |
Iñaki Rubio | ... | props buyer |
Eugenia Soler | ... | production manager |
Second Unit Director or Assistant Director
Lucia Cassani | ... | assistant director |
Txarly Llorente | ... | first assistant director (as Txarli Llorente) |
Almudena Martín de los Santos | ... | second assistant director |
Art Department
Natalia Affray | ... | assistant props |
Remedios Castillo | ... | laborer |
Francisco Cañadas | ... | laborer |
Marco Chaverri | ... | laborer |
Puerto Collado | ... | designer: Luna's House |
Duncan Cuesta | ... | construction laborer |
Enrique Del Val | ... | laborer |
Nicolás J. Franca | ... | laborer |
Apostolos Garanis | ... | assistant decorator |
Jon Garay | ... | props |
Helena García Mármol | ... | assistant props |
Raquel Gibanel | ... | laborer |
Rafael Hernández | ... | laborer |
Mikel Izaguirre | ... | property master |
Koldo Jones | ... | assistant props |
Miguel A. Julián | ... | laborer |
Salvador López | ... | props |
Pedro J. Mas | ... | construction laborer |
Eduardo Mira | ... | construction laborer |
Víctor Molero | ... | assistant set decorator |
Natalia Montes | ... | storyboard artist |
José Luis Moya | ... | construction coordinator |
Ramón Moya | ... | construction manager |
James Nigel | ... | construction laborer |
Lorenzo Pepe | ... | assistant props |
Francisco Javier Pueyo | ... | laborer |
César Roca | ... | laborer |
Sergio Rozas | ... | storyboard artist |
Iñaki Rubio | ... | props buyer |
Martín Sánchez Fernández | ... | painter |
Peio Villalba | ... | props |
Adolfo Álvarez | ... | laborer |
Sound Department
Polo Aledo | ... | assistant sound editor |
Antonio Alfara | ... | assistant sound editor |
José Luis Crespo | ... | sound engineer |
Enrique Domínguez | ... | assistant sound mixer |
Clarissa Farrán | ... | sound re-recordist |
Patrick Ghislain | ... | foley mixer |
Sonia Lozano | ... | sound production assistant |
Gadou Naudin | ... | foley artist / sound effects editor |
Agustín Peinado | ... | sound |
Manuel Peinado | ... | boom operator |
Alfonso Pino | ... | sound mixer |
Javier Santoni | ... | trainee sound technician |
Santiago Thévenet | ... | sound editor (as Santiago Thevenet) |
Ricardo Viñas | ... | dolby sound consultant |
Alejandro Vázquez San Miguel | ... | trainee sound technician (as Alejandro Vázquez) / trainee sound technician |
Special Effects by
Merche Arque | ... | special effects makeup technician |
Arturo Balseiro | ... | special effects makeup technician (as Arturo Balceiro) |
Xavier Bastida | ... | special effects makeup technician (as Xavi Bastida) |
Antonio Castillo | ... | special effects technician |
Manuel Floriano | ... | special effects technician |
David Martí | ... | special effects makeup supervisor |
José M. Meneses | ... | special effects technician: DDT |
Juan Ramón Molina | ... | special effects supervisor |
Montse Ribé | ... | special effects makeup supervisor |
Adolfo Vila | ... | special effects makeup assistant |
Visual Effects by
Carmen Aguirre | ... | digital effects art director |
Helmuth Barnert | ... | digital compositor |
Iñaki Bilbao | ... | digital effects editor |
Juanjo Carretero | ... | digital effects technician |
Nacho Cepero | ... | digital compositor |
Daniel de Madrid | ... | backdraft |
Iñaki Gil | ... | CGI chief operator |
Noelia Gorrón | ... | digital effects producer |
Enrique Jiménez | ... | digital effects technician (as Kike Jiménez) |
Javier Luján | ... | graphics programmer |
Javier Martínez Calvo | ... | graphic designer |
Patricia Matiskei | ... | digital compositor |
Gonzalo Moure | ... | digital compositor |
Alfonso Nieto | ... | digital effects coordinator / digital effects design / digital effects designer / digital effects supervisor |
Marcos Onaindia | ... | digital compositor |
Raul Ortego | ... | digital compositor |
