Dracula: Pages from a Virgin's Diary (2002)

Calificación de los usuarios:

7.0/10   

Director:

Guy Maddin

Escritores:

Bram Stoker (novel)
Mark Godden (ballet Dracula)

Fecha de Lanzamiento:

12 diciembre 2003 (UK)

Género:

Horror | Musical

Plot:

A ballet rendition of Bram Stoker's gothic novel DRACULA, presented in a style reminiscent of the silent...

Plot Keywords:

Gothic | Ballet | Dracula | Dance | Fiancee

Premios:

3 wins & 1 nomination

Comentarios de los usuarios:

"Only from the mind of Maddin"

Reparto

Wei-Qiang Zhang	...	Dracula (as Zhang Wei-Qiang)
Tara Birtwhistle	...	Lucy Westernra
David Moroni	...	Dr. Van Helsing
CindyMarie Small	...	Mina
Johnny A. Wright	...	Jonathon Harker (as Johnny Wright)
Stephane Leonard	...	Arthur Holmwood
Matthew Johnson	...	Jack Seward
Keir Knight	...	Quincy Morris
Brent Neale	...	Renfield
Stephanie Ballard	...	Mrs. Westernra
Sarah Murphy-Dyson	...	Maid / Nun / Vampiress
Carrie Broda	...	Maid / Nun
Gail Stefanek	...	Maid / Vampiress
Janet Sartore	...	Maid / Nun
Jennifer Welsman	...	Gargoyle / Nun

También conocida como:

Drácula - El diario de una virgen (Venezuela) [es]

Duración:

73 min

País:

Canada

Idioma:

Inglés

Color:

Negro y Blanco | Color

Relación de Aspecto:

1.85 : 1

Sonido:

Stereo

Clasificación:

UK:12A

Locaciones de Filmación:

Winnipeg, Manitoba, Canada

Compañía:

Vonnie Von Helmolt Film

"Only from the mind of Maddin"

What an absolute thrill, from start to finish, just experiencing the `artistic conception' of this reverent homage to silent film, featuring Canada's Royal Winnipeg Ballet, a stunning performance by Zhang Wei-Qiang as Dracula, and the brilliant production design of Deanne Rohde. Once again, Guy Maddin has created a unique, conceptualized universe all his own; there's nothing else in cinema quite like his eerie, dreamlike imagery. This film is immersed in the thundering power of Mahler's `Resurrection' 2nd Symphony, a work which itself features an ascension from all things human and earthly, and rises into the glorious heavens, a transcendent experience which, musically, grounds this film. From this theme, we add vampires, whose lust for blood promises life everlasting. The performance of Zhang Wei-Qiang dominates throughout, as he is easily the most fascinating stage personality, filled with a mesmerizing ability to seduce and ultimately possess his willing screen sirens, and while I can't speak for anyone else, I always root for him against his puritanesque nemesis, Dr Van Helsing, the leader of the repressed gang of vampire slayers. Ballet director Mark Godden choreographed the ballet adapted by Maddin for this film, so there is constant motion on screen. All this is done in image and in dance, with exaggerated gestures and with an extreme grace in movements, magnificently sensuous and macabre, shrouded in fog and black and white shadows, with only the tiniest color tints. Each frame, by itself, is a still masterpiece; the imagery is that overpowering. But when put in motion by such gifted hands as Maddin's, the film experience is indescribable, but unforgettable.