Max (2002/I)

Calificación de los usuarios:

6.6/10   

Director:

Menno Meyjes

Guionista (WGA):

Menno Meyjes (written by)

Fecha de Lanzamiento:

8 mayo 2003 (Netherlands)

Género:

Drama | Guerra

Frase comercial:

Art + Politics = Power

Plot:

A film studying the depiction of a friendship between an art dealer named Rothman and his student, Adolf Hitler.

Plot Keywords:

Hitler | Art | Artist | Art Dealer | Public Speaking

Premios:

2 wins & 4 nominations

Comentarios de los usuarios:

not bad, but misunderstood

Reparto

John Cusack	...	Max Rothman
Noah Taylor	...	Adolf Hitler
Leelee Sobieski	...	Liselore von Peltz
Molly Parker	...	Nina Rothman
Ulrich Thomsen	...	Captain Mayr
David Horovitch	...	Max's Father
Janet Suzman	...	Max's Mother
András Stohl	...	NCO
John Grillo	...	Nina's Father
Anna Nygh	...	Nina's Mother
Krisztián Kolovratnik	...	Nina's Brother
Peter Capaldi	...	David Cohn
Yuliya Vysotskaya	...	Hildegard
János Kulka	...	Mr. Epp
Katalin Pálfy	...	Mrs. Epp

También conocida como:

Hoffman (USA) (working title)

MPAA:

Rated R for language.

Duración:

106 min

País:

Hungary | Canada | UK

Idioma:

Inglés

Color:

Color

Relación de Aspecto:

1.85 : 1

Sonido:

Dolby Digital

Clasificación:

Australia:M | Netherlands:12 | Singapore:NC-16 (original rating) | Singapore:PG (edited for re-rating) | USA:R | UK:15

Locaciones de Filmación:

Amsterdam, Noord-Holland, Netherlands

Compañía:

AAMPI Inc.

Trivialidades:

To help get this controversial movie financed, producer/star John Cusack took no salary for acting in the lead role.

Errores:

Anacronismos: The family gathers to listen to the reports of the Armistice Agreement Terms on a radio. However, broadcasting in Germany didn't start until 1923 and was strictly experimental and limited before that. This scene took place in 1918.

Citas:

Liselore Von Peltz: Where's your wife?
Max Rothman: Waiting for her entrance, I suppose.
Liselore Von Peltz: And where does that leave me?
Max Rothman: Talented, with options.

Conexiones de Película:

Apareció en "Cinemania: I anodos kai i ptosi tou Nazismou" (2008)

not bad, but misunderstood

Overall, I would say the film wasn't bad. Full marks for embracing the radical concept that Hitler was a human being.

Reading many of the comments posted here, I would say that the film has been somewhat misunderstood. Understandably, the viewers focus on the portrayal of Hitler. But the film is titled "Max", not "Adolf." Max, the art dealer, is the focal character of the story, not Hitler. I think that the film shows the blindness of so many Germans in the interwar years, people who saw what they wanted to see in Hitler and ignored the rest. Max saw Hitler as an amusing ex-soldier artist and futurist, and brushed off the ideology underlying his futurist visions. Max is emblematic of an army that saw his desire to rearm and ignored the ideology that would strip the army of its historic identity, of business owners who saw his committment to controling labor but ignored the ideology which would also put a stranglehold on business, of ordinary Germans who saw a strong leader to deal with their country's problems but ignored his desire for war and conquest. As recently pointed out in Woody Allen's "Anything Else", there were German Jews who supported Hitler, because they saw a strong leader. To me, "Max" is the story of the blindness that overcame so many Germans, blindness that paved the way for Hitler's rise to power.

I've read in a few comments that Hitler claims, in the film, to have not been anti-Semitic. That is not correct. Rather, as he says in the barracks, he opposes "emotional" anti-Semitism. In his mind, anti-Semitism should be based on "scientific" fact rather than raw emotions. To him, it is a self-evident truth arrived at logically by observing the Jews and their ways. This is historically correct. His big anti-Semitic speech at the end of the film is taken straight out of Mein Kampf, and shows this approach.