Beatriz Quijada | ... | CGI operator |
Álvaro Rodríguez | ... | digital effects producer |
Telson S.L. | ... | digital post production & effects |
Juan Tomás Sánchez | ... | second editor: digital effects (as Juanio Sánchez) |
Raúl Sánchez | ... | digital compositor |
Silvia Torralba | ... | digital effects producer |
Jon Uriarte | ... | CGI operator |
Rodrigo Vega | ... | CGI operator |
Óscar Villalba | ... | backdraft |
Stunts
Enrique Benito | ... | stunts |
David Bulnes | ... | stunt double: Tristán Ulloa |
Ignacio Carreño | ... | stunt coordinator |
María del Mar Morilla | ... | stunt double: Paz Vega |
Diana Suárez | ... | stunt double: Paz Vega |
Camera and Electrical Department
Asier Altuna | ... | chief electrician (as Asier Altuna 'Koo') |
Tito Arcas | ... | electrician |
Josu Cejuela | ... | electrician |
Iñigo Fernández Ostolaza | ... | video assistant |
Antonio Fernández Santamaría | ... | key grip |
Elías Fernández | ... | electrician |
Joaquín Fernández | ... | assistant camera |
Raúl García | ... | assistant camera |
Sebastián Hernandis | ... | camera operator |
José Hernández Gil | ... | electrician (as José Hernández) / electrician |
José Manuel Herrero | ... | assistant camera |
Josu Inchaustegui | ... | second camera operator / steadicam operator |
Diego López Calvin | ... | still photographer |
Paco Mayo | ... | chief electrician |
Javier Merino | ... | key grip |
Irene Ramos Ballesteros | ... | Camera assist |
Francisco Ramos | ... | key grip |
Irene Ramos | ... | trainee assistant camera |
Francisco Javier Roa | ... | camera operator: making-of documentary |
César Roca | ... | electrician |
Usue Sanz | ... | assistant camera |
Francisco Sánchez | ... | key grip |
Joan Tomás | ... | still photographer |
Xavier Torres | ... | grip |
José Luis Ávila | ... | electrician |
Casting Department
Macarena Pombo | ... | casting assistant |
Ángel Salve | ... | extras casting |
Costume and Wardrobe Department
Luis Alberto Gómez | ... | trainee costume designer |
Sofía Medem | ... | assistant costume designer |
Location Management
Alfonso Jadraque | ... | location manager |
Music Department
Javier Casado Sudupe | ... | music producer: Score arrangers and orchestrator / music programmer / musician: keyboards and piano / score preparation |
Dominique Deguines | ... | musician: fagot |
Salvador Espasa | ... | musician: flute |
Carmen Guillem | ... | musician: oboe |
Jesús Herreros | ... | musician: clarinet |
Cristian Ifrim | ... | musician: viola |
Script and Continuity Department
Montse Ordorica | ... | script supervisor (as Montserrat Ordorica) |
Transportation Department
Lorenzo Cortijo | ... | driver: camera car |
Antonio de Bernardo | ... | driver (as Antonio Martín de Bernardo) |
Ángel Frutos | ... | driver |
Juan Carlos Fuentes | ... | driver: costumes car |
Juan Garcés | ... | driver: costumes car (as Juan C. Garcés) |
Andrés García | ... | driver: production car |
Óscar Girón | ... | driver |
Carlos González | ... | driver: production car |
Juan Luis Grande | ... | driver |
Miguel Ángel López | ... | driver |
Carmelo Morón | ... | driver: camera car |
Joaquín Rodríguez | ... | driver: decoration car |
Javier Sánchez | ... | driver: production car |
Francisco Teijido | ... | driver |
Pablo Trasancos | ... | driver |
Additional Crew
Tatiana Agredante | ... | vigilante |
Pablo Alfaro | ... | financial director: Sogecine |
Piti Alonso | ... | publicist |
Pablo Bernuy | ... | second production assistant |
Beatriz Bodegas | ... | legal department: Sogecine |
Cristina Bosch Moreno | ... | producer: making-of |
Antonio Canalejas | ... | guard |
Blasco Cañete | ... | guard |
Eduardo Chapero-Jackson | ... | production controller: Sogecine (as Eduardo Chapero) |
José Luis Costa | ... | production coordinator |
Pedro Luis de la Torre | ... | production coordinator |
Patricia de la Uz | ... | production collaborator |
Javier de Oleza | ... | administration staff: Sogecine (as Javier Oleza) |
Fernando Esteban | ... | legal department: Sogecine |
Nuria García Atienza | ... | marketing: Sogecine (as Nuria Garcia) |
Rosa García Merino | ... | publicity director |
David García | ... | production collaborator |
Juan Manuel García | ... | guard |
Marga García | ... | marketing: Sogecine (as Margarita García) |
Pedro García | ... | cashier |
Antonio Giménez | ... | marketing: Sogecine |
Montserrat González | ... | legal department: Sogecine (as Monsterrat González Tovar) |
Tony Gray | ... | English subtitles |
Carlos Gómez Ayuso | ... | making-of: execution |
Carlos Haro | ... | technician: info tv |
María Hellín | ... | marketing: Sogecine |
Mar Henche | ... | cashier |
Javier Leal | ... | manager: laboratory |
Jesús López Bonilla | ... | production coordinator |
José Luis López | ... | guard |
Susana Maisterra | ... | production collaborator |
Javier Martín | ... | accountant: Sogecine |
Luis Martín | ... | cashier: Sogecine |
Javier Martínez Calvo | ... | title designer (as Javier Martínez) |
Mónica Martínez | ... | production controller: Sogecine |
José A. Mateo | ... | production collaborator |
Marta Murcia | ... | production collaborator |
Patricia Murcia | ... | first production assistant |
Amaya Muruzábal | ... | production controller: Sogecine (as Amaya Muruzabal) |
Eva Muslera | ... | production controller: Sogecine |
Guillermo Peña | ... | manager: laboratory |
María J. Pérez | ... | guard |
Juana Ramos | ... | administration staff: Sogecine |
Cecilia Rubio | ... | legal department: Sogecine |
Maki Rubio | ... | story editor |
Charo Santamaría | ... | administration staff: Sogecine |
Germán Sela | ... | marketing: Sogecine |
Carlos Subirats | ... | guard |
Francisco Sánchez Ortiz | ... | marketing: Sogecine (as Francisco Sánchez Ortíz) |
Julio E. Valencia | ... | guard |
Gregoria Victoria | ... | assistant to producer |
François Vila | ... | press agent |
Bárbara Yacobi | ... | production secretary |
Aurora Yúfera | ... | production secretary (as Aurora Yúfera Ponte) |
Daniel Zabaco | ... | guard |
Jorge Zarca | ... | accountant: Sogecine |
Simón de Santiago | ... | international sales (uncredited) |
Thanks
Montse Sanz | ... | dedicatee |
Production Companies
- Sogecine
- Alicia Produce
- Canal+ España (with the participation of)
- Televisión Española (TVE) (participation)
- StudioCanal
Distributors
- A-Film Distribution (2002) (Netherlands) (theatrical)
- Colifilms Distribution (2002) (France) (theatrical)
- Cosmopol FD (2002) (Russia) (theatrical)
- Fandango (2003) (Italy) (theatrical)
- Kamras Film Group (2002) (Finland) (theatrical)
- Metro Tartan Distribution Ltd. (2002) (United Kingdom) (theatrical)
- Movienet (2002) (Germany) (theatrical)
- New Star (2024) (Greece) (theatrical) (re-release)
- Palm Pictures (2002) (United States) (theatrical) (subtitled)
- Primer Plano Film Group (2002) (Argentina) (theatrical)
- Rosebud (2002) (Greece) (theatrical)
- Warner Sogefilms A.I.E. (2001) (Spain) (theatrical)
- Xenix Filmdistribution (2002) (Switzerland) (theatrical)
- 20th Century Fox Home Entertainment (2016) (Spain) (Blu-ray)
- A-Film Home Entertainment (2008) (Netherlands) (DVD)
- A-Film Home Entertainment (Netherlands) (VHS)
- ARTE (2022) (France) (tv)
- Alive Vertrieb und Marketing (2018) (Germany) (DVD)
- Cecchi Gori Home Video (2003) (Italy) (DVD)
- Filmperlen (2018) (Germany) (DVD)
- GEM Entertainment (2001) (Non-US) (multi-territory)
- Impuls Home Entertainment (2003) (Switzerland) (DVD)
- Irfan Film (2002) (Turkey)
- Madman Entertainment (2004) (Australia) (DVD)
- Mongrel Media (Canada)
- Music Box Films (2013) (United States) (DVD)
- Music Box Films (2022) (United States) (Blu-ray)
- Odeon (2002) (Greece) (VHS)
- Only Hearts Company (2004) (Japan) (VHS)
- Palisades Tartan (2009) (United Kingdom)
- Palm Pictures (2010) (United States) (Blu-ray)
- SundanceTV (United States) (tv) (as Sundance Channel)
- Trimark Video (2003) (United States) (VHS)
- Vendetta Films (2001) (New Zealand) (DVD)
- Videomax (2004) (Mexico) (DVD)
- Videomax (2004) (Mexico) (VHS)
- Vídeo Mercury Films (2001) (Spain)
- WVG Medien (2003) (Germany) (DVD)
- Warner Home Vídeo (Brazil) (DVD)
- Warner Home Vídeo (Brazil) (VHS)
- Yleisradio (YLE) (2007) (Finland) (tv) (TV1)
Special Effects
- Telson (post-production facilities)
- D.O.T. Efector Especiales (special effects)
- Molina Efectos Especiales (special effects)
Other Companies
- 2001 (extras casting)
- Artistic Palace (foley studios)
- Autos Cadenas (production vehicles)
- Bluescreen S.L. (underwater filming)
- Compañía Espreso (cafeteria)
- Construcciones Moya (set construction)
- Construcciones Pepe Burchés (set construction)
- Cámara Rent Internacional S.A. (camera equipment provided by)
- DYP Comunicación (press office)
- El Igloo (editing)
- El Igloo (post-production)
- Estudios Exa (sound mixing)
- Expert Ejecutivos (security)
- Faunópolis (animals)
- Grip Performance (grip equipment)
- Info TV Producciones S.L. (high definition camera provided by)
- Julián Ruiz S.L. (hair styling and makeup)
- Legiscine (social security)
- Madrid Film S.A. (HDTV to 35 mm transfer)
- Mariano Cárdenas Iluminación S.L. (electrical equipment)
- Miguel Polo Sonido S.L. (walkie talkies)
- Rafael Hosteleria Internacional (catering)
- Red Led (sound recording and mixing)
- S.A.T. S.L. (cranes)
- Servicevision System S.A. (electrical equipment)
- Telson (digital post-production)
- Viajes Esmérita (travel agency)
- Ángel Megino (transportation)
Storyline
Plot Summary |
Lucia is a waitress who lives and works in Madrid. After what she believes to be the loss of her boyfriend, the tortured writer Lorenzo, she flees to a secluded island that he had often told her about. There she meets Carlos and Elena, who have also run away to the island to escape personal tragedy. Unbeknownst to them, all three have a connection to Lorenzo. Elena met him many years ago on that same island and enjoyed beautiful, anonymous lovemaking with him in the sea by the light of a full moon. 9 months later, Elena gave birth to Luna, but never managed to find Lorenzo. Carlos was the stepfather of Belen, who disappeared after she unwittingly caused the death of Luna. As she hears more about the past of her two new housemates, Lucia is reminded of the book Lorenzo was writing, a tale about a journey into a dark, deep past that brought on his depression. Soon, the lines between fact and fiction begin to fall apart. Written by Cervantes |
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Parents Guide | View content advisory » |
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Box Office
Opening Weekend Spain | ESP83,400,000, 26 Aug 2001 |
Did You Know?
Trivia | Some of the most sexual explicit content was made by doubles, not by the main actors. See more » |
Goofs | A full moon between two buildings is shown during midday when Lorenzo meets his daughter Luna for the first time - which is astronomically impossible. See more » |
Movie Connections | Featured in Room in Rome (2013). See more » |
Soundtracks | Un Rayo de Sol See more » |
Crazy Credits | Credits scroll in the opposite direction. See more » |
Quotes |
Lorenzo:
The first advantage is at the end of the story. It doesn't finish, it falls in a hole. And the story starts again halfway. The other advantage, and the biggest, is that you can change course along the way... If you let me. If you give me time. Elena: All the time you want. See more » |